In the Shadow of Dred Scott


Book Description

The Dred Scott suit for freedom, argues Kelly M. Kennington, was merely the most famous example of a phenomenon that was more widespread in antebellum American jurisprudence than is generally recognized. The author draws on the case files of more than three hundred enslaved individuals who, like Dred Scott and his family, sued for freedom in the local legal arena of St. Louis. Her findings open new perspectives on the legal culture of slavery and the negotiated processes involved in freedom suits. As a gateway to the American West, a major port on both the Mississippi and Missouri Rivers, and a focal point in the rancorous national debate over slavery’s expansion, St. Louis was an ideal place for enslaved individuals to challenge the legal systems and, by extension, the social systems that held them in forced servitude. Kennington offers an in-depth look at how daily interactions, webs of relationships, and arguments presented in court shaped and reshaped legal debates and public attitudes over slavery and freedom in St. Louis. Kennington also surveys more than eight hundred state supreme court freedom suits from around the United States to situate the St. Louis example in a broader context. Although white enslavers dominated the antebellum legal system in St. Louis and throughout the slaveholding states, that fact did not mean that the system ignored the concerns of the subordinated groups who made up the bulk of the American population. By looking at a particular example of one group’s encounters with the law—and placing these suits into conversation with similar encounters that arose in appellate cases nationwide—Kennington sheds light on the ways in which the law responded to the demands of a variety of actors.




The Valley of Shadows


Book Description

"This book is not a novel, but the recollections of scenes and episodes of my early life in Illinois and Missouri"--Pref.




Gay and Lesbian St. Louis


Book Description

In the late 19th century, St. Louis--America's fourth-largest city--was a hub of robust commerce and risqué entertainment. It provided an oasis for those who lived "in the shadows." Since 1764, the Gateway to the West's LGBT community has experienced countless struggles and successes, including protests, arrests, murders, celebrations, and parades. St. Louis had its own version of Stonewall in October 1969 and is the hometown of icons such as Tennessee Williams and Josephine Baker. A colorful array of activists, drag queens, leather men, artists, academics, business leaders, and everyday folks have contributed to the rich fabric of the lesbian and gay community in St. Louis.




BAG


Book Description

From 1968 to 1972, St. Louis was home to the Black Artists' Group (BAG), a seminal arts collective that nurtured African American experimentalists involved with theater, visual arts, dance, poetry, and jazz. Inspired by the reinvigorated black cultural nationalism of the 1960s, artistic collectives had sprung up around the country in a diffuse outgrowth known as the Black Arts Movement. These impulses resonated with BAG's founders, who sought to raise black consciousness and explore the far reaches of interdisciplinary performance--all while struggling to carve out a place within the context of St. Louis history and culture.A generation of innovative artists--Julius Hemphill, Oliver Lake, and Emilio Cruz, to name but a few--created a moment of intense and vibrant cultural life in an abandoned industrial building on Washington Avenue, surrounded by the evisceration that typified that decade's "urban crisis." The 1960s upsurge in political art blurred the lines between political involvement and artistic production, and debates over civil rights, black nationalism, and the role of the arts in political and cultural struggles all found form in BAG. This book narrates the group's development against the backdrop of St. Louis spaces and institutions, examines the work of its major artists, and follows its musicians to Paris and on to New York, where they played a dominant role in Lower Manhattan's 1970s "loft jazz" scene. By fusing social concern and artistic innovation, the group significantly reshaped the St. Louis and, by extension, the American arts landscape.




Shadow Traces


Book Description

Images of Japanese and Japanese American women can teach us what it meant to be visible at specific moments in history. Elena Tajima Creef employs an Asian American feminist vantage point to examine ways of looking at indigenous Japanese Ainu women taking part in the 1904 Louisiana Purchase Exposition; Japanese immigrant picture brides of the early twentieth century; interned Nisei women in World War II camps; and Japanese war brides who immigrated to the United States in the 1950s. Creef illustrates how an against-the-grain viewing of these images and other archival materials offers textual traces that invite us to reconsider the visual history of these women and other distinct historical groups. As she shows, using an archival collection’s range as a lens and frame helps us discover new intersections between race, class, gender, history, and photography. Innovative and engaging, Shadow Traces illuminates how photographs shape the history of marginalized people and outlines a method for using such materials in interdisciplinary research.




A Kiss of Shadows


Book Description

NEW YORK TIMES BESTSELLER Meet Merry Gentry, paranormal P.I., and enter a thrilling, sensual world as dangerous as it is beautiful, full of earthly pleasures and dazzling magic, and ruled by the all-consuming passions of immortal beings once worshipped as gods . . . or demons. Merry Gentry, princess of the high court of Faerie, is posing as a human in Los Angeles, working as a private investigator specializing in supernatural crime. But now the queen’s assassin has been dispatched to fetch her—whether she likes it or not. Suddenly Merry finds herself a pawn in her dreaded aunt’s plans. The job that awaits her: enjoy the constant company of the most beautiful immortal men in the world. The reward: the crown—and the opportunity to continue to live. The penalty for failure: death. BONUS: This edition includes an excerpt from Laurell K. Hamilton’s A Shiver of Light. Praise for Laurell K. Hamilton and A Kiss of Shadows “One of the most inventive and exciting writers in the paranormal field.”—Charlaine Harris “Sexy . . . Merry’s adventures are engaging and keep the reader turning the pages.”—St. Louis Post-Dispatch “Stunning . . . steamy . . . an exciting and original world.”—San Jose Mercury News “I’ve never read a writer with a more fertile imagination.”—Diana Gabaldon




Flame and Shadow


Book Description




In Cobb's Shadow


Book Description

Considered one of the greatest baseball players of all time, Ty Cobb cast a shadow over the game with his violent behavior on the field and off. His shadow was never darker than when it fell on his teammates. Sam Crawford, Harry Heilmann and Heinie Manush were three of the greatest players in baseball history, good enough to be in the National Baseball Hall of Fame. Each played in the Detroit outfield alongside Cobb, though their fame never reached the level of his. Little is remembered about this trio of Hall of Famers. Crawford, the all-time triples leader, Heilmann, the last right-handed batter to hit .400, and Manush, another batting champion, each made his own mark on the game, detailed for the first time in this triple biography.




Saint Louis Armstrong Beach


Book Description

The gripping story of a boy, a dog and a hurricane Saint is a boy with confidence as big as his name is long. A budding musician, he earns money playing clarinet for the New Orleans tourists. His best friend is a stray dog named Shadow, and it's because of Shadow that Saint's still in town when Hurricane Katrina hits. Saint's not worried about the hurricane at first--he plans to live to be a hundred just to defy his palm-reader friend Jupi, who told him he had a short life line. But now the city has been ordered to evacuate and Saint won't leave without Shadow. His search brings him to his elderly neighbor's home and the three of them flee to her attic when the waters rise. But when Miz Moran's medication runs out, it's up to Saint to save her life--and his beloved Shadow's.




Memory's Shadow


Book Description

"Set in the tumultuous 1970s when women, African Americans, and the gay and lesbian community fought for equality while a "New Right" mobilized in defense of political conservatism and traditional family values, Memory's Shadow is the story of a family that survived the Holocaust and their ongoing engagement with that legacy long after World War II has ended. The novella deals with memory and mourning through the lens of the adult sisters in the Berk family. Hetty the oldest, a real estate agent, is fearful of the urban black population moving into her "safe" Jewish suburb. Toni, the second sister, an unmarried intellectual and feminist, is determined to raise a child on her own. Linda Sue, the youngest and most compassionate of the three, is a teacher driven by the need to solve the mystery of her family's survival in the Lodz ghetto during the Nazi occupation. Memory's Shadow is a tale of family loyalty, friendship, and resilience in the face of an unimaginable recurrence of tragedy."--