Burning Shakespeare


Book Description

"Part Connie Willis time-travel, part Douglas Adams whimsy, part Julie Schumacher academic satire, with a refreshing touch of Key & Peele, Burning Shakespeare is also a clear-eyed assessment of what we love -- and hate -- about Shakespeare." -- Sujata Iyengar, author of Shades of Difference: Mythologies of Skin Color and Race in Early Modern England and Shakespeare's Medical Language Or, "Funnier than Timon of Athens, sadder than As You Like It, Burning Shakespeare fantasizes a world in which all of Shakespeare's plays come perilously close to joining the library of the lost." Paul Menzer, Dean of the College of Visual and Performing Arts, Mary Baldwin University "If in some parallel universe Terry Pratchett and Neil Gaiman had collaborated with A.C. Bradley, they might imaginably have come up with a novel both as funny and as intellectually exciting as A.J. Hartley's Burning Shakespeare. But I doubt it." Professor Michael Dobson, Director of the Shakespeare Institute, Stratford-Upon-Avon Shakespeare's works are being wiped from history - and only a group of ill-assorted dead people can save them! This whimsical romp from now to Shakespeare's day, via Hell, wears its learning lightly, but is as illuminating as funny. Highly recommended! Tiffany Stern Fellow of the British Academy, General Editor, Arden Shakespeare: 4 "Beelzebub, Belial, Shakespeare, and the academy: what could go wrong? Burning Shakespeare does just what novels featuring Shakespeare fail to do, taking readers on a wild, witty, sometimes even poignant ride, leaving us with the faint scent of brimstone, too." W. B. Worthen, Alice Brady Pels Professor in the Arts, Barnard College, Columbia University "I have met many who didn't like Shakespeare but never someone who hated his work enough to destroy all trace of it. AJ Hartley's novel about someone who loathed Shakespeare that much is smart, funny and action-packed. It's also far more enjoyable than most people seem to suppose Shakespeare's plays are." Peter Holland, Chair, International Shakespeare Association How would the world look without the influence of Shakespeare pervading so many aspects of life and culture and belief? In a race against time, with the fate of lives and souls hanging in the balance, the forces of good and evil battle to save or destroy Shakespeare's works. Which side works to which end? That is the question, isn't it? Would we be better off without Romeo and Juliet, Hamlet, Othello, and the others, or would the safety valve that theatrical expression provides back up into an explosion of apocalyptic proportions? Follow the cast of this tale--from university student to petty thief to talk show host--as they travel through time and space in Burning Shakespeare.




Shakespeare's Bawdy


Book Description




Shakespeare's Bawdy


Book Description

This classic work sold with continued success in its original format This new edition will attract review coverage and is appearing in the Autumn Partridge Promotion Foreword by Stanley Wells - General editor of `Oxford Shakespeare'







Shakespeare's Tragedies


Book Description

This Guide steers students through the critical writing on Shakespeare’s tragedies from the sixteenth century to the present day. Guides students through four centuries of critical writing on Shakespeare’s tragedies. Covers both significant early views and recent critical interventions. Substantial editorial material links the articles and places them in context. Annotated suggestions for further reading allow students to investigate further.




Shakespeare's Sublime Ethos


Book Description

Shakespeare’s Sublime Ethos: Matter, Stage, Form breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. More specifically, it explores how Shakespeare generates a sublime mood or ethos which predisposes audiences intellectually and emotionally for the full experience of sublime pathos, explored in the companion volume, Shakespeare’s Sublime Pathos. To do so, it examines Shakespeare’s invention of sublime matter, his exploitation of the special characteristics of the Elizabethan stage, and his dramaturgical and formal simulacra of absolute space and time. In the process, it considers Shakespeare’s conception of the universe and man’s place in it and uncovers the epistemological and existential implications of key aspects of his art. As the argument unfolds, a case is made for a transhistorically baroque Shakespeare whose "bastard art" enables the dramatic restoration of an original innocence where ignorance really is bliss. Taken together, Shakespeare’s Sublime Ethos and Shakespeare’s Sublime Pathos show how Shakespearean drama integrates matter and spirit on hierarchical planes of cognition and argue that, ultimately, his is an immanent sublimity of the here-and-now enfolding a transcendence which may be imagined, simulated or evoked, but never achieved.




Shakespeare's Non-Standard English


Book Description

Most scholarly attention on Shakespeare's vocabulary has been directed towards his enrichment of the language through borrowing words from other languages and has thus concentrated on the more learned aspects of his vocabulary. However, the bulk of Shakespeare's output consists of plays and to make these appear lifelike he needed to employ a colloquial and informal style. This aspect of his work has been largely disregarded apart from his bawdy language. This dictionary includes all types of non-standard and informal language and lists all examples found in Shakespeare's works. These include dialect forms, colloquial forms, non-standard and variant forms, fashionable words and puns. >




Shakespeare's Tragic Cosmos


Book Description

This study focuses on Romeo and Juliet, Julius Caesar, the four main tragedies and Antony and Cleopatra. Tom McAlindon argues that there were two models of nature in Renaissance culture, one hierarchical, in which everything has an appointed place, and the other contrarious, showing nature as a tense system of interacting opposites, liable to sudden collapse and transformation. This latter model informs Shakespeare's tragedy.







A Dictionary of Shakespeare’s Sexual Puns and Their Significance


Book Description

'...Rubinstein is far from innocent and comes to our aid with a lot of learning...and is quite right to urge that not to appreciate the sexiness of Shakespeare's language impoverishes our own understanding of him. For one thing, it was a strong element in his appeal to Elizabethans, who were much less woolly-mouthed and smooth-tongued than we are. For another, it has constituted a salty preservative for his work, among those who can appreciate it...an enlightening book.' A.L.Rowse, The Standard.