Shakespeare Problems
Author :
Publisher :
Page : 164 pages
File Size : 14,1 MB
Release : 1920
Category :
ISBN :
Author :
Publisher :
Page : 164 pages
File Size : 14,1 MB
Release : 1920
Category :
ISBN :
Author : Vivian Thomas
Publisher : Routledge
Page : 196 pages
File Size : 31,57 MB
Release : 2021-03-30
Category : Literary Criticism
ISBN : 100035010X
What is it that makes Shakespeare’s problem plays problematic? Many critics have sought for the underlying vision or message of these puzzling and disturbing dramas. Originally published in 1987, the key to Viv Thomas’s new synthesis of the plays is the idea of fracture and dissolution in the universe. From the collapse of ‘degree’ in Troilus and Cressida to the corruption at the heart of innocence in Measure for Measure, to the puzzling status of virtue and valour in All’s Well, the most obvious feature of these plays in their capacity to prompt new questions. In a detailed discussion of each play in turn, the author traces the dominant themes that both distinguish and unite them, and provides numerous insights into the sources, background, texture and morality of the plays.
Author : Margaret Jane Kidnie
Publisher : Taylor & Francis
Page : 234 pages
File Size : 47,13 MB
Release : 2009
Category : Art
ISBN : 0415308674
Kidnie brings current debates in performance criticism in contact with recent developments in textual studies to explore what it is that distinguishes Shakespearean work from its apparent other, the adaptation.
Author : Ernest Schanzer
Publisher : Routledge
Page : 209 pages
File Size : 35,90 MB
Release : 2013-11-05
Category : Literary Criticism
ISBN : 1136564896
The opening chapter traces the history of the term 'problem plays' as applied to Shakespeare and defines it more clearly and precisely than has been done in the past. Julius Caesar, Measure for Measure, Antony and Cleopatra are then discussed in separate chapters, not only as problem plays but from various points of view: such matters as themes, structural pattern, character-problems, the play's relation to its sources as well as to other plays in the canon, are all touched upon.
Author : Kenneth Muir
Publisher : Cambridge University Press
Page : 168 pages
File Size : 16,67 MB
Release : 1982-02-18
Category : Literary Criticism
ISBN : 9780521239592
These articles, reprinted from various volumes of Shakespeare Survey, concern three plays which have gradually become appreciated by critics and in the theatre. Since the early years of this century they have been seen as an interrelated group, with a peculiarly twentieth-century appeal. Measure for Measure, concerned as it is with adolescents' first encounters with sex, love and death, has a special appeal for young people; Troilus and Cressida, set in the Trojan War, has been found deeply relevant to our own war-troubled times; and All's Well That Ends Well, sharing these preoccupations, is a necessary companion piece. John Barton, who has directed all three plays, is interviewed in one of the articles, which together illustrate the often heated controversy about the plays. Reviews and photographs of post-war productions at Stratford are also included. The book as a whole is designed as a stimulating introduction to these plays and to conflicting interpretations of them.
Author : George Koppelman
Publisher : Axletree Books
Page : 407 pages
File Size : 28,7 MB
Release : 2015-10-01
Category : Literary Criticism
ISBN : 0692500324
A study of manuscript annotations in a curious copy of John Baret's ALVEARIE, an Elizabethan dictionary published in 1580. This revised and expanded second edition presents new evidence and furthers the argument that the annotations were written by William Shakespeare. This ebook contains text in color, and images. We recommend reading it on a device that displays both.
Author : William Shakespeare
Publisher : Sta
Page : 0 pages
File Size : 30,77 MB
Release : 2024-05-15
Category : Fiction
ISBN :
Comedy and Tragedy--Collected here in one binding are All's Well That Ends Well Measure for Measure and The History of Troilus and Cressida. Collectively they are known as Shakespeare's Problem Plays. While the first two are usually placed with the comedies and the later with the tragedies none of them fit neatly into either classification. Their structure subject matter and resolutions create problems for those who want simple classifications. The term was coined by critic F. S. Boas who believed that these plays each explored a moral dilemma and social problem through their main characters giving the term a layered meaning. O it is excellentTo have a giant's strength;But it is tyrannousTo use it like a giant.
Author : Levin Ludwig Schücking
Publisher :
Page : 280 pages
File Size : 50,12 MB
Release : 1922
Category :
ISBN :
Author : E.L. Risden
Publisher : McFarland
Page : 233 pages
File Size : 19,85 MB
Release : 2012-10-06
Category : Performing Arts
ISBN : 1476600945
Shakespeare's plays provide a rich source of genre variation as well as moral or ethical issues that invite deep study. The genre issue often proves the very moral crux where Shakespeare raises the most complex questions. He aimed to build good plays, not simple fulfillments of genre demands. To him "good plays" meant leaving his audience with problems to consider. This book begins with those works most commonly appearing in studies of problem plays, The Merchant of Venice, Troilus and Cressida, All's Well That Ends Well, Measure for Measure; moves to some comedic problem plays, Much Ado About Nothing, A Midsummer Night's Dream, and Twelfth Night; and then to tragic problem plays, Hamlet, Othello, and King Lear. It concludes with some problems in the history and romance genres for the issues they raise in love, adventure, and governance: Henry IV, Part 1, Henry V, Cymbeline, The Tempest, and Love's Labor's Lost.
Author : Terence Hawkes
Publisher : Routledge
Page : 232 pages
File Size : 29,65 MB
Release : 2013-10-11
Category : Literary Criticism
ISBN : 1136568042
'Mr Hawkes is a good critic, oriented towards history of ideas. He operates on the formula that Shakespeare was interested in the available distinctions between discursive and intuitive reason, and disliked a growing tendency for the first to be thought of as manly and the second effeminate. One sees how this action-contemplation polarity works, in Hamlet for instance, and Mr Hawkes thinks the kind of choices forced on tragic heroes can be better understood in terms of it.' Frank Kermode, New Statesman. In the seven plays on which the book concentrates, Terence Hawkes finds Shakespeare investigating the operation of two opposed forms of reason, and constructing dramatic metaphors such as the opposition between appearance and reality, or that between true 'manliness' and its false counterpart, which express to the full the tragic nature of the situation.