Shakespeare's Classical Mythology


Book Description

"Mythological figures, creatures, places and stories crowd Shakespeare's plays and poems, featuring as allusions, poetic analogies, inset shows, scene settings, and characters or plots in their own right. This dictionary illuminates these, bringing them to life for today's audiences, readers and theatre practitioners. The 200 headings correspond to words and names actually used by Shakespeare: individual figures (Dido, Venus, Hercules), categories (Amazons, Centaurs, nymphs, satyrs), places (Colchos, Troy). Medium and longer entries also cover early modern usage and critical analysis in a cross-disciplinary approach that includes reception, textual, performance, gender and political studies"--




Shakespeare’s Classical Mythology: A Dictionary


Book Description

Why does Bassanio compare himself to Jason? What is Hecuba to Hamlet? Is the mechanicals' staging of the Pyramus and Thisbe story funny or sad? This dictionary elucidates Shakespeare's use of mythological references in an early modern context, while bringing them to life for today's audiences and readers, at a time of renewed critical interest in the reception of the classics and fascination with classical mythology in popular culture. It is also a precious tool for practitioners who may not always know quite what to make of mythological references. Mythological figures, creatures, places and stories crowd Shakespeare's plays and poems, featuring as allusions, poetic analogies, inset shows, scene settings and characters or plots in their own right. Most of these references were familiar to Shakespeare's spectators and readers, who knew them from the writings of Ovid, Virgil and other classical authors, or indirectly through translations, commentaries, ballads and iconography. This dictionary illustrates how, far from being isolated, a mythological reference may resonate with the poetics of the text and its structure, cast light on characters and contexts, and may therefore be worth exploring onstage in a variety of ways. The 200 headings correspond to words and names actually used by Shakespeare: individual figures (Dido, Venus, Hercules), categories (Amazons, Centaurs, nymphs, satyrs), places (Colchos, Troy). Medium and longer entries also cover early modern usage and critical analysis in a cross-disciplinary approach that includes reception, textual, performance, gender and political studies.




The Dictionary of Classical Mythology


Book Description

Over 2,000 entries with simple, complete explanations of classical myths, heroes, authors, works, place names and symbols. And a bibliography of recommended translations of Greek and Latin prose and poetry. “A knowledge of classical mythology is indispensable in understanding and appreciating much of the great literature, sculpture, and painting of both the ancients and the moderns. Unless we know the marvelous stories of the deities and heroes of the ancients, their great literature and art as much later work down to the present day will remain unintelligible. Through the centuries from Chaucer, Spencer, Shakespeare, and Milton on, not only the major writers but also hundreds of lesser writers have retold the old tales or used them as a point of departure for new interpretations in terms of contemporary problems and psychology.”—From author’s Introduction







Shakespeare’s Classical Mythology: A Dictionary


Book Description

Why does Bassanio compare himself to Jason? What is Hecuba to Hamlet? Is the mechanicals' staging of the Pyramus and Thisbe story funny or sad? This dictionary elucidates Shakespeare's use of mythological references in an early modern context, while bringing them to life for today's audiences and readers, at a time of renewed critical interest in the reception of the classics and fascination with classical mythology in popular culture. It is also a precious tool for practitioners who may not always know quite what to make of mythological references. Mythological figures, creatures, places and stories crowd Shakespeare's plays and poems, featuring as allusions, poetic analogies, inset shows, scene settings and characters or plots in their own right. Most of these references were familiar to Shakespeare's spectators and readers, who knew them from the writings of Ovid, Virgil and other classical authors, or indirectly through translations, commentaries, ballads and iconography. This dictionary illustrates how, far from being isolated, a mythological reference may resonate with the poetics of the text and its structure, cast light on characters and contexts, and may therefore be worth exploring onstage in a variety of ways. The 200 headings correspond to words and names actually used by Shakespeare: individual figures (Dido, Venus, Hercules), categories (Amazons, Centaurs, nymphs, satyrs), places (Colchos, Troy). Medium and longer entries also cover early modern usage and critical analysis in a cross-disciplinary approach that includes reception, textual, performance, gender and political studies.




The Dictionary of Classical Mythology


Book Description

Includes both major and minor characters from Greek and Roman mythology, place names, symbols, allusions in literature, etc.




Classical Mythology in Shakespeare


Book Description

Excerpt from Classical Mythology in Shakespeare The term classical mythology has been taken to include not only the divinities of the ancient religion and such tales as those of Ovid's Metamorphoses, but also the heroes of the Trojan war and the personages of the Æneid. In a number of cases, such, for example, as Fortune, Nature, and Fame, it has not been easy to draw a hard and fast line between mythology and mere philosophical personification. In Part First, where the myths are discussed severally, I have been inclined to include such subjects, while excluding them as doubtful from the generalizations of Part Second and the Introduction. Any work in the field of Shakespearian commentary must, of course, be a gleaning of the ears left unnoticed by earlier commentators; but in my corner of the field I have found the gleaning richer than I expected. Though the great mass of Shakespearian scholarship makes it impossible to say with certainty that any given point has not been noticed, I have found that after free use of the Variorum edition of 1821 and, as far as it has been completed, of the Variorum edition of Dr. Furness, there was still plenty of room for original investigation. In this investigation the mythological dictionaries of Roscher, Pauly-Wissowa, and Smith have been of constant assistance. The Globe edition of Shakespeare has been used for quotation and reference; but in giving a list of citations I have followed the approximately chronological order of the plays in the Leopold edition, though always putting the doubtful plays at the end of the list. In citing Shakespearian plays, I have adopted the abbreviations of Schmidt's Shakespeare Lexicon. The citations from Golding's Ovid are from the edition of 1575. The editions of Ovid and Vergil by Merkel and Ribbeck respectively have been used in citations from those authors. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




A Dictionary of Non-Classical Mythology


Book Description

Old Teutonic ideas concerning the dead were not very defined. Souls were conceived as in the air, sweeping past on the winds; they formed the phantom host accompanying the wild huntsmen of popular tradition. Or they might be dwelling in the hills, perhaps feasting there with Odhin, before Valhalla was known... -from then entry for Hel, the early Scandinavian abode of the dead From "Aah" (an Egyptian moon god) to "Ziudsuddu" (the Sumerian hero of the Creation), this is a deliciously browsable dictionary of the folklore of Europe, the ancient Americas, and the Near and Far East. Originally published in 1912 and weaving connections between the deities and legendary heroes of diverse traditions-are Krishna and Arthur spiritual brothers?-this will delight readers of mythology and comparative religion. Scottish occultist LEWIS SPENCE (1874-1955) was a fellow of the Royal Anthropological Institute of Great Britain and Ireland, and vice president of the Scottish Anthropological and Folklore Society. A renowned scholar of the Atlantis myth, he authored numerous books of mythology, folklore, and the occult, including The History of Atlantis (1926), The Occult Causes of the Present War (1940), and The Magic Arts in Celtic Britain (1945). MARIAN EDWARDES also wrote A Pocket Lexicon & Concordance to the Temple Shakespeare and translated (with Edgar Taylor) Fairy Tales, by the Brothers Grimm.




Classical Myths and Legends in the Middle Ages and Renaissance


Book Description

While numerous classical dictionaries identify the figures and tales of Greek and Roman mythology, this reference book explains the allegorical significance attached to the myths by Medieval and Renaissance authors. Included are several hundred alphabetically arranged entries for the gods, goddesses, heroes, heroines, and places of classical myth and legend. Each entry includes a brief account of the myth, with reference to the Greek and Latin sources. The entry then discusses how Medieval and Renaissance commentators interpreted the myth, and how poets, dramatists, and artists employed the allegory in their art. Each entry includes a bibliography and the volume concludes with appendices and an extensive bibliography of primary and secondary sources.




Dictionary of Classical Mythology


Book Description

Jenny March’s acclaimed Dictionary of Classical Mythology, first published in 1998 but long out of print, has been extensively revised and expanded including a completely new set of beautiful line-drawing illustrations for this Oxbow edition. It is a comprehensive A – Z guide to Greek and Roman mythology. All major myths, legends and fables are here, including gods and goddesses, heroes and villains, dangerous women, legendary creatures and monsters. Characters such as Achilles and Odysseus have extensive entries, as do epic journeys and heroic quests, like that of Jason and the Argonauts to win the Golden Fleece, all alongside a plethora of information on the creation of the cosmos, the many metamorphoses of gods and humans, and the Trojan War, plus more minor figures – nymphs, seers, kings, rivers, to name but a few. In this superbly authoritative work the myths are brilliantly retold, along with any major variants, and with extensive translations from ancient authors that give life to the narratives and a sense of the vibrant cultures that shaped the development of classical myth. The 172 illustrations give visual immediacy to the words, by showing how ancient artists perceived their gods and heroes. The impact of myths on ancient art is also explored, as is and their influence in the postclassical arts, emphasising the ongoing inspiration afforded by the ancient myths. Also included are two maps of the ancient world, a list of the ancient sources and their chronology, the more important genealogies, and an index of recurrent mythical motifs.