Shakespeare's Face


Book Description

A fascinating literary detective story charting the surprising, true history of a recently discovered painting of Shakespeare held by the same family for 400 years -- adding new drama to the Bard's life. When author Stephanie Nolen reported the discovery of the only portrait of William Shakespeare painted while he was alive, the announcement ignited furious controversy around the world. Now, in this provocative biography of the portrait, she tells the riveting story of how a rare image of the young Bard at thirty-nine came to reside in the suburban home of a retired engineer, whose grandmother kept the family treasure under her bed, and how he embarked on authenticating it. The ultimate Antiques Roadshow dream, the portrait has been confirmed by six years of painstaking forensic studies to date from around 1600, and it has not been altered since.




Shakespeare and the Power of the Face


Book Description

As contributors to this volume prove, Shakespeare’s language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare’s treatment of faces has implications for our understanding of the context in which he wrote, and for the ongoing interpretation and production of the plays. By bringing together historians, theorists of performance and critics interested in material culture and philosophies of self, this book makes a significant contribution to our understanding of attitudes towards embodiment in Shakespeare’s England.




Portraits of Shakespeare


Book Description

"Within Shakespeare's lifetime there was already some curiosity about what the writer of such brilliant poems, sonnets and plays looked like. Yet like so much else about him, Shakespeare's appearance is mysterious. Why is it so difficult to find images of him that were definitely made during his life? Which images are most likely to have been made by those close to Shakespeare, and why do these differ from each other? Also, why do newly 'discovered' images claimed as representations of the playwright emerge with such regularity? Shakespeare scholar Katherine Duncan-Jones examines these questions, beginning with an analysis of the tradition of the 'author portrait' before, during, and after Shakespeare's life. She provides a detailed critique of the three images of Shakespeare likeliest to derive from life-time portrayals: the bust in Holy Trinity Church, Stratford-upon-Avon; the 'Droeshout engraving' from the First Folio edition of Shakespeare's plays published in 1623; and the 'Chandos portrait', painted in oil on canvas in the early seventeenth century. Through a fresh exploration of the evidence and groundbreaking research, she identifies a plausible new candidate for the painter of 'Chandos'. This also throws new light on the last years of Shakespeare's life. This generously illustrated book also examines the afterlife of these three images, as memorials, in advertising and in graphic art, together with their adaptation in later commemorative statues: all evidence of a continuing desire to put a face to one of the most famous names in literature." --Publisher description.




This Is Shakespeare


Book Description

An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.




Shakespeare's Kitchen


Book Description

The thirteen interrelated stories of Shakespeare's Kitchen concern the universal longing for friendship, how we achieve new intimacies for ourselves, and how slowly, inexplicably, we lose them. Featuring six never-before-published pieces, Lore Segal's stunning new book evolved from seven short stories that originally appeared in the New Yorker (including the O. Henry Prize–;winning “The Reverse Bug”). Ilka Weisz has accepted a teaching position at the Concordance Institute, a think tank in Connecticut, reluctantly leaving her New York circle of friends. After the comedy of her struggle to meet new people, Ilka comes to embrace, and be embraced by, a new set of acquaintances, including the institute's director, Leslie Shakespeare, and his wife, Eliza. Through a series of memorable dinner parties, picnics, and Sunday brunches, Segal evokes the subtle drama and humor of the outsider's loneliness, the comfort and charm of familiar companionship, the bliss of being in love, and the strangeness of our behavior in the face of other people's deaths. A magnificent and deeply moving work, Shakespeare's Kitchen marks the long-awaited return of a writer at the height of her powers.




William Shakespeare


Book Description

Describes Shakespeare's experiences in London and his retirement to the country in a fictional account that includes excerpts from his works.




Shakespeare and Modern Culture


Book Description

From one of the world's premier Shakespeare scholars comes a magisterial new study whose premise is "that Shakespeare makes modern culture and that modern culture makes Shakespeare." Shakespeare has determined many of the ideas that we think of as "naturally" true: ideas about human character, individuality and selfhood, government, leadership, love and jealousy, men and women, youth and age. Marjorie Garber delves into ten plays to explore the interrelationships between Shakespeare and contemporary culture, from James Joyce's Ulysses to George W. Bush's reading list. From the persistence of difference in Othello to the matter of character in Hamlet to the untimeliness of youth in Romeo and Juliet, Garber discusses how these ideas have been re-imagined in modern fiction, theater, film, and the news, and in the literature of psychology, sociology, political theory, business, medicine, and law. Shakespeare and Modern Culture is a brilliant recasting of our own mental and emotional landscape as refracted through the prism of the protean Shakespeare.




What's So Special About Shakespeare?


Book Description

Originally published as: Shakespeare: his work and his world / illustrated by Robert Ingpen. 2001.




The herball


Book Description




Shakespeare on the Shades of Racism


Book Description

Shakespeare on the Shades of Racism examines Shakespeare in relation to ongoing conversations that interrogate the vulnerability of Black and brown people amid oppressive structures that aim to devalue their worth. By focusing on the way these individuals are racialized, politicized, policed, and often violated in our contemporary world, it casts light on dimensions of Shakespeare’s work that afford us a better understanding of our ethical responsibilities in the face of such brutal racism. Shakespeare on the Shades of Racism is divided into seven short chapters that cast light on contemporary issues regarding racism in our day. Some salient topics that these chapters address include the murder of unarmed Black men and women, the militarization of the U.S. Mexico border, anti-immigrant laws, exclusionary measures aimed at Syrian refugees, inequities in healthcare and safety for women of color, international trends that promote white nationalism, and the dangers of complicity when it comes to racist paradigms. By bringing these contemporary issues into conversation with a wide range of plays that span the many genres in which Shakespeare wrote throughout his career, these chapters demonstrate how the widespread racism and discord within our present moment stands to infuse with urgent meaning Shakespeare’s attention to the (in)humanity of strangers, the ethics of hospitality, the perils of insularity, abuses of power, and the vulnerability of the political state and its subjects. The book puts into conversation Shakespeare with present-day events and cultural products surrounding topics of race, ethnicity, xenophobia, immigration, asylum, assimilation, and nationalism as a means of illuminating Shakespeare’s cultural and literary significance in relation to these issues. It should be an essential read for all students of literary studies and Shakespeare.