Shakespeare's Muse


Book Description

Recent interest in who Shakespeare's Muse may have been prompts one to come forth to dispel the drastically simplistic notions that have been brought forward. In this essay John O'Meara suggests where our concern with Shakespeare should actually lie or what form of Muse we can suppose it was that commanded his development the way it did. Shakespeare was fated for a certain experience from which he could not extricate himself, even if he had wished to. Highlighted is his struggle with Martin Luther's injunction to imagine human depravity to the fullest, with which O'Meara compares the route travelled by Christopher Marlowe. The challenge was laid down to Shakespeare to imagine the worst of human tragedy, which finally focuses for him in the precipitated death of the loved one. But it testifies to the enduring power of Shakespeare's Muse that She has 'borne' this death with him. "I find myself very much in sympathy with your general approach." Stanley Wells, general editor of The Oxford Shakespeare and formerly Director of The Shakespeare Institute, Stratford-Upon-Avon, England.




The Tainted Muse


Book Description

This book is a masterful and engaging exploration of both Shakespeare's works and his age. Concentrating on six recurring prejudices in Shakespeare's plays--such as misogyny, elitism, distrust of effeminacy, and racism--Robert Brustein examines how Shakespeare and his contemporaries treated them. More than simply a thematic study, the book reveals a playwright constantly exploiting and exploring his own personal stances. These prejudices, Brustein finds, are not unchanging; over time they vary in intensity and treatment. Shakespeare is an artist who invariably reflects the predilections of his age and yet almost always manages to transcend them. Brustein considers the whole of Shakespeare's plays, from the early histories to the later romances, though he gives special attention to Hamlet, King Lear, Othello, and The Tempest. Drawing comparisons to plays by Marlowe, Middleton, and Marston, Brustein investigates how Shakespeare's contemporaries were preoccupied with similar themes and how these different artists treated the current prejudices in their own ways. Rather than confining Shakespeare to his age, this book has the wonderful quality of illuminating both what he shared with his time and what is unique about his approach.




The Tenth Muse


Book Description

This work contains all of Shakespeare's original sonnets, and after each original I have interpreted each in blank verse; The interpretations are subjective as indeed is every commentary throughout the Universities, and public press, in the unfolding history of Shakespeare . I have rearranged the numbering sequence, believing during my reading that by publishing error, or deliberate subterfuge by the author, many of his meanings were camouflaged or separated for political or personal reasons. On one level Shakespeare's revelations might have caused personal embarrassment but on another, his devout Catholicism might have seen him imprisoned in the Tower of London, or worse silenced forever before he could finish his master works.







The Melancholy Muse


Book Description

Melancholy is so much part of human experience that it is no surprise that, in its clinical dimension, it has been written about by physicians for hundreds of years, from antiquity into the 20th century.




Seeming Knowledge


Book Description

Seeming Knowledge revisits the question of Shakespeare and religion by focusing on the conjunction of faith and skepticism in his writing. Cox argues that the relationship between faith and skepticism is not an invented conjunction. The recognition of the history of faith and skepticism in the sixteenth century illuminates a tradition that Shakespeare inherited and represented more subtly and effectively than any other writer of his generation.




Emilia


Book Description

'A spicy work of biographical conjecture ... It's also a rousing reminder of the countless creative women who have been written out of history or have had to fight relentlessly to make themselves heard.' EVENING STANDARD 'The great virtue of Lloyd Malcolm's speculative history lies in its passion and anger: it ends with a blazing address to the audience that is virtually a call to arms. It is throughout, however, a highly theatrical piece ... In rescuing Emilia from the shades, [the play] gives her dramatic life and polemical potency.' GUARDIAN The little we know of Emilia Bassano Lanier (1569 - 1645) is that she may have been the Dark Lady of Shakespeare's Sonnets, mistress of Lord Chamberlain, one of the first English female poets to be published, a mother, teacher who founded a school for women, and radical feminist with North African ancestry. Living at a time when women had such limited opportunities, Emilia Lanier is therefore a fascinating subject for this speculative history. In telling her story, Morgan Lloyd Malcolm represents the stories of women everywhere whose narratives have been written out of history. Originally commissioned for Shakespeare's Globe with an all-female cast, Emilia is published here as a Methuen Drama Student Edition with commentary and notes by Elizabeth Schafer, Professor of Drama at Royal Holloway, University of London, UK.




Shakespeare and Faulkner


Book Description

Shakespeare and Faulkner explores the moral and ethical dilemmas that characters face inside themselves and in their interactions with others in the works of these two famed authors. Karl F. Zender’s characterological study offers insightful, critically rigorous, and at times quite personal analyses of the complicated figures who inhabit several major Shakespeare plays and Faulkner novels. The two parts of this book—the first of which focuses on the English playwright, the second on the Mississippi novelist—share a common methodology in that they originate in Zender’s history as a teacher of and writer on the two authors, who until now he generally approached separately. He emphasizes the evolving insights gleaned from reading these authors over several decades, situating their texts in relation to shifting trends in criticism and highlighting the contemporary relevance of their works. The final chapter, an extended discussion of Faulkner’s Intruder in the Dust, attempts something unusual in Zender’s critical practice: It relies less on the close textual analysis that characterizes his previous work and instead explores the intersections between events depicted in the novel and his own life, both as a child and as an adult. Shakespeare and Faulkner speaks to the power of literature as a form of pleasure and of solace. With this work of engaged and thoughtful scholarly criticism, Zender reveals the centrality of storytelling to human beings’ efforts to make sense both of their journey through life and of the circumstances in which they live.




Collaborations with the Past


Book Description

"Like the artists studied here, we pick and choose our Shakespeares, and through that labor another story emerges. Frozen in time on the page or screen, some of those collaborations continue to speak, but denuded of their immediate moment and surroundings; we are left to supplement the traces. In recovering that past, the present takes on greater clarity and contrast. But the proof must be in the telling. A writer lifts a pen. Enter the multiple forces—political and economic, psychological, formal, and technical—that serendipitously transform imagination into memory. Let the collaborative play begin."—from the Introduction Focusing on key writers, actors, theater directors, and filmmakers who have kept Shakespeare at the center of their endeavors over the past two hundred years, Collaborations with the Past illuminates not only the playwright's work but also the choices and responsibilities involved in re-creating culture, and the ingenuity and peril of the artistic process. By concentrating on rich yet problematic instances of Shakespeare's reanimation in such quintessentially modern forms as the novel and film, from Sir Walter Scott's Kenilworth to Kenneth Branagh's Henry V, Diana E. Henderson sketches a complex history of the pleasures and difficulties that ensue when Shakespeare and modern artists collaborate. Working with texts across the entire range of Shakespeare's career, Henderson demonstrates—through detailed analyses of novels including Jane Eyre and Mrs. Dalloway as well as filmed, televised, and staged performances—that art (even in the newest media) cannot avoid collaborating with the past. Only by studying that collaborative process can we comprehend Shakespeare and Anglo-American culture.




The Best of Poetry — Shakespeare Muse of Fire


Book Description

Continuing the Best of Poetry series, this anthology brings together 150 of the finest passages from Shakespeare’s plays and poetic works. We hope our selection will allow readers to rediscover the brilliance of Shakespeare’s poetic inventiveness, and the depth and subtlety of his insight as he creates and explores the minds of the most fully-realised and autonomous characters in all of fiction. The beauty in these fragments is best unlocked by reading them aloud, savouring the rhythms, the rich ambiguity of metaphor, and vivid evocation of scene. Learn them by heart if you can, and when inspired, revisit the complete plays and admire the passages anew in their native soil. As with other volumes in the Best of Poetry series, the works included here are organised thematically, and arranged in such a way that they may interpret and illumine one another. There are eleven themes: The Forms of Things Unknown; Reason and Rapture; The Purple Testament; Love; Immortal Time and Mortal Man; Ambition and Jealousy; Wrath and Vengeance; Mark the Music; The Tragic Soul; Grief and Death; and Sonnets. The passages are introduced by a small collection of quotations from some of the most perceptive interpreters of Shakespeare’s work. There then follows the main contents page, and an accompanying alphabetical index of plays to help you locate specific passages. At Elsinore Books we pride ourselves on creating beautiful e-books, and devote great attention to formatting, and ease of navigation. This book contains a cleanly-styled contents page that permits easy movement between the poems. We regularly update the formatting of our books, to ensure they will always remain perfectly accessible on all e-reader models. This book is part of the Best of Poetry series, which also includes: The Best of Poetry: Thoughts that Breathe and Words that Burn The Best of Poetry: A Young Person’s Book of Evergreen Verse