Shakespeare and the Law


Book Description

Barton's entertaining and handy study reviews allusions to trials, judges, advocates, courts, procedure, legal concepts and terminology in Shakespeare's plays. Also biographical, Barton considers Shakespeare's personal relation to the Inns of Court and Chancery and the extent of his legal expertise.




Shakespeare's Law


Book Description




Shakespeare and the Lawyers


Book Description

First published in 1972. Shakespeare's writing abounds with legal terms and allusions and in many of the plays the concept and working of the law is a significant theme. Shakespeare and the Lawyers gives a comprehensive survey of what Shakespeare wrote about the law and lawyers, and what has been written, particularly by lawyers, about Shakespeare's life and works in relation to the law. The book first reviews the recorded facts about Shakespeare's life and works, and his connection with the Inns of Court. It then discusses legal terms, allusions and plots in the plays; Shakespeare's treatment of the problems of law, justice and government; his description of lawyers and officers of the law; his references to actual legal personalities; and his trial scenes. Two further chapters consider the criticisms that have been made of Shakespeare's law, and the contribution to Shakespeare studies by lawyers.




Shakespeare's Legal Language


Book Description

This encyclopedia-style dicitonary explores early modern social life, legal thought, and the interactions within Shakespearean drama.




The Baconian Heresy


Book Description




Shakespeare's Legal Maxims


Book Description

Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.




Playhouse Law in Shakespeare's World


Book Description

There is a human face to Shakespeare's theatrical world. It has been captured and preserved in the amber of litigious activity. Contracts for playhouses represent human aspiration: an avaricious hope for profit or an altruistic desire to provide for a family. Lawsuits have preserved the declarations of rights and the righteous indignations as well as the fictions and half-truths under which the Renaissance theater flourished. Leases and agreements preserve the intentions, honest or dishonest, of the men who wrote, performed, and bankrolled the drama of Shakespeare and his contemporaries. The period 1590-1623, the limits of the original Shakespearean enterprise, resemble nothing so much as a third of a century of the sort of squabbling, shoving, and place-seeking familiar to every modern theatrical professional.




Shakespeare and "demi-science"


Book Description