Shapes of Ireland


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The Shape of Us


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"A wonderful story, full of emotional depth and heart." Rachael Johns FOUR DIFFERENT WOMEN. THE SAME BIG PROBLEM. ONE MAGICAL SOLUTION? Mezz is overweight and overworked: she's convinced it's only a matter of time until her husband starts to stray. Jewels is fat and fabulous, but if she wants the baby she craves, the Tim Tams have to go. Ellie's life looks perfect to her London friends on Facebook: she keeps her waistline out of the photos and her loneliness to herself. Kat will do anything to keep her daughter Ami happy and safe. If she can just lose that baby weight, she's sure Ami's dad will stick around. In this heartwarming, heartbreaking story, four women who meet online in a weight loss forum learn that losing weight might not be the key to happiness, but believing in the ones you live - and yourself - just might be. MORE PRAISE FOR THE SHAPE OF US 'Lisa Ireland gets right to the heart of female friendship, exploring topics every woman can relate to.' Rachael Johns, author of The Art of Keeping Secrets 'Every so often a book comes along which captures your thoughts so well it could have been written with you in mind. The Shape of Us is a thought-provoking and perceptive glance into the lives of women (and men) grappling with confidence and self-image problems and the impact it has on their lives.' Queensland Times 'The Shape of Us is a heart-warming, heart-breaking tale of women's friendship.' Daily Examiner 'Will make you both laugh and cry...Lisa Ireland believes people are worth so much more than numbers on a scale or what clothing they can fit into - and her book shows how important that is.' The Weekly Times 'A highly relatable story on many levels...ultimately, a book about friendship and support.' Beauty & Lace




Born Fighting


Book Description

In his first work of nonfiction, bestselling novelist James Webb tells the epic story of the Scots-Irish, a people whose lives and worldview were dictated by resistance, conflict, and struggle, and who, in turn, profoundly influenced the social, political, and cultural landscape of America from its beginnings through the present day. More than 27 million Americans today can trace their lineage to the Scots, whose bloodline was stained by centuries of continuous warfare along the border between England and Scotland, and later in the bitter settlements of England’s Ulster Plantation in Northern Ireland. Between 250,000 and 400,000 Scots-Irish migrated to America in the eighteenth century, traveling in groups of families and bringing with them not only long experience as rebels and outcasts but also unparalleled skills as frontiersmen and guerrilla fighters. Their cultural identity reflected acute individualism, dislike of aristocracy and a military tradition, and, over time, the Scots-Irish defined the attitudes and values of the military, of working class America, and even of the peculiarly populist form of American democracy itself. Born Fighting is the first book to chronicle the full journey of this remarkable cultural group, and the profound, but unrecognized, role it has played in the shaping of America. Written with the storytelling verve that has earned his works such acclaim as “captivating . . . unforgettable” (the Wall Street Journal on Lost Soliders), Scots-Irishman James Webb, Vietnam combat veteran and former Naval Secretary, traces the history of his people, beginning nearly two thousand years ago at Hadrian’s Wall, when the nation of Scotland was formed north of the Wall through armed conflict in contrast to England’s formation to the south through commerce and trade. Webb recounts the Scots’ odyssey—their clashes with the English in Scotland and then in Ulster, their retreat from one war-ravaged land to another. Through engrossing chronicles of the challenges the Scots-Irish faced, Webb vividly portrays how they developed the qualities that helped settle the American frontier and define the American character. Born Fighting shows that the Scots-Irish were 40 percent of the Revolutionary War army; they included the pioneers Daniel Boone, Lewis and Clark, Davy Crockett, and Sam Houston; they were the writers Edgar Allan Poe and Mark Twain; and they have given America numerous great military leaders, including Stonewall Jackson, Ulysses S. Grant, Audie Murphy, and George S. Patton, as well as most of the soldiers of the Confederacy (only 5 percent of whom owned slaves, and who fought against what they viewed as an invading army). It illustrates how the Scots-Irish redefined American politics, creating the populist movement and giving the country a dozen presidents, including Andrew Jackson, Teddy Roosevelt, Woodrow Wilson, Ronald Reagan, and Bill Clinton. And it explores how the Scots-Irish culture of isolation, hard luck, stubbornness, and mistrust of the nation’s elite formed and still dominates blue-collar America, the military services, the Bible Belt, and country music. Both a distinguished work of cultural history and a human drama that speaks straight to the heart of contemporary America, Born Fighting reintroduces America to its most powerful, patriotic, and individualistic cultural group—one too often ignored or taken for granted.




The Shape of Irish History


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A meditation on the nature of history that challenges hitherto sacrosanct assumptions about Ireland's past.




The Celtic Myths That Shape the Way We Think


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A fresh and revealing look at the stories at the heart of Celtic mythology, exploring their cultural impact throughout history up to the present day. The Celtic Myths That Shape the Way We Think explores a fascinating question: how do myths that were deeply embedded in the customs and beliefs of their original culture find themselves retold and reinterpreted across the world, centuries or even millennia later? Focusing on the myths that have had the greatest cultural impact, Mark Williams reveals the lasting influence of Celtic mythology, from medieval literature to the modern fantasy genre. An elegantly written retelling, Williams captures the splendor of the original myths while also delving deeper into the history of their meanings, offering readers an intelligent and engaging take on these powerful stories. Beautiful illustrations of the artworks these myths have inspired over the centuries are presented in a color plates section and in black and white within the text. Ten chapters recount the myths and explore the lasting influence of legendary figures, including King Arthur, the Celtic figure who paradoxically became the archetypal English national hero; the Irish and Scottish hero Finn MacCool, who as “Fingal” caught the imagination of Napoleon Bonaparte, Johann Wolfgang von Goethe, and Felix Mendelssohn; and the Welsh mythical figure Blodeuwedd, magically created from flowers of the oak, who inspired W. B. Yeats. Williams’s mythological expertise and captivating writing style make this volume essential reading for anyone seeking a greater appreciation of the myths that have shaped our artistic and literary canons and continue to inspire today.







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Florence and Josephine O'Donoghue's War of Independence


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Historian and IRA leader Florence O'Donoghue describes his experiences as head of intelligence in Cork city during the Irish War of Independence (1919-1921). He candidly assesses the leaders of this period, including Tomas MacCurtain, Sean O'Hegarty, Terence MacSwiney and Michael Collins and critically examines the evolution of the Irish Volunteer citizen-soldiers. He also details his wife Josephine's role as the top IRA spy in Cork's British Army headquarters, working for the rebels in exchange for the return of her eldest son, lost in a bitter custody battle with her in-laws. After O'Donoghue kidnapped the child and reunited him with his mother, the two collaborators eventually fell in love and were secretly married in the spring of 1921. Forty years later, the couple presented their story to their children in order to explain the family secret that had haunted their domestic lives. The first part of the book is O'Donoghue's and his wife's account of their activities in the Anglo-Irish War, written in 1961; the second part is composed of 47 letters in diary form, written by O'Donoghue to his wife while he was 'on the run' during the last ten weeks of the Anglo-Irish War, from May to July 1921. They provide a rare snapshot of the daily life of fugitive IRA guerrillas.




Haunted Heaney


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Haunted Heaney: Spectres and the Poetry looks at the ghosts and spectres present within the poetry of the Nobel Prize winning poet Seamus Heaney. Covering Heaney’s work from his first collection, Death of a Naturalist, to his final collection, Human Chain, this volume analyses Heaney’s poetry through the lens of hauntology as presented by Jacques Derrida in Specters of Marx. This book presents spectres and ghosts not in the conventional sense, as purely supernatural, physical manifestations haunting a place, but instead as having a non-physical presence. In this sense past cultures, societies, texts, poets, and memories are examined as having a spectral influence on Heaney’s writing. His work is indebted to hauntedness as the past in all its forms sutures itself within the present of his thinking and writing, and our reading of the poetry. Topics for discussion include the Norse spectres in the early poetry; British colonialism and its haunting influence on the poet; a renewed look at the bog poems as being influenced by the spectral; the classical influence of Virgil and Dante; and a reading of ‘Route 110’ that incorporates the major instances of Heaney’s career into a singular poem. The book also incorporates Heaney’s prose work and interviews into the discussion and uses these works as a metacommentary to the poetry offering a deeper insight into the mind of one of Ireland’s greatest writers.




Irish Theater in America


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For over 150 years, Irish playwrights, beginning with Dion Boucicault, have been celebrated by American audiences. However, Irish theater as represented on the American stage is a selective version of the national drama, and the underlying causes for Irish dramatic success in America illuminate the cultural state of both countries at specific historical moments. Irish Theater in America is the first book devoted entirely to the long history of this transatlantic exchange. Born out of the conference of the Irish Theatrical Diaspora project, this collection gathers together leading American and Irish scholars, in addition to established theater critics. Contributors explore the history of Irish theater in America from Harrigan and Hart, through some of the greatest and most disappointing Irish tours of America, to the most contemporary productions of senior Irish playwrights such as Brian Friel and younger writers such as Martin McDonagh and Conor McPherson. Covering the complexity of the relationship between Irish theater and the United States, this volume goes beyond the expected analysis of plays to include examinations of company dynamics, analysis of audience reception, and reviews of production history of individual works. Contents include: Mick Moloney, “Harrigan, Hart, and Braham: Irish-America and the Birth of the American Musical” Nicholas Grene, “Faith Healer in New York and Dublin” Lucy McDiarmid, “The Abbey, Its ‘Helpers,’ and the Field of Cultural Production in 1913” Christina Hunt Mahony, “’The Irish Play’: Beyond the Generic”