Sheila Levine Is Dead and Living in New York


Book Description

A single, thirty-year-old woman in the 1970s struggles to find her dream man and dream job in this hilarious & heartwarming classic. Three decades after its original bestselling publication, Sheila Levine is Dead and Living in New York is still completely on target as the most achingly funny book-length suicide note ever written by an agonizingly single thirty-year-old trying unsuccessfully to straddle two worlds: the one she’s been programmed for from birth—marriage first, life later—and the illusive swinging singles scene of liberated New York City. Meet Sheila Levine, she’s smart and funny, and her mother tells her she’s beautiful. . . . But her skirt’s always a bit wrinkled, she’s trying to lose fifteen—make that twenty-five—pounds, she just turned thirty . . . and she’s still single. She tries to date and mate, she really does, but disappointment turns to desperation, and after a flash of insight, Sheila calmly decides to kill herself. So she starts to get her affairs in order and writes a suicide note to her loving parents to explain it all . . . Praise for Sheila Levine is Dead and Living in New York “Sometimes heartbreaking, mostly hilarious, always full of life.” —Newsweek “A book about suicide shouldn’t be this entertaining, but this one is hilarious, due in large part to Sheila’s devil may care attitude and the frankness with which she talks about her life.” —The Bookbag




New York Magazine


Book Description

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.




Roy Scheider


Book Description

Over his 30-plus-year acting career, Roy Scheider has redefined America’s idea of a leading man, thanks to his talent for playing an urban everyman that audiences relate to and root for, despite flaws and failures. He rose to fame in the early 1970s in the Oscar-winning films Klute and The French Connection (his first Oscar nomination). Roy garnered more critical acclaim in Jaws and Marathon Man, as well as a second Oscar nomination for All That Jazz. Scheider’s life and career are chronicled in this work. Beginning with his childhood in New Jersey, it traces his development from a community theater actor to a world-renowned movie star, and covers his more recent work in the Golden Globe–winning RKO 281 and the Shakespearean drama King of Texas. Includes a complete filmography and index.




Sidney J. Furie


Book Description

Known for his visual style as well as for his experimentation in virtually every genre of narrative cinema, award-winning director Sidney J. Furie also has the distinction of having made Canada's first ever feature-length fictional film in English, A Dangerous Age (1957). With a body of work that includes The Ipcress File (1965), Lady Sings the Blues (1972), and The Entity (1982), he has collaborated with major stars such as Marlon Brando, Frank Sinatra, Robert Redford, and Michael Caine, and his films have inspired some of Hollywood's most celebrated directors, including Stanley Kubrick and Quentin Tarantino. In this first biography of the prolific filmmaker, author Daniel Kremer offers a comprehensive look at the director's unique career. Furie pioneered techniques such as improvisation in large-scale film productions, and sometimes shot his films in sequence to develop the characters from the ground up and improve the performers' in-the-moment spontaneity. Not only has Stanley Kubrick acknowledged that Furie's The Boys in Company C (1978) informed and influenced Full Metal Jacket (1987), but Martin Scorsese has said that he considers The Entity to be one of the scariest horror films of all time. However, Furie was often later criticized for accepting lowbrow work, and as a result, little serious study has been devoted to the director. Meticulously researched and enhanced by Kremer's close relationship with the filmmaker, this definitive biography captures the highs and lows of an exceptional but underexamined career, taking readers behind the scenes with a director who was often ahead of his time.




Food and Loathing


Book Description

The author traces her lifetime struggle with an eating disorder and depression, describing how her size and self-esteen were intertwined, her experiences with support groups and therapy, her education, and the family secrets that haunted her recovery.




Those Girls


Book Description

Long before Carrie Bradshaw in Sex and the City, there was Mary Richards in The Mary Tyler Moore Show. Every week, as Mary flung her beret into the air while the theme song proclaimed, “You’re gonna make it after all,” it seemed that young, independent women like herself had finally arrived. But as Katherine Lehman reveals, the struggle to create accurate portrayals of successful single women for American TV and cinema during the 1960s and 1970s wasn’t as simple as the toss of a hat. Those Girls is the first book to focus exclusively on struggles to define the “single girl” character in TV and film during a transformative period in American society. Lehman has scoured a wide range of source materials—unstudied film and television scripts, magazines, novels, and advertisements—to demonstrate how controversial female characters pitted fears of societal breakdown against the growing momentum of the women’s rights movement. Lehman’s book focuses on the “single girl”—an unmarried career woman in her 20s or 30s—to show how this character type symbolized sweeping changes in women’s roles. Analyzing films and programs against broader conceptions of women’s sexual and social roles, she uncovers deep-seated fears in a nation accustomed to depictions of single women yearning for matrimony. Yet, as television began to reflect public acceptance of career women, series such as Police Woman and Wonder Woman proved that heroines could wield both strength and femininity—while movies like Looking for Mr. Goodbar cautioned viewers against carrying new-found freedom too far. Lehman takes us behind the scenes in Hollywood to show us the production decisions and censorship negotiations that shaped these characters before they even made it to the screen. She includes often-overlooked sources such as the TV series Get Christie Love and Ebony magazine to give us a richer understanding of how women of color negotiated urban singles life. And she reveals how trailblazing characters continue to influence portrayals of single women in shows like Mad Men. This entertaining and insightful study examines familiar characters caught between the competing fears and aspirations of a society rethinking its understanding of social and sexual mores. Those Girls reassesses feminine genres that are often marginalized in media scholarship and contributes to a greater valuation of the unmarried, independent woman in America.




Tin House Special 50th Issue


Book Description

"Tin House" is a beautifully designed periodical that features the best writers of our time alongside a new generation of talent poised to become the most important voices of the future. For the special 50th issue, Tin House has some fun with the idea of beauty, providing personal takes on what is beautiful. The issue showcases fiction, poetry, and nonfiction that confront the notions of beauty across cultures, economic strata, genders, and races. What is beauty? What is art? Think of Francis Bacon: There is no excellent beauty that hath not some strangeness in the proportion. This new issue also includes pieces that look into the marketing of beauty, and how notions of beauty are used to create celebrity, and at the same time to marginalize and exclude. Content includes unique departments such as Lost and Found, in which writers review overlooked or underrated books, and Blithe Spirits and Readable Feast, which present tales and recipes for drinks and food in a literary way.




Talking Back


Book Description

Essays that discuss the portrayal of Jewish women in American culture.




A Rosenberg by Any Other Name


Book Description

Winner, 2019 Saul Viener Book Prize, given by the American Jewish Historical Society A groundbreaking history of the practice of Jewish name changing in the 20th century, showcasing just how much is in a name Our thinking about Jewish name changing tends to focus on clichés: ambitious movie stars who adopted glamorous new names or insensitive Ellis Island officials who changed immigrants’ names for them. But as Kirsten Fermaglich elegantly reveals, the real story is much more profound. Scratching below the surface, Fermaglich examines previously unexplored name change petitions to upend the clichés, revealing that in twentieth-century New York City, Jewish name changing was actually a broad-based and voluntary behavior: thousands of ordinary Jewish men, women, and children legally changed their names in order to respond to an upsurge of antisemitism. Rather than trying to escape their heritage or “pass” as non-Jewish, most name-changers remained active members of the Jewish community. While name changing allowed Jewish families to avoid antisemitism and achieve white middle-class status, the practice also created pain within families and became a stigmatized, forgotten aspect of American Jewish culture. This first history of name changing in the United States offers a previously unexplored window into American Jewish life throughout the twentieth century. A Rosenberg by Any Other Name demonstrates how historical debates about immigration, antisemitism and race, class mobility, gender and family, the boundaries of the Jewish community, and the power of government are reshaped when name changing becomes part of the conversation. Mining court documents, oral histories, archival records, and contemporary literature, Fermaglich argues convincingly that name changing had a lasting impact on American Jewish culture. Ordinary Jews were forced to consider changing their names as they saw their friends, family, classmates, co-workers, and neighbors do so. Jewish communal leaders and civil rights activists needed to consider name changers as part of the Jewish community, making name changing a pivotal part of early civil rights legislation. And Jewish artists created critical portraits of name changers that lasted for decades in American Jewish culture. This book ends with the disturbing realization that the prosperity Jews found by changing their names is not as accessible for the Chinese, Latino, and Muslim immigrants who wish to exercise that right today.




New York Magazine


Book Description

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.