Dictionary of Modern American Philosophers


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The Dictionary of Modern American Philosophers includes both academic and non-academic philosophers, anda large number of female and minority thinkers whose work has been neglected. It includes those intellectualsinvolved in the development of psychology, pedagogy, sociology, anthropology, education, theology, politicalscience, and several other fields, before these disciplines came to be considered distinct from philosophy in thelate nineteenth century.Each entry contains a short biography of the writer, an exposition and analysis of his or her doctrines and ideas, abibliography of writings, and suggestions for further reading. While all the major post-Civil War philosophers arepresent, the most valuable feature of this dictionary is its coverage of a huge range of less well-known writers,including hundreds of presently obscure thinkers. In many cases, the Dictionary of Modern AmericanPhilosophers offers the first scholarly treatment of the life and work of certain writers. This book will be anindispensable reference work for scholars working on almost any aspect of modern American thought.




The drift of romanticism


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The Independent


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The Public


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Alphabetical Finding List


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Paul Elmer More


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Paul Elmer More was one of the leaders of the New Humanism, the most important critical movement in the United States during the first decades of this century. It was a wide-ranging moral approach to literary and cultural criticism that laid the intellectual foundation for American conservatism. Though eclipsed in the realm of critical fashions by more exclusively aesthetic approaches, the moral approach retains its appeal among general readers, and More has remained known and respected among those concerned with literature as an expression of ideas and values, as a criticism of life. Seriously considered for the Nobel Prize on two occasions, More wrote over a dozen volumes of literary criticism, which Robert Spiller, in the Literary History of the United States, calls "the utmost ambitious and often the most penetrating body of judicial literary criticism in our literature." Among those who have praised More's brilliant and comprehensive mind is T. S. Eliot, who in acknowledging his indebtedness to More referred to him as "one of the two wisest men I have known." Focusing on the continuity of More's literary criticism, Stephen L. Tanner has performed the useful service of distilling from More's diverse and prolific literary essays the characteristic principles that determined his literary judgments. Chief among these principles is a concept of dualism that views each individual as being subject to the opposing forces of "passion of the moment and the eternal law above and within." This concept is the anchor point of More's probing critique of the excessive and dehumanizing forms of romanticism, naturalism, humanitarianism, scientism, and rationalism. And it accounts for his forceful advocacy of the "inner check" and the "law of measure."