Shoot an Arrow to Stop the Wind


Book Description

Every summer, Colin left his home in Oregon and lived with his mother's people, in Kinnikinick Valley, Montana. In 1926, Colin was 16 years old. That was the summer he came to terms with his Indian heritage with help from his 84-year-old great grandmother. Aunt Nora was a Pikuni, who rememered the days before the railroad came through. In 1859, Angus MacAntire came to the village and fell in love with Nora. They lived with her people until famine drove them to live in the white settlement. Angus became a rich man, whose children owned the finest ranch in the valley, but every summer, Aunt Nora returned to a lodge under the trees. As Colin and Nora begin to understand each other, Colin's view changes as he hears "breed" as a word of contempt, and as he develops a shy love for Marie Dupree, a Cree girl.







Wu Soul (Chili River)


Book Description

Squatting in the corner, washing a bowl full of chopsticks, the teenager looked blankly at the emaciated mother being bossed around as a servant.




Hunting with the Bow and Arrow


Book Description

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.




Arab Archery


Book Description

Almost the only source of detailed knowledge of early English archery is Toxophilus, or the Schole of Shootynge, which was written by Roger Ascham in 1542 and 1543 and was published in 1544. Arab Archery is nearly contemporary with that famous book-probably preceding it by a few years-and may be considered to be on an equal plane of merit. This ancient Arabic manuscript is the only treatise on the archery of the medieval Orient that has been translated into English. It is thorough and authoritative, evidently the work of an expert bowman. A vast amount of information concerning the long-range artillery, by which one eastern empire after another had been won, is here brought forth into full light after having lain hidden for centuries. It could be used as a textbook on archery today.




The Art of Fire


Book Description

Fire can fascinate, inspire, capture the imagination and bring families and communities together. It has the ability to amaze, energise and touch something deep inside all of us. For thousands of years, at every corner of the globe, humans have been huddling around fires: from the basic and primitive essentials of light, heat, energy and cooking, through to modern living, fire plays a central role in all of our lives. The ability to accurately and quickly light a fire is one of the most important skills anyone setting off on a wilderness adventure could possess, yet very little has been written about it. Through his narrative Hume also meditates on the wider topics surrounding fire and how it shapes the world around us.




Journal of the West


Book Description




Arab Archery, an Arabic Manuscript of About A.D. 1500


Book Description

This classic includes the following chapters: Preface I. In the Name of God the Merciful, the Compassionate II. On Holy War and the service of archery therein III. On the excellence of the Arab bow, its use, adoption, the reward of the maker of its arrows, its target, urging the mastery of its technique, the offence of him who discards it after he has learned its use, and the first to use and the first to make it IV. On the different kinds of bows and the most desirable of them V. On the names and nomenclatures of the Arab bows and their different parts VI. On the master archers VII. On the principles of loosing and the different schools therein VIII. Things the archer should know IX. How to determine the cast of the bow, its weight, and the limit of the archer’s strength in drawing X. On testing the bow before bracing XI. On bracing, which is the same as stringing XII. On the curvature of the bow after bracing XIII. On unstringing XIV. On picking up the bow and arrow preparatory to shooting and the manner of shooting XV. On the different draws and the manner of locking the thumb and the index finger on the string, and on the rules of arranging the index finger upon the thumb XVI. On how to hold the grip of the bow with the left hand XVII. On the clench XVIII. On drawing and its limits XIX. On aiming, which is the same as pointing at the target XX. On the loose or release XXI. On the passage of the arrow over the left hand XXII. On blisters and wounds on the index finger of the right hand caused by stringing, clenching, drawing and loosing, together with the remedies thereof XXIII. On the blow of the string on the archer’s right thumb, which causes it to turn black and blue on the inside and beneath the nail and sometimes results in breaking the nail; as well as on the blistering and bruising of the left thumb at the time of shooting, together with the remedies thereof XXIV. On the blow of the string on the forearm of the archer and the remedy thereof XXV. On the blow of the string on the chin of the archer, or on his ear, and the remedies thereof XXVI. When the tip of the bow hits the ground at the moment of loosing, and the remedy thereof XXVII. When the nock of the arrow breaks and the remedy thereof XXVIII. On causing the arrow to move on itself, or wag, in its flight XXIX. On the management of the arrow when shooting against the wind, et cetera, and on trying not to shoot it when a break is found after it has been fully drawn XXX. On how near or how far the target should be XXXI. On standing and sitting for aiming XXXII. On the variations in the length and construction of the Arab bow XXXIII. On strings; how to make them and how to form their eyes XXXIV. On the length and shortness of the string XXXV. On the thinness and thickness of the string and on how to choose the correct and appropriate size XXXVI. On the weight of the string in relation to the weight of the bow XXXVII. On the names of the various kinds of arrows and their different parts; and on the length of each kind, the desirable wood from which to make it, and the manner of its paring XXXVIII. On arrowheads; the different kinds, their various uses, how to fix them on the shaft; and the manner of cutting arrow-nocks XXXIX. On feathers and fletching XLI. On sundry points not yet mentioned concerning the competition bow, the description of its arrow, and the manner of its use, together with some of the tricks employed in competitions XLII. On thumb-tips and the various kind thereof XLIII. On shooting with the husban, dawdan, and ‘usfuri arrows through the hollow of a guide XLIV. On stunt shooting XLV. Targets and target practice XLVI. Quivers, belt, arrow picker, file Appendix




Broken Arrow Boy


Book Description

Adam Moore describes how he suffered a serious brain injury and recovered with medical help and family support.




Horses of Fire


Book Description

“One of those singular books that pulls readers into a completely immersive world with a dazzling story and characters so deftly drawn that you can’t help but ache for them.”–New York Times bestselling author Lisa Maxwell I know the stories they will tell. I’ve heard the echoes of their songs—songs that will outlive us all. But this song is not theirs. It is mine. Behind the timeless tale you know is the captivating story you never heard: a sweeping epic in which Troy’s strong, yet misunderstood women take center stage in the most famous war in history. Andromache is cast as the doting wife of Prince Hector, yet her Amazon warrior name means “battler of men.” The only one with the cunning to outwit the invading Greeks, she must gather a band of outcasts and become the military commander she was born to be before the life she and Hector have built is reduced to ashes. Rhea is a war refugee and a horse whisperer who finally earns a place and sense of belonging in Hector’s stables. To save her new home, she must become an unlikely spy and face down a forbidden love that will test all her loyalties. Helen is blamed by all for starting the Trojan War, but no one knows her real story. To escape her tormentor and foil a plot to undermine Hector, Helen must risk everything by revealing her true face to the one who despises her most. Set in the wider landscape of the late Bronze Age collapse, this realistic and immersive Troy is a perilous battleground for warriors and politicians alike, not a playground where the fate of men and women make sport for gods and goddesses. The first book in an epic duology, Horses of Fire is a harrowing novel of palace intrigue, the transcendent bond of female friendship, and the everyday bravery of invisible heroes in times of war. The women of Troy are threads spinning on a single loom. Can they reweave the tapestry of fate?