Shotoku


Book Description

Prince Shotoku (573?-622?), the purported founder of Japanese Buddhism, is widely referred to as Japan's first national hero. The cult that grew up around his memory is recognized as one of the most important phenomena in early Japanese religion. This book examines the creation and evolution of the Shotoku cult over the roughly 200 years following his deatha period that saw a series of revolutionary developments in the history of Japanese religion. Michael Como highlights the activities of a cluster of kinship groups who claimed descent from ancestors from the Korean kingdom of Silla. He skillfully places these groups in their socio-cultural context and convincingly demonstrates their pivotal role in bringing continental influences to almost every aspect of government and community ideology in Japan. He argues that these immigrant kinship groups were not only responsible for the construction of the Shotoku cult, but were also associated with the introduction of the continental systems of writing, ritual, and governance.By comparing the ancestral legends of these groups to the Shotoku legend corpus and Imperial chronicles, Como shows that these kinship groups not only played a major role in the formation of the Japanese Buddhist tradition, they also to a large degree shaped the paradigms in terms of which the Japanese Imperial cult and the nation of Japan were conceptualized and created. Offering a radically new picture of the Asuko and Nara period (551794), this innovative work will stimulate new approaches to the study of early Japanese religion focusing on the complex interactions among ideas of ethnicity, lineage, textuality, and ritual.




The Prince and the Monk


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The Prince and the Monk addresses the historical development of the political and religious myths surrounding Shōtoku Taishi and their influence on Shinran, the founder of the Jōdo-Shinshū school of Pure Land Buddhism. Shōtoku Taishi (574–622) was a prince who led the campaign to unify Japan, wrote the imperial constitution, and promoted Buddhism as a religion of peace and prosperity. Shinran's Buddhism developed centuries later during the Kamakura period, which began in the late twelfth century. Kenneth Doo Young Lee discusses Shinran's liturgical text, his dream of Shōtoku's manifestation as Kannon (the world-saving Bodhisattva of Compassion), and other relevant events during his life. In addition, this book shows that Shinran's Buddhism was consistent with honji suijaku culture—the synthesis of the Shinto and Buddhist pantheons—prevalent during the Kamakura period.




Plotting the Prince


Book Description

This book examines paintings and sculptures that depict the life of and illustrate the cultic practices and beliefs around one of ancient Japans most iconic figures, Prince Shotoku. Although some question the very factuality of the prince and attribution is debated, Shotoku is popularly credited with establishing the first unified Japanese state and writing the countrys first constitution, a Chinese style document that emphasizes the morals and virtues of government officials.




Prince Shotoku's Commentary on the Srimala Sutra


Book Description

Prince Shōtoku's Commentary on the Śrīmālā Sutra is a translation of the Shōmangyō-gisho (Commentary on the Śrīmālādevīsimhanāda-sūtra), one of three Buddhist commentaries written in classical Chinese that have been attributed to Japan's Prince Shōtoku (574-622). A master politician and shining figure in the imperial line, Prince Shōtoku played a leading role in government and with promoting diplomatic, cultural, and religious contacts with China and Korea. He is also remembered as a devout practitioner and generous patron of Buddhism who studied Buddhist doctrine under the instruction of continental tutors, and offered lectures at court on the Lotus Sutra and the Śrīmālādevī-sūtra, a key early Mahayana sutra that espouses the tathāgatagarbha, the "seed" of enlightenment said to be present in all sentient beings, and the ekayāna, or "One Vehicle." Shōtoku's lectures on the Śrīmālādevī-sūtra are believed to be the source of the Shōmangyō-gisho, a text that has had undeniable influence in both premodern and modern forms of Japanese Buddhism, and which continues to be a source of inspiration for many.







Prince Shōtoku


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Hōryūji Reconsidered


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Designated a UNESCO World Heritage site in 1993, the HÅ ryÅ«ji temple complex includes some of the oldest and largest surviving wooden buildings in the world. The original HÅ ryÅ«ji temple was built between 601 and 607 by Prince Regent ShÅ toku (573?â "622), one of Japanâ (TM)s best-known cultural heroes. The construction of the temple marked the introduction of Buddhism and Buddhist art and architecture to Japan from China, by way of the Korean peninsula, as promoted by Prince ShÅ toku. After a fire in 670 that destroyed the site, the temple was rebuilt and enlarged. HÅ ryÅ«ji became one of Japanâ (TM)s leading centers of Buddhist scholarship as well as a focus for the cult of its founder, Prince ShÅ toku. This volume of essays originate from the â oeThe Dawn of East Asian International Buddhist Art and Architecture: HÅ ryÅ«ji (Temple of the Exalted Law) in Its Contextsâ symposium held at the University of Virginia in October 2005. Covering the disciplines of archaeology, architecture, architectural history, art history, and religion, these essays aim to shed new light on the HÅ ryÅ«ji complex by (1) examining new archaeological materials, (2) incorporating computer analysis of the structural system of the pagoda, and (3) including cross-cultural, interdisciplinary perspectives that reflect current research in various fields.







Library of Congress Catalog


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The Theosophical Path


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