Shurei No Hikari


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Heritage Politics


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Heritage Politics: Shuri Castle and Okinawa's Incorporation into Modern Japan, 1879–2000 is a study of Okinawa’s incorporation into a subordinate position in the Japanese nation-state, and the role that cultural heritage, especially Okinawa’s iconic Shuri Castle, plays in creating, maintaining, and negotiating that position. Tze May Loo argues that Okinawa’s cultural heritage has been – and continues to be – an important tool with which the Japanese state and its agents, the United States during its 27-year rule of the islands (1945–1972), and the Okinawan people articulated and negotiated Okinawa’s relationship with the Japanese nation state. For these three groups, Okinawa’s cultural heritage was a powerful way to utilize the symbolism of material objects to manage and represent the islands’ cultural past for their own political aims. The Japanese state, its agents, and American authorities have all sought to use Okinawa’s cultural heritage to control, discipline, and subordinate Okinawa. For Okinawans, their cultural heritage gave them a powerful way to resist Japanese and American rule, and to negotiate for a more equitable position for themselves. At the same time, however, this book finds that Okinawan strategies to deploy their cultural heritage politically are deeply intertwined with, and to a significant extent enabled by, precisely these Japanese and American attempts to govern Okinawa through its heritage. This examination of the political role of Okinawa’s cultural heritage is a window into a wider process of how nation-states and other political formations make themselves thinkable to the people they rule, how the ruled seek out spaces to make claims of their own, and how cultural pasts, once made usable, are implicated in these processes.




Cold War Encounters in US-Occupied Okinawa


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This book examines roles of gender, race and nation in the geopolitics of Cold War East Asia on the Island of Okinawa.







Do-Good Boy


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In 1960, at age 18, future bestselling author Jerry Bledsoe ("Bitter Blood" & "The Angel Doll") told an Army recruiter that he wanted to be an artist. This was his lucky day, the recruiter informed him. The Army had the best art school in the world. But after being sworn in, Bledsoe was pulled aside by a major and informed that no Army art school existed. He was being assigned instead to Information School.Although Bledsoe, who had flunked high school English for failure to write book reports and term papers, had no idea what this unexpected decision entailed, it would set the direction for the rest of his life.Bledsoe limits this warm, deeply personal and often humorous memoir to the turbulent '60s, which he began as a psychological warfare writer in the early stages of the Vietnam War. His Army experiences led him to become a newspaper reporter and columnist, thrusting him into the major stories of the decade and leading him to meet and write about hosts of remarkable and engaging people, including a relatively unknown musician named Jimi Hendrix who was opening for the Monkees, comedy legend Brother Dave Gardner, and civil rights leader Ben Elton Cox. From moments of true Catch-22 absurdities in the Army to historic events of the civil rights movement, "Do-Good Boy" gives its readers an insider's view as a young author discovers his calling.




pt. 5. Japan and Okinawa


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United States Security Agreements and Commitments Abroad


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Japan Since 1945


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Examines the social, cultural, and political underpinnings of Japan's postwar and post-industrial trajectories.