The Siege of Antwerp


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The Siege of Antwerp, an Historical Play [In Verse]


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Siege of Antwerp


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Siege of Antwerp


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In so many ways, "The War to End all Wars" was a military holocaust rooted in the treaties, arrogance, and insecurities of the previous generations. The initial victim of the past was Belgium, which, owing to the misfortunes of geography, was located in the path of the German invasion. The Belgian Army, which had seen its cities fall, one by one, to the Germans, looked to Antwerp and its fortifications to save the country. Antwerp was a sufficient distance from Sarajevo, the place where World War I truly began. The war, with its roots in the assassination of Archduke Franz Ferdinand, the heir to the Austro-Hungarian Empire, began in August 1914. But in truth, World War I possessed roots that were firmly entrenched in the Europe of the 19th century. The 19th century had been very good to the nations like Great Britain, whose colonization efforts yielded an empire, but not so beneficial to countries like Germany, which wasn't unified until 1870. This meant that by the time the Germans got around to claiming territory outside their borders, the pickings were slim.




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The Siege of Antwerp


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Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: ACT THE FOURTH. SCENE I. The Bridge on the Scheldt restored to its original strength. Parma?Torai.va. Torai.va. The river sealed against them as before, They can't hold out much longer Dogs and cats? The most offensive tribes of household vermin, Are luxuries in Antwerp. PARMA. Pr'ythee, spare Description of the haggard wretchedness Stalking in conquest's van ?The ruddy slaughter That garnishes the battle, is a feast Which Death, in kingly purple vestured, spreads For guests to whom his presence is familiar; But Famine's horrid banquetings resemble The gorging of the hunger-maddened wolf, Among the shepherd's decimated flocks These hideous scenes we must behold, when victors? Meanwhile let distance veil them. I am not Of the same nest as my forerunner, Alva, Who scented like a carrion crow, afar, The charnel steam of human desolation? Some less sepulchral theme? TORALVA. Then shall it be The fair enchantress of your Spanish-love dream? Cassilda, the incomparable ? Your prize, By royal right of capture, soon she'll be. Parma. Of a forgotten purpose you remind me? There is a Flemish officer?Teligny ? To you a prisoner?I'll pay his ransom, And barter him with the burghers for old Nunez. Toralva. A subtle stroke of suitorship?to woo The daughter through the sire PARMA. The guess is shrewd, And shows thy subtlety?a shaft well aimed, Yet wide of the mark, Toralva. Did not The notice brought by Nunez save my life ? And though he were a dog, am I not bound To care for his ? The fellow's base enough?; Unless he's grossly libelled, he'd enact The part of Trojan Pandar, in a play Of which the heroine and the hero Should be, Giambelli's spouse, and the commander...







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