Sight and Blindness in Luke-Acts


Book Description

Reading Luke-Acts through the lens of Greco-Roman physiognomics, this is a study of the use of physical descriptions in characterization in the biblical texts. Specifically, this work studies blindness as characterization and, ultimately, as an interpretive guide to Luke-Acts.




Characters and Characterization in Luke-Acts


Book Description

Like all skilful authors, the composer of the biblical books of Luke and Acts understood that a good story requires more than a gripping plot - a persuasive narrative also needs well-portrayed, plot-enhancing characters. This book brings together a set of new essays examining characters and characterization in those books from a variety of methodological perspectives. The essays illustrate how narratological, sociolinguistic, reader-response, feminist, redaction, reception historical, and comparative literature approaches can be fruitfully applied to the question of Luke's techniques of characterization. Theoretical and methodological discussions are complemented with case studies of specific Lukan characters. Together, the essays reflect the understanding that while many of the literary techniques involved in characterization attest a certain universality, each writer also brings his or her own unique perspective and talent to the portrayal and use of characters, with the result that analysis of a writer's characters and style of characterization can enhance appreciation of that writer's work.




Divine Visitations and Hospitality to Strangers in Luke-Acts


Book Description

This study presents a coherent interpretation of the Malta episode by arguing that Acts 28:1-10 narrates a theoxeny, that is, an account of unknowing hospitality to a god which results in the establishment of a fictive kinship relationship between the Maltese barbarians and Paul and his God. In light of the connection between hospitality and piety to the gods in the ancient Mediterranean, Luke ends his second volume in this manner to portray Gentile hospitality as the appropriate response to Paul’s message of God’s salvation -- a response that portrays them as hospitable exemplars within the Lukan narrative and contrasts them with the Roman Jews who reject Paul and his message.




Jesus the Bridegroom


Book Description

Did Jesus claim to be the "bridegroom"? If so, what did he mean by this claim? When Jesus says that the wedding guests should not fast "while the bridegroom is with them" (Mark 2:19), he is claiming to be a bridegroom by intentionally alluding to a rich tradition from the Hebrew Bible. By eating and drinking with "tax collectors and other sinners," Jesus was inviting people to join him in celebrating the eschatological banquet. While there is no single text in the Hebrew Bible or the literature of the Second Temple Period which states the "messiah is like a bridegroom," the elements for such a claim are present in several texts in Isaiah, Jeremiah, and Hosea. By claiming that his ministry was an ongoing wedding celebration he signaled the end of the Exile and the restoration of Israel to her position as the Lord's beloved wife. This book argues that Jesus combined the tradition of an eschatological banquet with a marriage metaphor in order to describe the end of the Exile as a wedding banquet.




Recognition and the Resurrection Appearances of Luke 24


Book Description

How are the resurrection appearances of Luke’s Gospel shaped to offer a climax to the narrative? How does this narrative conclusion compare to the wider ancient literary milieu? Recognition and the Resurrection Appearances of Luke 24 proposes that the ancient literary technique of recognition offers a compelling lens through which to understand the climatic role of the resurrection appearances of Jesus as depicted in Luke 24. After presenting the development of recognition in ancient Jewish and Greco-Roman literature, Thompson demonstrates how Luke 24 deploys the recognition tradition to shape the form and function of the resurrection appearances. The ancient recognition tradition not only casts light on various literary and theological features of the chapter but also shapes the way the appearances function in the wider narrative. By utilizing recognition, Luke 24 generates cognitive, affective, commissive, and hermeneutical functions for the characters internal to the narrative and for the audience. The result is a compelling climax to Luke’s Gospel that resonates with Luke’s wider literary and theological themes. This work offers a compelling analysis of the Luke’s Gospel in the ancient literary context in light of the ancient technique of recognition that will appeal to those interested in narrative approaches to the New Testament or the interpretation of the New Testament in the wider literary milieu.




The Dubious Disciples


Book Description

The Dubious Disciples provides a literary examination of the four scenes of the disciples doubting the appearance of the resurrected Jesus in the canonical Gospels. Each Gospel offers a unique account of this episode, and the differences between them dramatically affect how readers evaluate the disciples' actions and perceive the role of doubt in the Christian experience.




The Reading and Transformation of Isaiah in Luke-Acts


Book Description

An investigation in to where, how and why Luke interacts with Isaiah; focusing on the importance of the servant motif for Luke, in supplying the job description for Jesus' messianic mission and that of his followers.




Sight and Blindness in Luke-Acts


Book Description

The ancient world often thought in terms of physiognomics—the idea that character can be discerned by studying outward, physical features. That physical descriptions carry moral freight in characterization has been largely missed in modern biblical scholarship, and this study brings that to the forefront. Specifically, this is a study of one particular physical marker—blindness. When we look at Greco-Roman literature, a kind of literary topos begins to emerge, a set of assumptions that ancient audiences would typically make when encountering blind characters. Luke-Acts makes use of such a topos in a way that becomes programmatic, serving as a kind of interpretive key to Luke-Acts that is generally unnoticed in modern scholarship.




Anatomies of the Gospels and Beyond


Book Description

Anatomies of the Gospels and Beyond is an edited volume structured around essays that focus on one of the four canonical Gospels (and Acts) and/or theoretical issues involved in literary readings of New Testament narrative. The volume is intended to honor the legacy of R. Alan Culpepper, Emeritus Professor and Former Dean at Mercer University’s McAfee School of Theology. The title of the volume (which alludes to the title of Culpepper’s ground-breaking monograph, Anatomy of the Fourth Gospel) and the breadth of the essays are apt reflections of his research interests over his academic career of over forty years. The twenty-five contributors are internationally recognized experts in New Testament studies; thus, the essays represent a snapshot of current research.




Lenses on Blindness


Book Description

Blindness, or vision loss, is a major medical concern that has also drawn the attention of artists, writers, musicians, mythologists, filmmakers, religions, philosophers and others. Covering everything from pop culture to high culture, this text is an illuminating anthology of essays examining various representations of blindness. Comprehensive in scope, this collection of essays analyzes depictions and explorations of blindness in many pieces of media. Essays explore blindness in horror films, science fiction literature, high art, superhero fiction, Jewish and indigenous traditions, music and more. This book aims to show how a world of darkness can hold so much light.