Women and Film


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Taxi Driver


Book Description

A drama about a New York cab driver is driven to obsession when he attempts to save a teenage prostitute and embarks on a violent rampage against a world of filth and corruption.




Sight and Sound in Minecraft


Book Description

Using the fun, interactive world of Minecraft and key concepts in STEAM, two teachers developed the Minecraft and STEAM series to be used in and out of the classroom. In Minecraft and STEAM, students discover that Minecraft isn't just a game, it's a tool that can be used to learn about real-world science, technology, engineering, art, and math. Sight and Sound in Minecraft: Art focuses on art but includes other STEAM concepts in the sidebars. Includes table of contents, glossary, index, sources for further reading, and an extension activity.




Action/Spectacle Cinema


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No Marketing Blurb




The Sight of Sound


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Richard Leppert boldly examines the social meanings of music as these have been shaped not only by hearing but also by seeing music in performance. His purview is the northern European bourgeoisie, principally in England and the Low Countries, from 1600 to 1900. And his particular interest is the relation of music to the human body. He argues that musical practices, invariably linked to the body, are inseparable from the prevailing discourses of power, knowledge, identity, desire, and sexuality. With the support of 100 illustrations, Leppert addresses music and the production of racism, the hoarding of musical sound in a culture of scarcity, musical consumption and the policing of gender, the domestic piano and misogyny, music and male anxiety, and the social silencing of music. His unexpected yoking of musicology and art history, in particular his original insights into the relationships between music, visual representation, and the history of the body, make exciting reading for scholars, students, and all those interested in society and the arts.




Bob Crewe


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The first book to explore the extraordinary musical life and remarkable paintings of one of America's greatest ever songwriters. Best known for having written and produced some of the seminal records of American popular culture--from 'Big Girls Don't Cry' for the Four Seasons to 'Silence is Golden' for the Tremeloes and 'Lady Marmalade' for LaBelle--Bob Crewe was a multifaceted artist for whom a passion for painting and the visual arts provided a lifelong counterbalance to music. Collected here are more than 80 of Bob Crewe's artworks, stretching from his first forays into abstract expressionism in the 1950s and 1960s to more complex, tactile compositions made on his full-time return to painting in the 1990s--accompanied by archival images and ephemera that reflect Crewe's simultaneous contribution to popular music. Essays by Jessica May and Peter Plagens explore the development of an artist whose influences ranged from Rauschenberg and Johns to Warhol and Bacon; legendary record producer Andrew Loog Oldham captures the period of radical experimentalism in which Crewe wrote many of the most memorable songs in the canon of modern pop; and Donald Albrecht's introduction ties together the many complementary aspects of Crewe's personal and creative lives.




Sight and Sound


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Collectible Bells


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A wonderful assortment of bells from around the world identified and shown in over 590 color photographs includes bells of many sizes, shapes, styles, colors, and textures, from school bells, cowbells, and bicycle bells to souvenir bells, commemoratives, and figurines. Basic bell types include open mouth bells, crotals, gongs, mechanical bells, and chimes. Bells for every taste and inclination!




American Beauty


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Cast size: medium.




Sight and Sound Entwined


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Notwithstanding the economic hardship Russian people are experiencing, their cultural life is as rich and alive as ever, as Gerald Janecek shows us in this collection of his articles on contemporary Russian poetry, which are especially written for this publication or so far only available in Russian. These articles focus on works in which sonic-musical, resp. visual-typographical features are used to produce interesting new effects and range from a musical analysis of the way Joseph Brodsky recited his poems to quasi-musical principles of organization (as in the works by Mnatsakanova and Nikonova) to layout designs that reflect the way a poem is recited (as in the case of Khudyakov, Volohovsky, Brodsky, Nekrasov, and Aigi) and perceived. As the first serious scholarly examination of the poets presented, this volume offers an important introduction to Russian avant-garde poetry.