Symbol Sourcebook


Book Description

"A ready reference aid and an inspiration to designers . All in all the best book now available on symbols." --Library Journal This unparalleled reference represents a major achievement in the field of graphic design. Famed industrial designer Henry Dreyfuss recognized the importance of symbols in communicating more quickly and effectively; for many years he and his staff collected and codified graphic symbols as they are used in all walks of life throughout the world. The result is this "dictionary" of universally used graphic symbols. Henry Dreyfuss designed this sourcebook to be as practical and easy to use as possible by arranging the symbol information within ingeniously devised sections: Basic Symbols represents a concise and highly selective grouping of symbols common to all disciplines (on-off, up-down, etc.). Disciplines provides symbols used in accommodations and travel, agriculture, architecture, business, communications, engineering, photography, sports, safety, traffic controls, and many other areas. Color lists the meanings of each of the colors in various worldwide applications and cultures. Graphic Form displays symbols from all disciplines grouped according to form (squares, circles, arrows, human figures, etc.) creating a unique way to identify a symbol out of context, as well as giving designers a frame of reference for developing new symbols. To make the sourcebook truly universal, the Table of Contents contains translations of each of the section titles and discipline areas into 17 languages in addition to English.







Intercultural Communication


Book Description

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Signs and Symbols Around the World


Book Description

Describes graphic signs and symbols and their importance to communication, from picture writing by cavemen to today's use of numbers, musical notes, religious signs, trademarks, signs in science and industry, trail markers and traffic signals, and the potentials of international sign writing.







National Union Catalog


Book Description

Includes entries for maps and atlases.




The Ancient Egyptian Universal Writing Modes


Book Description

The Egyptian Alphabetical language is the MOTHER and origin of all languages; and how it was diffused to become other 'languages' throughout the world. This book will show how the Egyptians had various modes of writings for various purposes , and how the Egyptian modes were falsely designated as "separate languages" belonging to others. ;the falsehood of having different languages on the Rosetta (and numerous other like) Stone; evaluation of the "hieratic' and "demotic" forms of writing. The book will also highlight how the Egyptian Alphabetical language is the MOTHER and origin of all languages (as confirmed by all writers of antiquities); and how this one original language came to be called Greek, Hebrew, Arabic and other 'languages' throughout the world—through deterioration of sound values via 'sound shifts', as well as foreign degradation of the original Egyptian writing forms. The book is divided into seven parts with a total of 24 chapters, as follows: Part I. Denial, Distortion and Diversion has 3 chapters—Chapters 1 to 3: Chapter 1: The Archetypal Primacy of The Egyptian Alphabet will show the role and remote history of alphabetical letter-forms writing in Ancient Egypt prior to any other place on earth. Chapter 2: The Concealment of The Supreme Egyptian Alphabet will show the incredible western academia scheme to conceal the Ancient Egyptian alphabetical letter-forms from its prominent position in the history of writing. Chapter 3: The Diversion of A Proto-Sinaitic "Phoenician Connection" will uncover all the facts about having "Phoenicians" as the inventor of alphabets on an Egyptian soil! Part II. Formation and Forms of Egyptian Alphabetic Writings has 6 chapters—Chapters 4 to 9: Chapter 4: Genesis of Egyptian Alphabetic Letters/Writing will refute the unfounded obsession that alphabetical letter-forms were derived from pictures; and the differences between ideograms, signs and alphabetical writing. Chapter 5: The Egyptian Sound Organization of Letters will cover the primary three vowels as the originators of all vowel sounds and associated consonants. Chapter 6: The Egyptian Alphabetic Writing Styles will sort out present common confusion of Ancient Egyptian styles of writing and set the two primary styles as uncials and cursive. Chapter 7: The Profession of Egyptian Scribes will cover the range of Egyptian writings; the profession of scribes; writing surfaces & instruments; and documentations of official missions by Egyptian scribes. Chapter 8: Multiple Writing Forms of a Single Document will cover the commonality of have several styles of same language on a single document; and examples of multiple writing forms on Egyptian magical divination papyri as well as on Egyptian stelae. Chapter 9: Multiple Writing Forms of The Rosetta Stone will expose the total misrepresentation of the three Egyptian writing forms on the Rosetta Stone as incorrectly being Egyptian and "Greek"! Part III. How The One World Language Became The Many has five chapters—Chapters 10 to 14: Chapter 10: The Beacon of the Ancient World will cover Egyptian settlements throughout the world; Ancient Egypt and The Seven Seas; Ancient Egypt as the World economic engine; the dominant Egyptian language; and the Egyptian Mother language of all language families. Chapter 11: Common Characteristics of Ancient Egyptian Alphabetic Writing System will detail such characteristics. Chapter 12: Letter-forms Divergence of World Alphabets From Its Egyptian Origin will cover the apparent variations of alphabetical letter-forms in world alphabets from its Egyptian origin; as well as an overview of the archetypal 28 Egyptian alphabetical letter-forms and their divergence into other regions of the world. Chapter 13: Sound Divergence of World Alphabets From Its Egyptian Origin will cover the systematic sound variations; as well as causes and effects of sound divergence from its Egyptian origin into other world alphabets. Chapter 14: Cavalier Designations of New Languages will cover how a new language has been awarded as a symbol of identity for winners of wars and new religions; as well as how "new" languages were fabricated from Egyptian scripts. Part IV. The Primary Linguistic Characteristics of The Egyptian Language has one chapter—Chapter 15: Chapter 15: The Primary Linguistic Characteristics of The Egyptian Language will cover the four pillars of a language; as well as an overview of the Egyptian prototypal interconnected lexicon, grammar and syntax. Part V. Out of Egypt—Diffusion Patterns To Asia and Africa has 5 chapters—Chapters 16 to 20: Chapter 16: Hebrew and Moses of Egypt will show the Egyptian origin of Hebrew and the absence of any linguistic distinction between Hebrew and the Ancient Egyptian language. Chapter 17: The Ancient Egyptian Hegemony of Asiatic Neighbors will discuss the found scripts in North and South Arabia; and clear up all apparent differences between them and the Ancient Egyptian writing system. Chapter 18: The African Connections will discuss the history and details of the Ethiopic language(s) and clear up all apparent differences between them and the Ancient Egyptian writing system. Chapter 19: From Egypt To India and Beyond will cover the two primary inscription styles in the Indian Sub-Continent; and clear up all apparent differences between them and the Ancient Egyptian writing system. Chapter 20: From Egypt to The Black Sea Basin [Georgia & Armenia] will cover affinities of languages from Central Asia To the Black Sea Basin; Ancient Egyptian settlements in the Black Sea Basin; Pre-existence of "Armenian/Georgian" alphabets in Ancient Egypt; and sameness of Ancient Egyptian alphabetical writing system in later "Georgian & Armenian Languages". Part VI. Out of Egypt—Diffusion Patterns To Europe has two chapters—Chapters 21 & 22: Chapter 21: Greek: A Shameless Linguistic Heist will cover role of Greeks in Ancient Egypt as hired security guards; pre-existence of the proclaimed "Greek" alphabetical letter-forms in the Ancient Egyptian system; robbing and postdating Egyptian scripts to rename them as "Greek"; and the absence of any linguistic distinction between Greek and the Ancient Egyptian language. Chapter 22: The European Languages will cover Etruscan, Latin and Hispanic languages; and the absence of any linguistic distinction between them and the Ancient Egyptian language. Part VII. The Ancient Future of The Universal Language has two chapters—Chapters 23 & 24: Chapter 23: Egyptian Alphabetical Vocalic Language [Past, Present & Future] will cover the state of the vocalic and written language in Egypt and the minor changes that occurred over thousands of years. Chapter 24: Renaissance & Seeking the Universal Language—The Ancient Future will cover an overview of the English language's inconsistent phonetic writing system; Renaissance search for a Universal Language; and how such a language, by all accounts is the [Ancient] Egyptian Language.




The Egyptian Hieroglyph Metaphysical Language


Book Description

Scientific/metaphysical realities of pictorial images (Hieroglyphs) as the ultimate medium for the human consciousness that interpret, process and maintain the meanings of such images. This book covers the Egyptian Hieroglyph metaphysical language of images/pictures- the language of the mind/intellect/divine; the scientific/metaphysical realities of pictorial images (Hieroglyphs) as the ultimate medium for the human consciousness that interpret, process and maintain the meanings of such images; how each hieroglyphic image has imitative and symbolic (figurative and allegorical) meanings; the concurrence of modern science of such multiple meanings of each image; how Egyptian hieroglyphic images represent metaphysical concepts; the metaphysical significance of a variety of about 80 Egyptian Hieroglyphic images. This book is divided into 8 chapters. Chapter 1: Historical Deception of the (Ancient) Egyptian Linguistics will clear the intended confusion to misrepresent the Egyptian hieroglyphics as a primitive form of writing with individual sound values. The Egyptian Hieroglyphics are ideograms which are different and has nothing to do with the Egyptian alphabetical system. Chapter 2: The Scientific/Metaphysical Realities of Pictorial Images (Hieroglyphs) explains how human beings process information received from the five senses to the brain through visualized images; how each hieroglyphic image has imitative and symbolic (figurative and allegorical) meanings; the concurrence of modern science of such multiple meanings of each image; and how a series of images are processed in the consciousness the same way like a dream processing. Chapter 3: Egyptian Hieroglyphic Imagery Depictions of Thoughts explains how Egyptian hieroglyphic images represent metaphysical concepts; relationship between their functions and geometrical forms; and an overview of the Egyptian formation of such ideograms. Chapter 4: Animal Hieroglyphic Images explains the metaphysical significance of such images; and highlight the significance of over 30 related Egyptian Hieroglyphic images. Chapter 5: Human and Animal headed Human Hieroglyphic Images explains the metaphysical significance of such images; and highlight the significance of about 10 related Egyptian Hieroglyphic images. Chapter 6: Human Body Parts Hieroglyphic Images explains the metaphysical significance of such images; and highlight the significance of over 10 related Egyptian Hieroglyphic images. Chapter 7: Nature & Geometrical Figures Hieroglyphic Images explains the metaphysical significance of such images; and highlight the significance of over 10 related Egyptian Hieroglyphic images. Chapter 8: Man Made Objects Hieroglyphic Images explains the metaphysical significance of such images; and highlight the significance of about 20 related Egyptian Hieroglyphic images.







Something about the Author


Book Description

Series covers individuals ranging from established award winners to authors and illustrators who are just beginning their careers. Entries cover: personal life, career, writings and works in progress, adaptations, additional sources, and photographs.