Sigurd Lewerentz


Book Description

The definitive monograph on Swedish modernist architect Sigurd Lewerentz. Sigurd Lewerentz (1885-1975) is one of the most highly revered--as well as one of the most heavily mythologized--protagonists of modern European architecture. Arguably Sweden's most distinguished modernist, he is more influential for architects around the world today than he was during his lifetime. Countless architecture lovers from around the world visit his buildings. Stockholm's woodland cemetery Skogskyrkogården, his most significant contribution to landscape design, is a UNESCO World Heritage Site. This authoritative new monograph on Sigurd Lewerentz is based on extensive research undertaken at ArkDes, Sweden's national center for architecture and design, where his archive and personal library are kept. It features a wealth of drawings and sketches, designs for furniture and interiors, model photographs, and more from his estate, most of which are published here for the first time, alongside new photographs of his realized buildings. Essays by leading experts explore Lewerentz's life and work, his legacy, and lasting significance from a contemporary perspective. This substantial, beautifully designed book offers the most comprehensive survey to date of Lewerentz's achievements in all fields of his multifaceted work.




Sigurd Lewerentz, Architect


Book Description

Sigurd Lewerentz (1885-1975) was initially educated as mechanical engineer in Gothenburg. Yet it was his architectural apprenticeship in Munich 1909-10 that set him on his path as an architect, opening his own office in Stockholm in 1911. Although his built work is relatively small, Lewerentz is revered as one of Sweden's most eminent architects. Cemeteries and sacred buildings became a core part of Lewerentz's oeuvre, including Stockholm's South Cemetery (1914-17), Malmo Eastern Cemetery (1916), St. Mark's Church, Bjorkhagen (1956), and Petri Church, Klippan (1963). In association with Gunnar Asplund, he was also the main architect for the Stockholm International Exhibition (1930), and in collaboration with Erik Lallerstedt and David Hellden he created a masterpiece of functionalist architecture, the Malmo City Theatre (1935). Sigurd Lewerentz, Architect is a reprint of the first ever monograph on his work, originally published in English 1987 and long out of print. It tells the story of Lewerentz's life and presents his entire work in text and many photographs, drawings and plans.




Sigurd Lewerentz


Book Description

This study of Sigurd Lewerentz, the Swedish modern master, is the most original and comprehensive monograph published to date, with a full treatment of unbuilt projects as well as completed buildings.




Lewerentz


Book Description




Sigurd Lewerentz


Book Description

Most famous for the remarkable Woodland Cementary which has influenced Tadao Ando and many others, Sigurd Lewerentz (1885-1975) collaborated often with Erik Gunnar Asplund and played an important role at the 1930 Stockholm exhibition, a breakthrough in Modernism. Afterwards Lewerentz went to create an intense personal architecture that has a strong following. The two examples featured in this book, the Church of St. Marks (1958) and the Church of St. Peters (1958), are considered to be his masterpieces. With essays by: Claes Caldenby, Adam Caruso, Sven Ivar Lind and Olof Hultin. Including drawings and plans.




Lewerentz Fragments


Book Description

The publication Lewerentz Fragments introduces new scholarship on the architect’s motivations and compiles new essays from all the major scholars on his work, for the first time in one volume presenting both historical and critical perspectives. Through new essays, recently discovered archival material, photography, and drawings, the publication Lewerentz Fragments explores the architect’s body of work spanning three-quarters of the twentieth century. Comprising writings from all the major scholars on Lewerentz’ work, along with several new voices, this publication offers new insight into the context surrounding this architect’s work. Rather than focusing on a single thesis, the book offers a diversity of insight from multiple cultural and professional perspectives. In addition, previously unpublished translations of interviews and dialogs among the architect and his contemporaries offer a voice to the ‘silent architect’ altering the traditional interpretations of the work and digging past the surface of what might be considered his philosophy of building. Rather than serving as an introduction to the architect’s work, this volume provides detailed fragments as a deep and diverse dive into one of the most mysterious of Scandinavia’s modern masters. Contributors: Johan Celsing, Patrick Doan, Nicola Flora, Jonathan Foote, Matthew Hall, Per Iwansson, Thomas Bo Jensen, Nathan Matteson, Enrico Miglietta, Paolo Giardiello, Hansjörg Göritz, Magnus Gustafsson, Mariana Manner, Anne-Marie Nelson, Gennaro Postiglione, Wilfried Wang, Ola Wedebrunn With Contributions of: Archival reproductions from the Swedish Centre for Architecture and Design (ArkDes), The Stockholm stadsarkiv, and The Malmö stadsarkiv. Historical construction photos of St Peter’s Church by Carl-Hugo and Lars Gustafsson Photos of the newly constructed St Peter’s Church by Ole Meyer Previously unpublished archival photographs of Lewerentz’ work Translations of various archival documents and audio interviews with the architect Current photography of the architect’s work from a variety of photographers Funding support: Auburn University College of Architecture, Design & Construction Aarhus School of Architecture DePaul University College of Computing and Digital Media The King Gustaf VI Adolfs fund for Swedish Culture The Peter and Birgitta Celsing Foundation The University of Tennessee College of Architecture & Design




Constructing Building Enclosures


Book Description

Constructing Building Enclosures investigates and interrogates tensions that arose between the disciplines of architecture and engineering as they wrestled with technology and building cultures that evolved to deliver structures in the modern era. At the center of this history are inventive architects, engineers and projects that did not settle for conventional solutions, technologies and methods. Comprised of thirteen original essays by interdisciplinary scholars, this collection offers a critical look at the development and the purpose of building technology within a design framework. Through two distinct sections, the contributions first challenge notions of the boundaries between architecture, engineering and construction. The authors then investigate twentieth-century building projects, exploring technological and aesthetic boundaries of postwar modernism and uncovering lessons relevant to enclosure design that are typically overlooked. Projects include Louis Kahn’s Weiss House, Minoru Yamasaki’s Science Center, Sigurd Lewerentz’s Chapel of Hope and more. An important read for students, educators and researchers within architectural history, construction history, building technology and design, this volume sets out to disrupt common assumptions of how we understand this history.




Architectural Reflections


Book Description

Louise Erdrich is one of the most critically and commercially successful Native American writers. This book is the first fully comprehensive treatment of Erdrich's writing, analysing the textual complexities and diverse contexts of her work to date. Drawing on the critical archive relating to Erdrich's work and Native American literature, Stirrup explores the full depth and range of her authorship. Breaking Erdrich's oeuvre into several groupings - poetry, early and late fiction, memoir and children's writing - Stirrup develops individual readings of both the critical arguments and the texts themselves. He argues that Erdrich's work has developed an increasing political acuity to the relationship between ethics and aesthetics in Native American literatures. Erdrich's insistence on being read as an American writer is shown to be in constant and mutually-inflecting dialogue with her Ojibwe heritage.This sophisticated analysis is of use to students and readers at all levels of engagement with Erdrich's writing.




The Other Modern Movement


Book Description

A revealing new look at modernist architecture, emphasizing its diversity, complexity, and broad inventiveness Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the breadth and complexity of architectural modernism. The Other Modern Movement profiles nineteen architects, each of whom consciously contributed to the evolution of a new architectural typology through a key work realized between 1922 and 1962. Frampton's account offers new insights into iconic buildings like Eileen Gray's E-1027 House in France and Richard Neutra's Kaufmann House in Palm Springs, California, as well as lesser-known works such as Antonin Raymond's Tokyo Golf Club and Alejandro de la Sota's Maravillas School Gymnasium in Madrid. Foregrounding the ways that these diverse projects employed progressive models, advanced new methods in construction techniques, and displayed a new sociocultural awareness, Frampton shines a light on the rich legacy of the Modern Movement and the enduring potential of the unfinished modernist project.




Redefining Brutalism


Book Description

There is a genuine resurgence of interest in this period of architecture. Brutalism is a highly debated topic in the architectural press and amongst architectural critics and institutions who promote the preservation of these buildings. This book is unique in combining beautiful, highly illustrated design with description of both British and International brutalist buildings and architects, alongside analysis of the present and future of brutalism. Not just be a historical tome, this book discusses brutalism as a living and evolving entity.