Silenced Sextet


Book Description

Carrie MacMillan, Lorraine McMullen, and Elizabeth Waterston have uncovered information about the lives and works of six such writers. Rosanna Leprohon, May Agnes Fleming, Margaret Murray Robertson, Susan Frances Harrison, Margaret Marshall Saunders, and Joanna E. Wood were once-popular novelists who are now for the most part ignored, with virtually all of their works out of print. MacMillan, McMullen, and Waterston show that these six writers deserve modern recognition not only for their literary accomplishments but also for what they reveal, through their work and their lives, about the condition of the woman writer in nineteenth-century Canada. The writings of these six women from varied backgrounds reflect their different experiences of life in the late nineteenth century. In this study a biographical profile of each author, set in the contemporary social context, is provided, as well as an analysis of career development, emphasising publishing history and critical response. As each case history unfolds, the broader picture emerges of an era when many ideas of personal and public life were changing.




The Oxford Handbook of Canadian Literature


Book Description

The Oxford Handbook of Canadian Literature provides a broad-ranging introduction to some of the key critical fields, genres, and periods in Canadian literary studies. The essays in this volume, written by prominent theorists in the field, reflect the plurality of critical perspectives, regional and historical specializations, and theoretical positions that constitute the field of Canadian literary criticism across a range of genres and historical periods. The volume provides a dynamic introduction to current areas of critical interest, including (1) attention to the links between the literary and the public sphere, encompassing such topics as neoliberalism, trauma and memory, citizenship, material culture, literary prizes, disability studies, literature and history, digital cultures, globalization studies, and environmentalism or ecocriticism; (2) interest in Indigenous literatures and settler-Indigenous relations; (3) attention to multiple diasporic and postcolonial contexts within Canada; (4) interest in the institutionalization of Canadian literature as a discipline; (5) a turn towards book history and literary history, with a renewed interest in early Canadian literature; (6) a growing interest in articulating the affective character of the "literary" - including an interest in affect theory, mourning, melancholy, haunting, memory, and autobiography. The book represents a diverse array of interests -- from the revival of early Canadian writing, to the continued interest in Indigenous, regional, and diasporic traditions, to more recent discussions of globalization, market forces, and neoliberalism. It includes a distinct section dedicated to Indigenous literatures and traditions, as well as a section that reflects on the discipline of Canadian literature as a whole.




Pet Projects


Book Description

In Pet Projects, Elizabeth Young joins an analysis of the representation of animals in nineteenth-century fiction, taxidermy, and the visual arts with a first-person reflection on her own scholarly journey. Centering on Margaret Marshall Saunders, a Canadian woman writer once famous for her animal novels, and incorporating Young’s own experience of a beloved animal’s illness, this study highlights the personal and intellectual stakes of a “pet project” of cultural criticism. Young assembles a broad archive of materials, beginning with Saunders’s novels and widening outward to include fiction, nonfiction, photography, and taxidermy. She coins the term “first-dog voice” to describe the narrative technique of novels, such as Saunders’s Beautiful Joe, written in the first person from the perspective of an animal. She connects this voice to contemporary political issues, revealing how animal fiction such as Saunders’s reanimates nineteenth-century writing about both feminism and slavery. Highlighting the prominence of taxidermy in the late nineteenth century, she suggests that Saunders transforms taxidermic techniques in surprising ways that provide new forms of authority for women. Young adapts Freud to analyze literary representations of mourning by and for animals, and she examines how Canadian writers, including Saunders, use animals to explore race, ethnicity, and national identity. Her wide-ranging investigation incorporates twenty-first as well as nineteenth-century works of literature and culture, including recent art using taxidermy and contemporary film. Throughout, she reflects on the tools she uses to craft her analyses, examining the state of scholarly fields from feminist criticism to animal studies. With a lively, first-person voice that highlights experiences usually concealed in academic studies by scholarly discourse—such as detours, zigzags, roadblocks, and personal experience—this unique and innovative book will delight animal enthusiasts and academics in the fields of animal studies, gender studies, American studies, and Canadian studies.




Boys and Girls in No Man's Land


Book Description

Drawing on educational materials, textbooks, adventure tales, plays, and Sunday-school papers, Boys and Girls in No Man's Land explores the role of children in the nation's war effort.




Fiction Treasures by Maritime Writers


Book Description

Though little known today, from 1860 to 1940 Canadian novelists from the Maritime provinces were writing highly successful books which were widely read in Canada, the US, and Britain. Although today only Lucy Maud Montgomery is remembered and read, there were several dozen writers who enjoyed the same level of success and renown. This book brings these authors and their most successful books back into the spotlight of Canadian writing. In 2001, Canadian literature specialist Gwen Davies and Formac publisher James Lorimer set out to republish books by these largely forgotten Maritime authors. Readers can now discover 35 of their novels, all reprinted in Formac's Fiction Treasures series. For each book, series editor Gwen Davies commissioned an introduction by a contemporary scholar who offers a brief biography of the writer and a discussion of the text itself. As Gwen Davies notes, "These introductions not only capture new research in literary biography or publishing history, but also broaden our understanding of regional popular reading tastes from the era of Queen Victoria to the Second World War." This book brings these introductory essays together in a single volume so that readers can discover these writers and get an overview of their best works.




Beautiful Joe


Book Description

One of the first animal viewpoint novels published in North America, Margaret Marshall Saunders’s Beautiful Joe tells the story of an abused dog and his rescue by a humane family. The novel, based on the true story of a dog in the author’s home province of Ontario, fuelled humane sentiments worldwide. This annotated, illustrated edition draws on archival collections to trace the novel’s impact on the nineteenth-century animal protection movement. The introduction also highlights some of the important social issues surrounding the substantive revisions and omissions in ensuing editions of the text. The historical appendices place the novel in its rich milieu as an international bestseller that taught a generation of children to practice kindness towards animals. Documents include animal training manuals, lesson plans for teaching humane education, legal records of prosecutions for cruelty, and contemporary writings on the psychology of pet-keeping.




Picturing Canada


Book Description

The study of children's illustrated books is located within the broad histories of print culture, publishing, the book trade, and concepts of childhood. An interdisciplinary history, Picturing Canada provides a critical understanding of the changing geographical, historical, and cultural aspects of Canadian identity, as seen through the lens of children's publishing over two centuries. Gail Edwards and Judith Saltman illuminate the connection between children's publishing and Canadian nationalism, analyse the gendered history of children's librarianship, identify changes and continuities in narrative themes and artistic styles, and explore recent changes in the creation and consumption of children's illustrated books. Over 130 interviews with Canadian authors, illustrators, editors, librarians, booksellers, critics, and other contributors to Canadian children's book publishing, document the experiences of those who worked in the industry. An important and wholly original work, Picturing Canada is fundamental to our understanding of publishing history and the history of childhood itself in Canada.




Pioneering Women


Book Description

Pioneering Women is an anthology of short fiction written before 1880 by Canadian women, including Susanna Moodie, Catharine Parr Traill, and Rosanna Mullins Leprohon. From the Maritimes to Upper Canada, from backwoods to the drawing room, this collection demonstrates the variety that exists in stories by women of early British North America. Published in English.




Character Parts


Book Description

Ever wondered where novelists get the inspiration for their characters? Why the hero or villain of your favourite book seems oddly familiar? Who inspired Mordecai Richler to create Bernard Gursky; Margaret Atwood to create Zenia in The Robber Bride? In which novel does Northrop Frye appear (as a character named Morton Hyland)? The answers can be found in Character Parts, Brian Busby’s irreverent yet authoritative guide to who’s really who in Canadian literature. The most original and entertaining reference book to be published in years, Character Parts is the behind-the-scenes look at CanLit we have all been waiting for. Brian Busby settles the suspicions that arise when a fictional character reminds you of a real-life one, listing the sources for characters from the whole of Canadian literature. His canvas stretches from the settlers who inspired 1852’s Roughing It in the Bush to Glenn Gould’s appearance as Nathaniel Orlando Gow in Tim Wynne-Jones’ The Maestro, and beyond. But Character Parts is also chock-full of fascinating, less famous people who have been immortalized in Canadian books: seductive Alberta politicians, British army generals, anarchists, models, aristocrats -- and, of course, parents, siblings and ex-spouses. Authoritative, but presented with a light touch, Character Parts is as at home in a university library as on a bathroom shelf. It’s that rare find: an exemplary reference book that is also an absolutely entertaining read in its own right.




Authors and Audiences


Book Description

From the 1890s through the 1920s, the best-selling fiction of Ralph Connor, Robert Stead, Nellie McClung, Lucy Maud Montgomery, and Arthur Stringer was internationally recognized. In this intriguing cultural history of the conception, production, and reception of popular fiction, Clarence Karr challenges the common assumption that best sellers are a conservative cultural influence, reflecting and promoting traditional values. By focusing on a society and its cultural leaders at a period when they were coming to grips with modernity, Karr provides a new perspective on popular culture and the interaction between readers and popular authors.