Silent Film Necrology


Book Description

This greatly expanded (over 18,500 entries versus 9,000 in the earlier edition) and updated edition includes everyone from John Aasen, an 8-foot, 9-inch circus star who appeared in silent film comedies, to Vladimir Kosma Zworykin, who invented the iconoscope and kinescope that together constituted the first all-electronic television system. This is the most complete necrology available on people from the silent era. The entries are arranged alphabetically by professional name, and include birth and death dates, the place of birth and death, real name when it differs from the professional name, married name for women, birth certificate date when available, age at death, and bibliographic data of any autobiography or biography. When available the cause of death is also provided. Following these data, there is a reference to any obituary printed in The New York Times, Variety or, occasionally, another publication, including the obituary's headline.




Guide to the Silent Years of American Cinema


Book Description

The latest offering from the Reference Guides to the World's Cinema series, this critical survey of key films, actors, directors, and screenwriters during the silent era of the American cinema offers a broad-ranging portrait of the motion picture production of silent film. Detailed but concise alphabetical entries include over 100 film titles and 150 personnel. An introductory chapter explores the early growth of the new silent medium while the final chapter of this encyclopedic study examines the sophistication of the silent cinema. These two chapters outline film history from its beginnings until the perfection of synchronized sound, and reflect upon the themes and techniques established with the silent cinema that continued into the sound era through modern times. The annotated entries, alphabetically arranged by film title or personnel, include brief bibliographies and filmographies. An appendix lists secondary but important movies and their creators. Film and popular culture scholars will appreciate the vast amount of information that has been culled from various sources and that builds upon the increased studies and research of the past ten years.




Silent Film Necrology


Book Description

Arranged by professional name, the entries include birth and death dates, the place of birth and death, real name when different from professional, married name for women, birth certificate date when available, age, and bibliographic data of an autobiography or biography. When available the cause of death is also provided.




A Biographical Dictionary of Silent Film Western Actors and Actresses


Book Description

Long before sound became an essential part of motion pictures, Westerns were an established genre. The men and women who brought to life cowboys, cowgirls, villains, sidekicks, distressed damsels and outraged townspeople often continued with their film careers, finding success and fame well into the sound era--always knowing that it was in silent Westerns that their careers began. More than a thousand of these once-silent Western players are featured in this fully indexed encyclopedic work. Each entry includes a detailed biography, covering both personal and professional milestones and a complete Western filmography. A foreword is supplied by Diana Serra Cary (formerly the child star "Baby Peggy"), who performed with many of the actors herein.




Roman Catholicism in the United States


Book Description

A collection of essays providing an extensive history of Catholicism in America from numerous perspectives. Roman Catholicism in the United States: A Thematic History takes the reader beyond the traditional ways scholars have viewed and recounted the story of the Catholic Church in America. The collection covers unfamiliar topics such as anti-Catholicism, rural Catholicism, Latino Catholics, and issues related to the establishment of diplomatic relations between the Vatican and the US government. The book continues with fascinating discussions on popular culture (film and literature), women religious, and the work of US missionaries in other countries. The final section of the books is devoted to Catholic social teaching, tackling challenging and sometimes controversial subjects such as the relationship between African American Catholics and the Communist Party, Catholics in the civil rights movement, the abortion debate, issues of war and peace, and Vatican II and the American Catholic Church. Roman Catholicism in the United States examines the history of US Catholicism from a variety of perspectives that transcend the familiar account of the immigrant, urban parish, which served as the focus for so many American Catholics during the nineteenth and first half of the twentieth centuries. Praise for Roman Catholicism in the United States “All of the essays are informative and written in a style suitable to both novices and scholars of American Catholic history.” —Choice “Any scholar currently writing books or articles on American Catholic history would do well to pick up this volume.” —American Catholic Studies “I’ve seen the future of American Catholic studies, and it is in this superb collection of consistently engaging, provocative, and well-written essays. This is now required reading for scholars and students of the Catholic experience in the United States.” —Mark Massa, S.J., Director, The Boisi Center for Religion and American Public Life, Boston College




Silent Film Stars on the Stages of Seattle


Book Description

Before they became household names, many would-be Hollywood stars began their careers as small-time actors in regional theatres and playhouses. Few of them earned much recognition based on their time in the footlights, but often the stage provided these Hollywood hopefuls with their first break in show business. Drawing on material from the J. Willis Sayre Collection, a nearly unbroken accumulation of theatrical programs from 1865 to 1955, this book chronicles the Seattle stage engagements of more than 30 silent film personalities. Such Hollywood giants as Douglas Fairbanks, Charlie Chaplin, Cecil B. DeMille, D.W. Griffith, and Buster Keaton, to name just a few, can trace their early careers through the Emerald City.




Silent Films, 1877-1996


Book Description

This film reference covers 646 silent motion pictures, starting with Eadweard Muybridge's initial motion photography experiments in 1877 and even including The Taxi Dancer (1996). Among the genres included are classics, dramas, Westerns, light comedies, documentaries and even poorly produced early pornography. Masterpieces such as Joan the Woman (1916), Intolerance (1916) and Faust (1926) can be found, as well as rare titles that have not received critical attention since their original releases. Each entry provides the most complete credits possible, a full description, critical commentary, and an evaluation of the film's unique place in motion picture history. Birth dates, death dates, and other facts are provided for the directors and players where available, with a selection of photographs of those individuals. The work is thoroughly indexed.




Mack Sennett's Fun Factory


Book Description

This is a comprehensive career study and filmography of Mack Sennett, cofounder of Keystone Studios, home of the Keystone Kops and other vehicles that showcased his innovative slapstick comedy. The filmography covers the more than 1,000 films Sennett produced, directed, wrote or appeared in between 1908 and 1955, including casts, credits, synopses, production and release dates, locations, cross-references of remade stories and gags, footage excerpted in compilations, identification of prints existing in archives, and other information. The book, featuring 280 photographs, also contains biographies of several hundred performers and technical personnel connected with Sennett.




Early Charlie Chaplin


Book Description

Charlie Chaplin produced some of the greatest films of all time, including The Gold Rush, The Circus, City Lights, Modern Times, and The Great Dictator. Before making a name for himself as an undisputed master of cinema, however, Chaplin first developed his acting, writing, and directing skills at Keystone Studios. Mack Sennett, who attended one of Chaplin’s music hall shows, thought the entertainer would be a good fit at his newly established studio, where they specialized in the roughhouse slapstick Chaplin performed on stage. Intrigued with the idea of preserving comedy on film, Chaplin began work for Sennett in 1913. While some of the first efforts were crudely filmed, they allowed Chaplin to understand the rudiments of performing for the camera. As he became more interested in directing his own films, Chaplin learned techniques that set his work apart from other comedies. The films Chaplin made at Keystone were the catalyst for a significant motion picture career, and a character that he would create and develop at the studio would become among the most iconic images in the history of entertainment. In Early Charlie Chaplin: The Artist as Apprentice at Keystone Studios, James Neibaur examines each of these films, assessing the important early work of a comedian who became a timeless icon. From his debut as a fast talking con man in Making a Living to his role in the six-reel Marie Dressler vehicle, Tillie’s Punctured Romance, Chaplin displays many of the characteristics that would endear him to audiences around the world. The majority of these films have been made available on DVD, allowing the reader to appreciate the background behind these works. Early Charlie Chaplin is a must, not only for fans of silent cinema and Chaplin, but for anyone who appreciates film history.




Florence Lawrence, the Biograph Girl


Book Description

Florence Lawrence's film career began just as the cinema was being born. She recognized the wonder and appeal of the fledgling industry, and her early work with the Vitagraph company gained her a legion of fans and a reputation as a willing and hard working actress. In 1908 she appeared in Romeo and Juliet--America's very first screen Juliet. By 1909, she was working steadily for the Biograph studio-she was dubbed "the Biograph girl"--and was being praised for her "personal attractions" and "very fine dramatic ability." But just as Lawrence was the first movie star in the industry, she was also one of the first to be undone by it. Hindered by setbacks, grueling work schedules, self-imposed retirements, three marriages, repeatedly unsuccessful comeback attempts, Lawrence finally committed suicide in 1938. This impressively researched piece of film history represents the first full-length biography of Florence Lawrence, also called "The Girl of a Thousand Faces." Among the photographs are some never before published. A complete filmography of Lawrence's entire career is provided. A summary chapter includes comments from various critics and historians, addressing how Lawrence is important to film history.