Author : Robert W. Phillips
Publisher : Gibbs Smith Publishers
Page : 206 pages
File Size : 48,13 MB
Release : 1994
Category : Biography & Autobiography
ISBN :
Roy Rogers, Gene Autry, Tex Ritter . . . they were the cowboys that everyone loved. Now their magic is captured in a memorable collection of photos, film clips, lobby cards and sheet music. And that's all toppped off with a high-quality compact disc that allows the melodious memories to come racing back. 110 photos, 50 in full-color.
Author : Douglas B. Green
Publisher : Gibbs Smith Publishers
Page : 144 pages
File Size : 20,76 MB
Release : 2006
Category : Music
ISBN : 1586858084
Telling the fabled story of the men and women who shone brightly during the magical era of the singing cowboy movie star, this treasury features such famed cowboy singers as: Gene Autre, Binge Crossly, Dale Evens, Tit Guitar, Dorothy Page, Riders of the Purple Sage, TeX Rita, Marry Robins, Roy Rogers, John Wayne, Ray Whitely, and dozens more.
Author : Peter Stanfield
Publisher : University of Illinois Press
Page : 196 pages
File Size : 26,30 MB
Release : 2002
Category : Biography & Autobiography
ISBN : 9780252070495
"In this innovative take on a neglected chapter of film history, Peter Stanfield challenges the commonly held view of the singing cowboy as an ephemeral figure of fun and argues instead that he was one of the most important cultural figures to emerge out of the Great Depression.The rural or newly urban working-class families who flocked to see the latest exploits of Gene Autry, Roy Rogers, Tex Ritter, andother singing cowboys were an audience largely ignored by mainstreamHollywood film. Hard hit by the depression, faced with the threat--and often the reality--of dispossession and dislocation, pressured to adapt to new ways of living, these small-town filmgoers saw their ambitions, fantasies, and desires embodied in the singing cowboy and their social and political circumstances dramatized in ""B"" Westerns.Stanfield traces the singing cowboy's previously uncharted roots in the performance tradition of blackface minstrelsy and its literary antecedents in dime novels, magazine fiction, and the novels of B. M. Bower, showing how silent cinema conventions, the developing commercial music media, and the prevailing conditions of film production shaped the ""horse opera"" of the 1930s. Cowboy songs offered an alternative to the disruptive modern effects of jazz music, while the series Western--tapping into aesthetic principles shunned by the aspiring middle class--emphasized stunts, fist fights, slapstick comedy, disguises, and hidden identities over narrative logic and character psychology. Singing cowboys also linked recording, radio, publishing, live performance, and film media.Entertaining and thought-provoking, Horse Opera recovers not only the forgotten cowboys of the 1930s but also their forgotten audiences: the ordinary men and women whose lives were brightened by the sights and songs of the singing Western."
Author : Douglas B. Green
Publisher : Vanderbilt University Press
Page : 412 pages
File Size : 24,56 MB
Release : 2005
Category : Biography & Autobiography
ISBN :
As the United States expanded west in the 1800s, and cattle became big business, the figure of the young brash cattleman who rode with the herds quickly emerged as a cultural icon. Victorian Americans went crazy for cowboys, snapping up dime-store novels and sheet music, and turning out in droves for Buffalo Bill Cody's Wild West Show. It was only a matter of time before someone brought together these three facets-entertainer, singer, and cowboy. And when Carl T. Sprague recorded the first hit cowboy record ("When the Work's All Done This Fall") in 1925, the singing cowboy as we know him was born. A singing cowboy himself, Douglas B. Green (better known as Ranger Doug from the Grammy-award-winning group Riders In The Sky) is uniquely suited to write the story of the singing cowboy. He has been collecting information and interviews on western music, films, and performers for nearly thirty years. In this volume, he traces this history from the early days of vaudeville and radio, through the heyday of movie westerns before World War II, to the current revival. He provides rich and careful analysis of the studio system that made men such as Gene Autry and Roy Rogers famous, and he documents the role that country music and regional television stations played in carrying on the singing cowboy tradition after World War II. This book, lavishly illustrated with over 140 photos, is a wealth of information that comes out of decades of research. Green has unearthed never-before-published photos and rare movie posters-including one from an all-Black western, Harlem on the Prairie (1938). Through his close friendships with other singing cowboys and their families, Green is able to provide rare insights into the ways that some like Autry became stars and others like Raoul Walsh (who lost his eye in a shooting accident and later became a famous director) did not. Green also traces the history of cowboy music, from popular songs such as "Sweet Betsy from Pike" to the instantly recognizable harmonies of the Sons of the Pioneers. Green even speculates about just when the famous yodel became a ubiquitous part of the singing cowboy's repertoire. More important, Green reveals how the imagery of the singing cowboy has become such a potent force that even now country musicians don cowboy hats so as to symbolically take part in the legend. Nowhere has the recorded history of the singing cowboy and the film history been collected in one volume, and this book is sure to become the resource for students of the style. Co-published with the Country Music Foundation Press
Author : Holly George-Warren
Publisher : Oxford University Press
Page : 417 pages
File Size : 48,33 MB
Release : 2007-05-07
Category : Biography & Autobiography
ISBN : 0198039476
The only performer to earn 5 stars on the Hollywood Walk of Fame, Gene Autry was the singing cowboy king of American entertainment. Now, in Public Cowboy No.1, Holly George-Warren offers the first serious biography of this singular individual, in a fascinating narrative that traces Autry's climb from small-town farm boy to multimillionaire. Here for the first time Autry the legend becomes a flesh-and-blood man--with all the passions, triumphs, and tragedies of a flawed icon. George-Warren recounts stories never before told, including revelations about Autry's impoverished boyhood, his adventures as an up-and-coming singer, and the impact his unbelievable success had on his personal life. The book provides equally colorful details of Autry's lengthy radio and recording career, which included such classics as "Back in the Saddle Again" and "Rudolph the Red-Nosed Reindeer"; his movie career, where he breathed new life into the Western genre; and his role in early television. And along the way, we see how he invested shrewdly in radio, real-estate, and television, becoming the only entertainer listed among 1990's Fortune 400. Based on exclusive access to Gene Autry's personal papers, as well as interviews with more than 100 relatives, employees, colleagues, and friends, this engaging biography brings to life a major Hollywood star--a man who, more than anyone else, put Western music and style on the American cultural map.
Author : Sasha Summers
Publisher : Sourcebooks, Inc.
Page : 239 pages
File Size : 49,28 MB
Release : 2021-08-24
Category : Fiction
ISBN : 1492688630
"A hot romance and a fast galloping plot."—JODI THOMAS, New York Times bestselling author, for Jace What's a country music star to do when his world is falling apart around him? Can he find his way back home? According to his record label, Travis King's drinking and partying has to stop. Or else... Image rebranding means joining AA and singing opposite one of the industry's rising stars at an upcoming awards show. It wouldn't be so bad if Loretta Gram wasn't cold as ice. No matter how hard he turns on the charm, she won't give him a break. It looks like this cowboy has finally met his match. Loretta is still grieving the death of her original singing partner, and she doesn't have it in her to deal with playboy Travis King. But her career is all she has, so if singing with the Three Kings is what she needs, she'll do it. Loretta isn't as cold as she lets on, but she's had more than her share of heartache. When she finally shows Travis who she is, he knows he'll do anything to be her forever cowboy. Perfect for fans of: Enemies-to-lovers and opposites-attract romance Behind-the-scenes glimpses into country music Characters who find the courage to be their true selves Poignant romance that warms your heart
Author : Jan Thomas
Publisher : Simon and Schuster
Page : 40 pages
File Size : 17,65 MB
Release : 2012-09-25
Category : Juvenile Fiction
ISBN : 1442442778
This playful picture book with audio from Jan Thomas features a courageous cowboy who croons to his cows before bed—with just a few fearful interruptions. Join the Brave Cowboy as he tries to sing his young calf pals to sleep on a dark, dark night—EEEEEEEK! IS THAT A HUGE HAIRY SPIDER OVER THERE? Oh, it’s just a flower? Well then, back to the lullaby. No one does preschool humor with Jan Thomas’s wit, verve, and bold, snappy color. And her Brave Cowboy and his silly, interrupted lullaby are sure to get everybody singing—before they head off into cozy dreamland…
Author : John Avery Lomax
Publisher : Library of Alexandria
Page : 179 pages
File Size : 16,66 MB
Release : 1931-01-01
Category : Fiction
ISBN : 1465532536
The "Songs of the Cattle Trail and Cow Camp" does not purport to be an anthology of Western verse. As its title indicates, the contents of the book are limited to attempts, more or less poetic, in translating scenes connected with the life of a cowboy. The volume is in reality a by-product of my earlier collection, "Cowboy Songs and Other Frontier Ballads." In the former book I put together what seemed to me to be the best of the songs created and sung by the cowboys as they went about their work. In making the collection, the cowboys often sang or sent to me songs which I recognized as having already been in print; although the singer usually said that some other cowboy had sung the song to him and that he did not know where it had originated. For example, one night in New Mexico a cowboy sang to me, in typical cowboy music, Larry Chittenden's entire "Cowboys' Christmas Ball"; since that time the poem has often come to me in manuscript form as an original cowboy song. The changes — usually, it must be confessed, resulting in bettering the verse — which have occurred in oral transmission, are most interesting. Of one example, Charles Badger Clark's "High Chin Bob," I have printed, following Mr. Clark's poem, a cowboy version, which I submit to Mr. Clark and his admirers for their consideration. In making selections for this volume from a large mass of material that came into my ballad hopper while hunting cowboy songs as a Traveling Fellow from Harvard University, I have included the best of the verse given me directly by the cowboys; other selections have come in through repeated recommendation of these men; others are vagrant verses from Western newspapers; and still others have been lifted from collections of Western verse written by such men as Charles Badger Clark, Jr., and Herbert H. Knibbs. To these two authors, as well as others who have permitted me to make use of their work, the grateful thanks of the collector are extended. As will be seen, almost one-half of the selections have no assignable authorship. I am equally grateful to these unknown authors.
Author : Chris Enss
Publisher : Rowman & Littlefield
Page : 265 pages
File Size : 37,75 MB
Release : 2018-09-01
Category : Performing Arts
ISBN : 1493031309
Take one well-oiled effective killing machine, add a familiar hero on the ground, in the air, and on horseback; stir in a ghastly end that’s surely impossible to escape, add action, add passion, made on a shoestring budget at breakneck speed, and you’ve got the recipe for Republic Pictures. Who, after all, cannot forget The Atomic Kid, starring Mickey Rooney, or The Untamed Heiress, with an un-Oscar-worthy performance by ingénue Judy Canova? Exploding onto the movie scene in 1935, Republic Pictures brought the pop culture of the 30s and 40s to neighborhood movie houses. Week after week kids sank into their matinee seats to soak up the Golden Age of the Republic series, to ride off into the classic American West. And they gave us visions of the future. Visions that inspire film makers today. Republic was a studio that dollar for dollar packed more movie onto the screen than the majors could believe. From sunrise on into the night over grueling six day weeks, no matter how much mayhem movie makers were called upon to produce, at Republic Pictures it was all in a day’s work. Republic Pictures was the little studio in the San Fernando Valley where movies were made family style. A core of technicians, directors, and actors worked hard at their craft as Republic released a staggering total of more than a thousand films through the late 1950s. Republic Pictures was home to John Wayne for thirty-three films. Always inventing, Republic brought a song to the West. It featured the West’s first singing cowboy. Republic brought action, adventure, and escape to neighborhood movies houses across America. And they brought it with style. Scene from westerns such as The Three Mesquiteers and the Lawless Range gave screaming kids at the bijou a white-knuckle display of expert film making. Republic Pictures became a studio where major directors could bring their personal vision to the screen. Sometimes these were projects no other studio would touch such as The Quiet Man (which brought director John Ford an Oscar) and Macbeth. Killer Bs, Cowboys, Creatures and Classics: The Story of Republic Pictures is for anyone who likes B movies magic. It is the honest account of an extraordinary production house, one whose ability to turn out films quickly boded well for its transition into television production. Not only were its sets used for such shows as Leave it to Beaver and Gilligan’s Island, stock footage from Republic’s movies was used on such shows as Gunsmoke and The Life and Legend of Wyatt Earp.
Author : Don Cusic
Publisher : McFarland
Page : 285 pages
File Size : 15,94 MB
Release : 2011-07-29
Category : Music
ISBN : 0786463147
This series of biographical profiles shines a spotlight on that special place "Where the West meets the Guitar." From Gene Autry and Roy Rogers to contemporary artists like Michael Murphy, Red Steagall, Don Edwards and Riders in the Sky, many entertainers have performed music of the West, a genre separate from mainstream country music and yet an important part of the country music heritage. Once called "Country and Western," it is now described as "Country or Western." Though much has been written about "Country," very little has been written about "Western"--until now. Featured are a number of photos of the top stars in Western music, past and present. Also included is an extensive bibliography of works related to the Western music field.
