SINGULAR IMPRESSIONS


Book Description

The first comprehensive survey of the monotype in America, Singular Impressions discusses the work of more than one hundred artists who, attracted by the medium's intimacy and freedom, made prints ranging from the romantic, pastoral landscapes of Bostonian Charles Alvah Walker to the Savarin-can "self-portraits" of Jasper Johns. Whether created as a brief fling with the technique by John Singer Sargent or as a sustained exploration of its subtleties by Maurice Prendergast, monotypes have attracted countless artists who usually work in other media. Describing how artists invented new methods and variations on the basic process, Joann Moser analyzes the role of the monotype in the "Black and White" exhibitions of New York's Salmagundi Club, at the 1915 Panama-Pacific Exposition in San Francisco, and in 1920s artists' communities from Provincetown to Taos. It was not until the 1970s that the monotype emerged as an alternative to the technical, structured enterprise that printmaking had become. Recognizing no rules or boundaries, artist pushed the previous limits of the medium to create a richer, more complex, more versatile means of expression.




Singularity and Other Possibilities


Book Description

This book elaborates the author's original metaphysics, panenmentalism, focusing on novel aspects of the singularity of any person. Among these aspects, integrated in a systematic view, are: love and singularity; private, intersubjective, and public accessibility; multiple personality; freedom of will; akrasia; a way out of the empiricist-rationalist conundrum; the possibility of God; and some major moral questions.




Real, Mechanical, Experimental


Book Description

This original work contains the first detailed account of the natural philosophy of Robert Hooke (1635-1703), leading figure of the early Royal Society. From celestial mechanics to microscopy, from optics to geology and biology, Hooke’s contributions to the Scientific Revolution proved decisive. Focusing separately on partial aspects of Hooke’s works, scholars have hitherto failed to see the unifying idea of the natural philosophy underlying them. Some of his unpublished papers have passed almost unnoticed. Hooke pursued the foundation of a real, mechanical and experimental philosophy, and this book is an attempt to reconstruct it. The book includes a selection of Hooke's unpublished papers. Readers will discover a study of the new science through the works of one of the most known protagonists. Challenging the current views on the scientific life of restoration England, this book sheds new light on the circulation of Baconian ideals and the mechanical philosophy in the early Royal Society. This book is a must-read to anybody interested in Hooke, early modern science or Restoration history.




4th National Monotype/Monoprint Juried Exhibition


Book Description

MGNE is pleased to present the exhibition catalog for the Fourth National Monotype/Monoprint Juried Exhibition at the Attleboro Arts Museum, April 6-May 7, 2016. The exhibit was juried by Andrew Stevens, Curator of Prints at the Chazen Art Museum, University of Wisconsin, Madison.




Models and Concepts of Ideology


Book Description




Social and Cultural Dynamics


Book Description

This classic work is a revised and abridged version, in a single volume, of the work which more than any other catapulted Pitirim Sorokin into being one of the most famed figures of twentieth-century sociology. Its original publication occurred before World War II. This revised version, written some twenty years later, reflects a postwar environment. Earlier than most, Sorokin took the consequences of the breakdown of colonialism into account in discussing the renaissance of the great cultures of African and Asian civilization. Other than perhaps F.S.C. Northrop, no individual better incorporated the new role of the Indian, Chinese, Japanese, and Arabic peoples in this postwar world. Sorokin came to view social and cultural dynamics in terms of three major processes: a major shift of mankind's creative center from Europe to the Pacific; a progressive disintegration of the sensate culture; and finally the first blush of the emergence and growth of a new idealistic sociocultural order. This volume is perhaps most famous for revealing Sorokin's remarkable efforts to understand the relationship of war and peace to the process of social and political change. Contrary to received wisdom, he shows that the magnitude and depth of war grows in periods of social, cultural, and territorial expansion by the nation. In short, war is just as often a function of development as it is of social decay. This long-unavailable volume remains one of the major touchstones by which we can judge efforts to create an international social science. There are few areas of social or cultural life that are not covered—from painting, art, and music, to the ethos of universalism and particularism. These are terms which Sorokin introduced into the literature long before the rise of functional doctrines. For all those interested in cultural and historical processes, this volume provides the essence of Sorokin's remarkably prescient effort to achieve sociological transcendence, by takin




A New Philosophy of Society


Book Description

In A New Philosophy of Society Manuel DeLanda offers a fascinating look at how the contemporary world is characterized by an extraordinary social complexity. Since most social entities, from small communities to large nation-states would disappear altogether if our cognitive abilities ceased to exist, DeLanda proposes a novel approach to social ontology that asserts the autonomy of social entities from the conceptions we have of them. He argues that Gilles Deleuze's theory of assemblages provides a framework in which sociologists and geographers studying social networks and regions can properly locate their work and fully elucidate the connections between them. Indeed, assemblage theory, as DeLanda argues, can be used to model any community, from interpersonal networks and institutional organizations, to central governments, cities and nation states.




Real Words


Book Description

There exists a very particular grasp of the relation between language and objectivity in the work of G.W.F. Hegel (1770-1831), one that rejects the idea of truth as the reflection between words and what they represent. Jeffrey Reid's Real Words is an examination of Hegel's notion of scientific language (i.e. the language of his system) and its implications to a type of discourse that is itself true objectivity. Hegel sees scientific logos as real, actual, and true, where there is no distance between signifier and signified and where the word is the effective thing. The words of Hegel's system are meant to be objective: they 'take place' in the world; they are not the arbitrary constructions of the individual philosopher. This concept of language is only possible through the idea of content, real words that actually embody the truth of nature, history, law, art and philosophy itself. Real Words presents an original way of understanding one of the most important philosophers in the Western tradition.




Phenomenology, Language & Schizophrenia


Book Description

Phenomenology represents a mainstream in the philosophy of subjectivity as well as a rich tradition of inquiry in psychiatry. The conceptual and empirical study of language has become increasingly relevant for psychiatric research and practice. Schizophrenia is still the most enigmatic and most relevant mental disorder. This volume represents an attempt to bring specialists from different fields together in order to integrate various conceptual and empirical approaches for the benefit of schizophrenic research. We hope that it will facilitate discussions among members of such diverse fields as psychiatry, psychology, and philosophy.




Evolution, Animal 'rights' & the Environment


Book Description

The author of this study undertakes an investigation of the metaethical grounds of ""rights"" theory, with special focus on the controversial issue of whether creatures other than humans can and should be considered true subjects of ""rights"". He contends that before assigning rights to this or that individual or group, whether human or not, we need to be very clear about what it is we are assigning, to whom and why. The book argues that the efforts to build a case supporting animal and environmental ""rights"" fail in their quest, and that any such effort resting on a Darwinian evolutionary base is likewise condemnded to fail. The author investigates life phenomena, followed by a detailed comparative study of knowing, communicating and doing, as these are observed in the human and nonhuman animal. This is followed by an overview of diverse views advanced by contemporary environmental ethnicists and animal ""rights"" advocates, including Peter Singer, Tom Regan, J. Baird Callicott, Laura Westra, and Don E. Marietta Jr. Conclusions drawn from this study include the claims that: classic Darwinian theory provides no admissable premise from which to derive a theory of inherent, inalienable rights; no satisfactory explanation of the origin of rghts and obligation can derive save from within the context of natural law theory; the human person alone unqualifiedly possesses rights; and the view that vegetarianism is an ethical mandate is neither compatible with the Christian world view, nor philosophically sound.