Puerto Rico


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Encyclopedia of Latin American & Caribbean Art


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For abstracts see: Caribbean Abstracts, no. 11, 1999-2000 (2001); p. 111.




Los Tesoros de la pintura puertorriqueña


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La historia y las colecciones de pintura puertorriqueña.




Latin American Art


Book Description

This is the first comprehensive and authoritative survey of an important and increasingly popular field. Because each of the contributors is an expert on his or her own national art, it is also the first to present a genuinely Latin American viewpoint. 17 scholars, critics and curators provide an exciting and challenging new assessment of twentieth-century Latin American art. The wider public and scholars alike will welcome the full treatment of the different histories and cultural traditions that have given each country its own character. Major artists such as Wifredo Lam, Frida Kahlo, Diego Rivera and Fernando Botero are seen in a wider context, and the exploration of the rich and important heritage of previously overlooked countries such as Ecuador, Peru, the Dominican Republic, Paraguay and Bolivia will be a revelation to many. Springing from complex cultural roots, Latin American art is fresh, varied and often startling in its originality. Its vast range and astonishing qualities are represented here in over 300 outstanding images.







S.E.L.A.


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The Puerto Ricans


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Annotated bibliography of articles, periodicals, monographs and audiovisual materials published in the English language and Spanish language on Puerto Rico - lists publications dealing with the history, fine arts, civilization, geography, economy, education, traditional culture, politics, law, language, literature, migration, population, religion, sociology, etc.




Pintura puertorriqueña


Book Description

This catalogue is a compilation of paintings (particularly from painters José Campeche y Jordán (1751-1809) and Francisco Manuel Oller y Cestero (1833-1917)) part of the vast collection of art that the ICP has treasured for more than a century, since its foundation in 1955. "Beginning with the first acquisition through the purchase of a work by José Campeche in February of 1959 and up to the last two works acquired in 1977, the Institute has gathered about twenty-four pieces of unique testimonial value in more than one case. With this number, it surpasses the best-known series until then: the Campeche canvases in the Archbishop's palace in San Juan, of which there are twenty."--P. xiii. Includes several essays by well-known Puerto Rican art historians and curators.




Catalog


Book Description