The City Churches of Sir Christopher Wren


Book Description

The Great Fire of 1666 devastated the centre of London, with a loss of old St Paul's and eighty-six parish churches. Sir Christopher Wren, working with Commissioners appointed by Parliament, was responsible for rebuilding the cathedral and fifty-one of the parish churches, although the immediate need to start rebuilding made his design for an overall replanning of the City impossible. The work was funded by a tax on coals brought into the City of London. Much has been written about Wren's rebuilding of St Paul's, while the other fifty-ne parish chirches he was appointed to reconstruct are generally overlooked. This is the first modern book to examine them as a whole. Paul Jeffery describes how and when the churches were built, exploring the respective contributions of Wren and of his two principal assistants, Robert Hooke and Nicholas Hawksmoor. The result of their work was a unique set of contemporary churches. While not all are of the standard of Wren's masterpieces, such as St Stephen Walbrook and St Bride's, none is without architectural merit and interest. The second part of the book is a gazetteer of all the churches, including those that no longer exist. The book is heavily illustrated and provides a visual strong record of all the churches. Since they were built the Wren churches have suffered steady losses. St Christopher-le-Stocks was demolished in 1782 to make way for the Bank of England. Others, such as St Dionis Backchurch and St Antholin Budge Row, were lost to Victorian parish rationalisation. Many were destroyed or badly damaged in the Second World War. Only twenty-three of the original fifty-one remain. These are now under threat again, with the Templeman Report's proposal that only four of the existing churches (none by Wren) should be retained as parish churches. They provide a test case of conservation, sitting as they do in the middle of the City of London. The City Churches of Sir Christopher Wren presents a clear case both for their importance and for their preservation.




St. Paul's


Book Description

The present St Paul's Cathedral, Christopher Wren's masterpiece, is the fourth religious building to occupy the site. Its location in the heart of the capital reflects its importance in the English church while the photographs of it burning during the Blitz forms one of the most powerful and familiar images of London during recent times. This substantial and richly illustrated study, published to mark the 1,400th anniversary of St Paul's, presents 42 scholarly contributions which approach the cathedral from a range of perspectives. All are supported by photographs, illustrations and plans of the exterior and interior of St Paul's, both past and present. Eight essays discuss the history of St Paul's, demonstrating the role of the cathedral in the formation of England's church and state from the 7th century onwards; nine essays examine the organisation and function of the cathedral during the Middle Ages, looking at, for example, the arrangement of the precinct, the tombs, the Dean's household during the 15th century, the liturgy and the archaeology. The remaining papers examine many aspects of Wren's cathedral, including its construction, fittings and embellishments, its estates and income, music and rituals, its place in London, its library, its role in the book trade and its reputation.




Architecture and Geometry in the Age of the Baroque


Book Description

The age of the baroque -- a time of great strides in science and mathematics -- also saw the construction of some of the world's most magnificent buildings. In this book, George L. Hersey explores the interrelations of the two developments, explaining how the advancements of geometry and the abstractions of mathematicians were made concrete in the architecture of the day. Copyright © Libri GmbH. All rights reserved.




Building St Paul's


Book Description

Building St Paul's tells the story of the cathedral that has dominated London's skyline for 300 years and of those responsible for its construction from the time of the disastrous Great Fire to final completion in 1708. The figure of Sir Christopher Wren is well known, but this book also considers those ordinary craftsmen, the contractors and overseers, the quarrymen on the Isle of Portland, the humble stonemasons and carpenters who shaped the materials. James Campbell is the first historian to plough through the documents in search of these people: he describes life on a seventeenth-century building site, the workers' day-to-day responsibilities, how some were poorly paid while others became millionaires. He also unravels the struggles for money that at one time threatened to undermine the whole enterprise. Campbell's account reaffirms St Paul's not only as one man's masterwork, but as an incredible collaborative achievement.




Sir Christopher Wren


Book Description

Sir Christopher Wren (1632–1723) is now mostly remembered as a genius of architecture – but he was also an accomplished polymath, who only came to architecture quite late in life. Most famous as the mastermind behind the rebuilding of St Paul's Cathedral and more than fifty parish churches after the Great Fire of London, among his countless other projects Wren also designed the Royal Hospital at Chelsea, the Royal Naval Hospital at Greenwich, and much of Hampton Court Palace. Replete with colourful images of his buildings, this concise biography tells the story of a man whose creations are still popular tourist attractions to this day, but also casts light on Wren's credentials as an intellectual and a founding member of the Royal Society.




On a Grander Scale


Book Description

A biography of Sir Christopher Wren from one of Britain's best writers and historians




Christopher Wren


Book Description

A fresh look at the Eastern origins of Christopher Wren's architecture In this revelatory study of one of the great architects in British history, Vaughan Hart considers Christopher Wren's (1632-1723) interest in Eastern antiquity and Ottoman architecture, an interest that would animate much of his theory and practice. As the early modern understanding of antiquity broadened to include new discoveries at Palmyra and Persepolis, Wren disputed common assumptions about the European origins of Classical and Gothic architecture, tracing these building traditions not to the Greeks or Germans but to the stonemasons of the biblical East. In a deft analysis, Hart contextualizes Wren's use of classical elements--columns, domes, and cross plans--within his enthusiasm for the East and the broader Anglican interest in the Eastern church. A careful study of diary records reappraises Wren's working relationship with Robert Hooke (1635-1703), who shared in many of Wren's theoretical commitments. The result is a new, deepened understanding of Wren's work. Distributed for the Paul Mellon Centre for Studies in British Art




Stealing from the Saracens


Book Description

Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange.




The Architectural Drawings of Sir Christopher Wren


Book Description

Sir Christopher Wren (1632-1723) was the greatest architect of his time and is best known for his work in London after the Great Fire of 1666, in particular his iconic work on the restoration of St Paul's Cathedral. This catalogue is a comprehensive survey of the collection of Wren workshop drawings held by All Souls College, Oxford. It comprises 453 illustrations by Wren himself and by Edward Woodroofe, Thomas Laine and most notably by Nicholas Hawksmoor.




St Paul's Cathedral Before Wren


Book Description

This is the first ever comprehensive account of the archaeology and history of the cathedral and its churchyard from Roman times up to the construction of the Wren building. The cathedrals which preceded that of Wren come to the surface again, and we can appreciate the cultural and religiousimportance of St Paul's over more than 1000 years.