Sir Edward Burne-Jones


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Burne-Jones, the Pre-Raphaelite painter and leader of the Aesthetic Movement is celebrated in this biographical, art and reference title that reproduces many of his works. Born in Birmingham, the son of a craftsman, Burne-Jones showed precocious ability at school. At Oxford University he met William Morris where they established a mutual interest in art. Their first important influence was that of one of the founding fathers of Pre-Raphaelitism, Dante Gabriel Rossetti, with whom in 1857 they painted murals at the Oxford Union. After Oxford his painting career developed and he rapidly established his position as the leader of the Aesthetic Movement. Burne-Jones also worked for Morris's firm, supplying designs for stained glass, tapestries, tiles and other products, including his own illustrations for the celebrated Kelmscott Chaucer.







Sir Edward Burne-Jones


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The Last Pre-Raphaelite


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In Fiona MacCarthy’s riveting account, Burne-Jones’s exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.




Sir Edward Burne Jones


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Memorials of Edward Burne-Jones


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This classic work from 1904 is a unique and comprehensive source: a fascinating account of the life and times of the painter and decorative artist Edward Burne-Jones, written by his wife Georgiana shortly after the artist's death. The account begins with Burne-Jones's childhood and schooldays in Birmingham and his student days at Oxford, and moves on to describe his lifelong friendship with William Morris, the important influence on him of Rossetti, and his development as one of the most important late Victorian artists and a key figure in the Aesthetic Movement. Georgiana Burne-Jones lets her characters speak for themselves whenever possible, quoting extensively from letters, conversations and reminiscences. Burne-Jones was a formidable scholar and antiquarian and took a lively interest in current events; the memoirs include his reflections on a wide range of topics, such as art and artists, contemporary politics, education, the future of science and the art of living. The Memorials are therefore much more than just a biography. In recording Burne-Jones's many friendships with artists and such literary figures as Ruskin, Browning, Swinburne and George Eliot, the author sheds important light on the whole cultural climate in which Burne-Jones was working. -- Amazon.com




Burne-Jones


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The centenary of Burne-Jones' death falls in 1998, and here the career of the greatest of all English romantic painters is reassesed. Throughout his lifelong association with William Morris and the Pre-Raphelites, Burne-Jones became one of the major figure in the late 19th-century art world. Here, for the first time in a quater of a century, his work and legacy will be restored to their rightful position as a major European artist.




Burne-Jones


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