A Stain in the Blood


Book Description

'A thrilling account' The Times 'As heroic as Digby himself, Moshenska has defied the tyranny of genre and made his own absorbing account' Observer 'A master storyteller. Full of exquisite details, but with the grandest themes... this is a gripping adventure story' Zia Haider Rahman 'A brilliant account of one of the seventeenth century's most dashing lives' Ruth Scurr 'Gripping and extraordinary' Ann Wroe On the 16th of August 1628, five battle-scarred English ships sailed into the harbour of the Greek island of Milos. Dropping anchor, the 25-year-old captain banqueted with the local lord before sitting down to write an account of his journey - an account that would transform him entirely. Sir Kenelm Digby was one of the most remarkable Englishmen who ever lived: a trusted advisor to the King, but the sworn enemy of the all-powerful Duke of Buckingham; a pioneering philosopher and scientist, but committed to the occult arts of alchemy and astrology; a friend not only of Ben Jonson, Thomas Hobbes and van Dyck, but even Oliver Cromwell. He was also widely known as the 'son of a traytor and husband of a whore': a man who witnessed his father's gruesome execution for high treason as a Gunpowder Plotter, and the lover of the most celebrated beauty of the age, Venetia Stanley. In an attempt to clear his name, and on a quest for personal glory, Digby assembled a fleet and set sail for the Mediterranean: a world of pirate cities and ancient ruins where people, ideas and exotic goods moved freely between languages and nations. His journey - encompassing fevers, mutiny, piracy, daring rescues and heroic sea battles - is a great and terribly overlooked adventure, and a prism through which to view England, and all of Europe, during one of the most pivotal periods in its history. A Stain in the Blood is the story of an extraordinary life, and of a journey that helped to shape a nation. It is a revelatory first work of non-fiction by one of the brightest young writers and thinkers of today.




Sensing the Sacred in Medieval and Early Modern Culture


Book Description

This volume traces transformations in attitudes toward, ideas about, and experiences of religion and the senses in the medieval and early modern period. Broad in temporal and geographical scope, it challenges traditional notions of periodisation, highlighting continuities as well as change. Rather than focusing on individual senses, the volume’s organisation emphasises the multisensoriality and embodied nature of religious practices and experiences, refusing easy distinctions between asceticism and excess. The senses were not passive, but rather active and reactive, res-ponding to and initiating change. As the contributions in this collection demonstrate, in the pre-modern era, sensing the sacred was a complex, vexed, and constantly evolving process, shaped by individuals, environment, and religious change. The volume will be essential reading not only for scholars of religion and the senses, but for anyone interested in histories of medieval and early modern bodies, material culture, affects, and affect theory.




Two Treatises


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Supremacy and Survival


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Viper Wine


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Nominated for the Folio Prize Famed beauty Venetia Stanley is so extravagantly dazzling she has inspired Ben Jonson to poetry and Van Dyck to painting, provoking adoration and emulation from the masses. Stampedes follow her arrival in town. But as she approaches middle age, the attention turns to scrutiny. Her adoring husband Sir Kenelm Digby âe" philosopher, alchemist and time-traveller âe" wishes she would age naturally, but Venetia discovers a potent and addictive elixir of youth, Viper Wine. Set on the eve of the English Civil War, and based on a true story, this brilliant novel asks a very contemporary question: what is the cost of beauty? 'Dazzling' Observer 'Intoxicating' Independent on Sunday 'Wickedly funny' The Times




Literature and the Encounter with God in Post-Reformation England


Book Description

Each of the figures examined in this study—John Dee, John Donne, Sir Kenelm Digby, Henry and Thomas Vaughan, and Jane Lead—is concerned with the ways in which God can be approached or experienced. Michael Martin analyzes the ways in which the encounter with God is figured among these early modern writers who inhabit the shared cultural space of poets and preachers, mystics and scientists. The three main themes that inform this study are Cura animarum, the care of souls, and the diminished role of spiritual direction in post-Reformation religious life; the rise of scientific rationality; and the struggle against the disappearance of the Holy. Arising from the methods and commitments of phenomenology, the primary mode of inquiry of this study resides in contemplation, not in a religious sense, but in the realm of perception, attendance, and acceptance. Martin portrays figures such as Dee, Digby, and Thomas Vaughan not as the eccentrics they are often depicted to have been, but rather as participating in a religious mainstream that had been radically altered by the disappearance of any kind of mandatory or regular spiritual direction, a problem which was further complicated and exacerbated by the rise of science. Thus this study contributes to a reconfiguration of our notion of what ‘religious orthodoxy’ really meant during the period, and calls into question our own assumptions about what is (or was) ‘orthodox’ and ‘heterodox.’







The Broad Stone of Honour


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This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!