Book Description

Excerpt from Siva Chhatrapati: Being a Translation of Sabhasad Bakhar With Extracts From Chitnis and Sivadigvijya The present volume is the first of a series intended for those students of Maratha history who do not know Marathi. Original materials, both published and unpublished, have been accumulating for the last sixty years and their volume often frightens the average student. Sir Asutosh Mookerjee, therefore, suggested that a selection in a handy form should be made where all the useful documents should be included. I must confess that no historical document has found a place in the present volume, but I felt that the chronicles or bakhars could not be excluded from the present series and I began with Sabhasad bakhar leaving the documents for a subsequent volume. This is by no means the first English rendering of Sabhasad. Jagannath Lakshman Mankar translated Sabhasad more than thirty years ago from a single manuscript. The late Dr. Vincent A. Smith overestimated the value of Mankar's work mainly because he did not know its exact nature. A glance at the catalogue of Marathi manuscripts in the British Museum might have convinced him that the original Marathi Chronicle from which Mankar translated has not been lost. Mankar's was a free rendering and his work is so rare now that I need not offer any apology for bringing out a second translation. I have translated from the text edited by Rao Bahadur Kashinath Narayan Sane, the most reliable and authoritative text in print. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.