Six Historical Poems of Geffroi de Paris


Book Description

This volume contains an introduction and translation into English of six poems by Geffroi de Paris, the fourteenth-century French writer and author of Chronique metrique de Philippe le Bel, or Chronique rimee de Geoffroi de Paris. A glossary of proper names is included.
















Six Historical Poems


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Six Historical


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Music and Culture in the Middle Ages and Beyond


Book Description

It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.







The Fleurs de Lis of the Kings of France, 1285-1488


Book Description

Featuring 56 illustrations, this definitive work on the arms of France delves into the mythology of kingship, probes the mystique of kings. Hinkle's comprehensive, chronological study of the origin, evolution, and function of the fleurs de lis covers the 200-year period beginning near the end of the 13th century with the emergence of France as a European power and ending at the close of hostilities between England and France in the late 15th century. His interdisciplinary study focuses on literature, history, and art history but also includes numismatics and sigillography. Hinkle first investigates the precursor to the fleurs de lis, the stylized lily of the early Capetian rulers. The initial literary reference to the later heraldic lily appeared shortly after 1285, with subsequent years witnessing further poetic glorification of the symbol. By 1316, the poetry of the period and of Geoffroy de Paris began to celebrate the three lilies on the royal escutcheon as a symbol of the Trinity. Concurrently, the death of a Capetian monarch without a male heir led to both the proclamation that no woman could succeed to the French throne and the appointment of the dead king's brother as Philip V. A second succession problem occurred in 1328 when the nearest male relative was Edward III of England. The French estates selected Philip VI, founder of the Valois line. To resolve the problem of succession, the pope proposed a crusade led by both Edward III and Philip VI. Preparations for this crusade led to Philippe de Vitri's poem of the 1330s: Le chapel des trois fleurs de lis. Although the crusade was later canceled, the poem signaled the beginnings of French nationalism symbolized by the three heraldic flowers. Two later poems from the 1330s celebrate the divine creation of the fleurs de lis. Hinkle tells a complex story lucidly. Examining the significance of the visual image of the fleurs de lis, he shows how the lilies evolved into emblems of God's favor, directed not only to the kings of France. The English also eagerly adopted the symbolism of the fleurs de lis for their young king, Henry VI, and that, too, is a fascinating part of the story.