Six Months at the White House


Book Description

In February of 1864, Francis Carpenter left New York for the White House to fulfill a dream born of the previous year's issuance of the Emancipation Proclamation. With Lincoln's enthusiastic support, Carpenter would paint the now-famous life-sized portrait of the President and his Cabinet depicting the first reading of the Proclamation. For six months, Carpenter had almost daily access to Lincoln, often sketching quietly in the President's office while Lincoln worked and met with visitors. He would see Lincoln in triumph, in sorrow, in the company of important men, and meeting with common citizens. From this extraordinary access, Carpenter observed a man he came to regard as uniquely suited for the overwhelming task of guiding the nation through a war that threatened to rip it apart. He saw and appreciated Lincoln's wisdom, intellect, humanity, and wit. He came to love the man. Carpenter was able to wander freely about the White House during his time there in 1864. He chatted with visitors, family, and Cabinet members, as well as members of Congress. He saw Lincoln at his most relaxed and during times of tension. In addition to his reading of Lincoln biographies after the President's death, Carpenter was privy to many unique stories from Lincoln friends and intimates. If you're a Lincoln student, you'll recognize well-known stories but many are unique here. (Expanded, Annotated) Every memoir of the American Civil War provides us with another view of the catastrophe that changed the country forever. For the first time, this long out-of-print volume is available as an affordable, well-formatted book for e-readers and smartphones. Be sure to LOOK INSIDE by clicking the cover above or download a sample.




The Inner Life of Abraham Lincoln. Six Months at the White House...


Book Description

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.













6 MONTHS AT THE WHITE HOUSE W/


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.










Six Months at the White House with Abraham Lincoln


Book Description

Six Months at the White House with Abraham Lincoln by Francis Bicknell Carpenter, first published in 1866, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.