Six Seconds in Dallas


Book Description




Six Seconds of Darkness


Book Description

The leader of a reformist political movement to root out political corruption in the city, Edward Hamilton is murdered, and the local Police Department is mightily confused when three people turn themselves in as the killer and confess the murder. First one is the victim's beautiful ward; second one is an elderly loon who for years has been accusing the victim of swindling him; and the third and final one is the fiance of the beautiful ward. Police Commissioner Hall pulls the atypical move and turns over this high interest murder investigation to a private investigator David Carroll believing he is the only one who can solve the mystery.




Six Seconds


Book Description

Within the rings of Saturn, an object thought to be a small moon may actually be an ancient spacecraft. Adrian Tarn and R.J. Smith are persuaded to escort two scientists to a landing there to investigate. What they find has unexpected consequences for Earth and every person on it. Join Adrian Tarn, R.J. Smith, and Danica Donoro as they fight to close Pandora's box before Earth becomes a new asteroid belt.




Twenty-Six Seconds


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The moving, untold family story behind Abraham Zapruder's film footage of the Kennedy assassination and its lasting impact on our world. Abraham Zapruder didn't know when he ran home to grab his video camera on November 22, 1963 that this single spontaneous decision would change his family's life for generations to come. Originally intended as a home movie of President Kennedy's motorcade, Zapruder's film of the JFK assassination is now shown in every American history class, included in Jeopardy and Trivial Pursuit questions, and referenced in novels and films. It is the most famous example of citizen journalism, a precursor to the iconic images of our time, such as the Challenger explosion, the Rodney King beating, and the 9/11 attack on the Twin Towers. But few know the complicated legacy of the film itself. Now Abraham's granddaughter, Alexandra Zapruder, is ready to tell the complete story for the first time. With the help of the Zapruder family's exclusive records, memories, and documents, Zapruder tracks the film's torturous journey through history, all while American society undergoes its own transformation, and a new media-driven consumer culture challenges traditional ideas of privacy, ownership, journalism, and knowledge. Part biography, part family history, and part historical narrative, Zapruder demonstrates how one man's unwitting moment in the spotlight shifted the way politics, culture, and media intersect, bringing about the larger social questions that define our age.




Six Seconds


Book Description

‘Echoing Ludlum and Forsythe...a big international thriller that grabs your gut – and your heart – and doesn’t let go’Jeffery Deaver An anguished mother desperate to find her child.




6 Seconds of Darkness


Book Description

The leader of a reformist political movement to root out political corruption in the city, Edward Hamilton is murdered, and the local Police Department is mightily confused when three people turn themselves in as the killer and confess the murder. First one is the victim's beautiful ward; second one is an elderly loon who for years has been accusing the victim of swindling him; and the third and final one is the fiance of the beautiful ward. Police Commissioner Hall pulls the atypical move and turns over this high interest murder investigation to a private investigator David Carroll believing he is the only one who can solve the mystery.




Last Second in Dallas


Book Description

In this long-awaited follow-up to his critically acclaimed 1967 classic, Six Seconds in Dallas, Josiah Thompson reveals major new forensic discoveries since the year 2000 that overturn previously accepted “facts” about the Kennedy assassination. Together they provide what no previous book on the assassination has done—incontrovertible proof that JFK was killed in a crossfire. Last Second in Dallas is not a conspiracy book. No theory of who did it is offered or discussed. Among the discoveries: The test showing that all recovered bullet fragments came from Oswald’s rifle was mistaken. Several fragments could have come from bullets of any manufacturer and any caliber. The sudden two-inch forward movement of the president’s head in the Zapruder film just before his head explodes is revealed to be an optical illusion caused by the movement of Zapruder’s camera. This leaves without further challenge clear evidence that this shot came from a specific location to the right front of the limousine. Detailed analysis of film frames matched by the newly validated acoustic evidence show a second shot struck the president’s head from behind less than a second later. Result: two killing shots to the head from opposite directions in the final second of the shooting—hence the book’s title. At once a historical detective story and a deeply personal narrative by a major figure in the field, Last Second in Dallas captures the drama and sweep of events, detailing government missteps and political bias as well as the junk science, hubris, and controversy that have dogged the investigation from the beginning. Into this account Thompson weaves his own eventful journey, that of a Yale-educated scholar who in 1976 resigned his tenured professorship in philosophy to become a private investigator in San Francisco, developing a national reputation. Profusely illustrated, Last Second in Dallas features dozens of archive photographs, including Zapruder film frames reproduced at the highest clarity ever published.




Basic Cinematography


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The cinematographer must translate the ideas and emotions contained in a script into something that can be physically seen and felt onscreen, helping the director to fulfil the vision of the film. The shots may look good, but they will not serve the story until the composition, lenses, and lighting express, enhance, and reveal the underlying emotions and subtext of the story. By making physical the ideas and emotions of the story, the cinematographer supports blocking as a visual form of the story through these tools. Rather than delve into technical training, Basic Cinematography helps to train the eye and heart of cinematographers as visual storytellers, providing them with a strong foundation for their work, so that they’re ready with creative ideas and choices on set in order to make compelling images that support the story. The book includes tools, tables, and worksheets on how to enhance students and experienced filmmakers with strong visual storytelling possibilities, including such features as: Dramatic script analysis that will help unlock blocking, composition, and lighting ideas that reveal the visual story Ten tools of composition Psychological impact of lenses, shot sizes, and camera movement Six elements of lighting for visual storytelling What to look for beneath the "hood" of cameras, including using camera log, RAW, and LUTs Dramatic analysis chart and scene composition chart to help plan your shoots Case studies from such visually cinematic shows and documentaries as Netflix’s Godless, Jessica Jones, The Crown, and Chef’s Table, as well as examples from classroom exercises Features insights from the DP of Jessica Jones, Manuel Billeter, and the DP of Chef’s Table, Adam Bricker.




Marvelous Images


Book Description

The twelve essays by Kendall Walton in this volume address a broad range of theoretical issues concerning the arts. Many of them apply to the arts generally-to literature, theater, film, music, and the visual arts-but several focus primarily on pictorial representation or photography. In "'How Marvelous!': Toward a Theory of Aesthetic Value" Walton introduces an innovative account of aesthetic value, and in this and other essays he explores relations between aesthetic value and values of other kinds, especially moral values. Two of the essays take on what has come to be called imaginative resistance-a cluster of puzzles that arise when works of fiction ask us to imagine or to accept as true in a fiction moral propositions that we find reprehensible in real life. "Transparent Pictures", Walton's classic and controversial account of what is special about photographic pictures, is included, along with a new essay on a curious but rarely noticed feature of photographs and other still pictures-the fact that a depiction of a momentary state of an object in motion allows viewers to observe that state, in imagination, for an extended period of time. Two older essays round out the collection-another classic, "Categories of Art", and a less well known essay, "Style and the Products and Processes of Art", which examines the role of appreciators' impressions of how a work of art came about, in understanding and appreciation. None of the reprinted essays is abridged, and new postscripts have been added to several of them.




Outdoor Life


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