Six voluntaries
Author : William Croft
Publisher :
Page : 32 pages
File Size : 22,30 MB
Release : 1956
Category : Organ music
ISBN :
Author : William Croft
Publisher :
Page : 32 pages
File Size : 22,30 MB
Release : 1956
Category : Organ music
ISBN :
Author :
Publisher :
Page : 424 pages
File Size : 25,75 MB
Release : 1879
Category : Music
ISBN :
Author : Musical Association (Great Britain)
Publisher :
Page : 190 pages
File Size : 39,99 MB
Release : 1911
Category : Music
ISBN :
Author :
Publisher :
Page : 978 pages
File Size : 26,16 MB
Release : 1896
Category : Art
ISBN :
Author : Thomas R. Nardone
Publisher :
Page : 330 pages
File Size : 40,58 MB
Release : 1984
Category : Organ music
ISBN :
Author :
Publisher :
Page : 688 pages
File Size : 46,89 MB
Release : 1899
Category : Music
ISBN :
Author :
Publisher :
Page : 1078 pages
File Size : 25,5 MB
Release : 1903
Category : Music
ISBN :
Author : W. Piercy Dimes
Publisher :
Page : 58 pages
File Size : 35,84 MB
Release : 1874
Category : Church and state
ISBN :
Author : George Clulow
Publisher :
Page : 226 pages
File Size : 30,96 MB
Release : 1885
Category : Book clubs (Discussion groups)
ISBN :
Author : Roz Southey
Publisher : Routledge
Page : 272 pages
File Size : 47,97 MB
Release : 2017-07-05
Category : Music
ISBN : 1351556789
The north-east of England in the eighteenth century was a region where many different kinds of musical activity thrived and where a wide range of documentation survives. Such activities included concert-giving, teaching, tuning and composition, as well as music in the theatre and in church. Dr Roz Southey examines the impulses behind such activities and the meanings that local people found inherent in them. It is evident that music could be perceived or utilized for extremely diverse purposes; as entertainment, as a learned art, as an aid to piety, as a profession, a social facilitator and a support to patriotism and nationalism. Musical societies were established throughout the century, and Southey illustrates the social make-up of the members, as well as the role of Gentlemen Amateurs in the organizing of concerts, and the connections with London and other centres. The book draws upon a rich selection of source material, including local newspapers, council and ecclesiastical records, private papers and diaries and accounts of local tradesman, as well as surviving examples of music composed in the area by Charles Avison, Thomas Ebdon and John Garth of Durham, amongst many others. Charles Avison's importance is focused upon particularly, and his Essay on Musical Expression is considered alongside other contemporary writings of lesser fame. Southey provides a fascinating insight into the type and social class of audiences and their influence on the repertoire performed. The book moves from a consideration of music being used as a 'fashion item', evidenced by the patronage of 'big name' soloists from London and abroad, to fiddlers, ballad singers, music at weddings, funerals, public celebrations, and music for marking the events of the American War of Independence and the French Revolutionary Wars. It can be seen, therefore, that the north east was an area of important musical activity, and that the music was always interwoven into the political, economic, religious and commercial fabric of eighteenth-century life.