Catalogue of the Annual Exhibition of American Oil Paintings and Sculpture
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Page : 452 pages
File Size : 48,3 MB
Release : 1898
Category : Art, American
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Page : 452 pages
File Size : 48,3 MB
Release : 1898
Category : Art, American
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Page : 600 pages
File Size : 36,48 MB
Release : 1905
Category : Art
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Page : 408 pages
File Size : 35,4 MB
Release : 1912
Category : Art
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Page : 548 pages
File Size : 36,80 MB
Release : 1934
Category : Art
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Page : 702 pages
File Size : 27,65 MB
Release : 1915
Category : Art
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Page : 548 pages
File Size : 34,77 MB
Release : 1919
Category : Art
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Author : Nancy Boas
Publisher : Univ of California Press
Page : 234 pages
File Size : 24,23 MB
Release : 2023-09-01
Category : Art
ISBN : 0520919777
Six plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six—Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest—created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism. The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they aspired to create their own indigenous modernism. While the artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended the Six's ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six.
Author : Rachel Berenson Perry
Publisher : Indiana University Press
Page : 173 pages
File Size : 31,18 MB
Release : 2014-03-21
Category : Biography & Autobiography
ISBN : 0253011779
Closely associated with artists such as T. C. Steele and J. Ottis Adams, William J. Forsyth studied at the Royal Academy in Munich then returned home to paint what he knew best—the Indiana landscape. It proved a rewarding subject. His paintings were exhibited nationally and received major awards. With full-color reproductions of Forsyth's most important paintings and previously unpublished photographs of the artist and his work, this book showcases Forsyth's fearless experiments with artistic styles and subjects. Drawing on his personal letters and other sources, Rachel Berenson Perry discusses Forsyth and his art and offers fascinating insights into his personality, his relationships with his students, and his lifelong devotion to teaching and educating the public about the importance of art.
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Page : 478 pages
File Size : 25,20 MB
Release : 1921
Category : Art
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Author : Russell T. Clement
Publisher : Bloomsbury Publishing USA
Page : 212 pages
File Size : 31,98 MB
Release : 2000-02-28
Category : Art
ISBN : 0313032467
This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva Gonzalès, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history, and growing reputations of these four female artists and discuss women Impressionists in general as they shared the challenges of becoming accepted as professional artists in late 19th-century society. Containing nearly 900 citations of manuscripts, books, articles, reproductions, films, exhibitions, and reviews, this unique sourcebook will appeal to both art and women's studies scholars. Each artist receives a biographical sketch, chronology, information about individual and group exhibitions and reviews, and a primary and secondary bibliography, which captures details about the artist's life, career, and relationship with other artists. An art works index and names index complete the volume.