Sixteenth Century Italian Drawings from the Collection of Janos Scholz


Book Description

113 drawings from 12 Italian geographical areas included works by Raphael, Leonardo da Vinci, Pontormo, Titian, Paolo Veronese, and Jacopo Tintoretto. The works were selected by Konrad Oberhuber in collaboration with the owner, the celebrated cellist and art patron.After giving a cello concert at the Pierpont Morgan Library before the private opening of the exhibition in New York on December 11, the Hungarian-born Scholz, who was also celebrating his 70th birthday and the 40th anniversary of his arrival and first performance in this country, announced he would donate his collection of 1,500 Italian drawings and his reference books on the subject to the Morgan Library.










Sixteenth-century Italian Drawings in New York Collections


Book Description

Focusing exclusively on examples from the 16th century, the great age of Italian drawing, this stunning volume, published to accompany an early-1994 exhibition at The Metropolitan Museum of Art, includes 124 prized works from The Metropolitan, the Pierpont Morgan Library, the Cooper-Hewitt Museum, and some 20 private collections in New York. The catalogue is organized by school and, within each section, chronologically by artist. Each drawing is illustrated and presented with a discussion that places it in the context of the artist's career and explores the purpose for which it was made. Paper edition (unseen), $35. Annotation copyright by Book News, Inc., Portland, OR










Historical Perspectives in the Conservation of Works of Art on Paper


Book Description

This book is the seventh in the Readings in Conservation series, which gathers and publishes texts that have been influential in the development of thinking about the conservation of cultural heritage. The present volume provides a selection of more than ninety-five texts tracing the development of the conservation of works of art on paper. Comprehensive and thorough, the book relates how paper conservation has responded to the changing place of prints and drawings in society. The readings include a remarkable range of historical selections from texts such as Renaissance printmaker Ugo da Carpi’s sixteenth-century petition to the Venetian senate on his invention of chiaroscuro, Thomas Churchyard’s 1588 essay in verse “A Sparke of Frendship and Warme Goodwill,” and Robert Bell’s 1773 piece “Observations Relative to the Manufacture of Paper and Printed Books in the Province of Pennsylvania.” These are complemented by influential writings by such figures as A. H. Munsell, Walter Benjamin, and Jacques Derrida, along with a generous representation of recent scholarship. Each reading is introduced by short remarks explaining the rationale for its selection and the principal matters covered, and the book is supplemented with a helpful bibliography. This volume is an indispensable tool for museum curators, conservators, and students and teachers of the conservation of works of art on paper.







Drawings by Raphael and His Circle


Book Description

"I felt that it would be of unusual value to scholars and to the public generally if we could see Raphael in relation to the artists working in his circle in Rome. Therefore, nearly half of the works described in this volume are by Raphael; the others are by Giulio Romano, Giovanni Francesco Penni, Perino del Vaga, Polidoro da Caravaggio, and Baldassare Peruzzi." /