The Art of the Reprint


Book Description

The Art of the Reprint is a vivid and engaging history of the nineteenth-century novel as it was re-imagined for everyday readers by four extraordinary twentieth-century illustrators. It focuses especially on four reprints: a 1929 edition of Thomas Hardy's The Return of the Native (1878) with engravings by Clare Leighton, a 1930 edition of Herman Melville's Moby Dick (1851) with images by Rockwell Kent, a 1943 edition of Charlotte Brontë's Jane Eyre (1847) with woodblocks by Fritz Eichenberg, and a complete set of Jane Austen's novels (1786-1817) illustrated from 1957 to 1974 by Joan Hassall. Taken together, these reprints are indicative of a legacy crafted from historical distance, through personal, political, and artistic circumstance, and for a new century. With biographical, archival, and art- and literary-historical sources as well as close readings of images and texts, this is a richly illustrated account of how artists reinvent canons for the general reader.




The Knox Family


Book Description




A Sketch of the Town of Summerville, South Carolina (Classic Reprint)


Book Description

Excerpt from A Sketch of the Town of Summerville, South Carolina So far as is known there is no complete, connected and full history of the Town of Summerville, and though it would be impossible in an article, limited as this must necessarily be, to attempt such a history, I shall endeavor to set forth in a more or less connected narrative, such facts and references as I have been able to gather in the limited time at my disposal. They will thus be preserved and possibly, as a nucleus, will aid some future chronicler in the preparation of a more pretentious History. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Art and Entertainment


Book Description

Philosophers have discussed art – or artistic practices such as poetry – since ancient times. But systems of art and entertainment appeared only in the modern era – in the West, during the 18th and 19th centuries. And philosophers have largely neglected the concept of entertainment. In this book Andy Hamilton explores art and entertainment from a philosophical standpoint. He argues, against modernist theory, that art and entertainment are not opposites, but form a loosely connected conceptual system. Against postmodernism, however, he insists on their vital differences. Hamilton begins by questioning the received modernist view, examining artist-entertainers including Jane Austen, Charles Dickens, Louis Armstrong and Billie Holiday. Entertainment, he argues, is by nature audience-centred – but so is art, in a different way. Thus while art should pass the test of time, entertainment must pass the test of its own time – it has to entertain at the time it is produced. Art and entertainment are inter-dependent concepts, and must be understood together with other aesthetic concepts including criticism, genius, canons and design. These concepts form the subject of later chapters of this book, where Hamilton develops a meritocratic position that is neither elitist nor populist. He also addresses the contemporary charge of cultural appropriation, and qualifies it. An innovative feature of the book is the inclusion of dialogues with artists, critics and academics that help to recast or reformulate the debate. Art and Entertainment: A Philosophical Exploration is essential reading for those working in art and aesthetics, and will also be of interest to those in related disciplines such as cultural studies, music and film studies, with an interest in entertainment.




Tales from the North and the South


Book Description

In June 1862, James J. Archer was promoted to the rank of brigadier general by Robert E. Lee. Serving with distinction in prominent battles such as those at Bull Run, Chancellorsville and Harpers Ferry, this lawyer-turned-general earned not only the respect of his superiors but the esteem and admiration of his men. Imprisoned first at Fort Delaware and then at Johnson's Island, Archer was one of the "First Fifty" (and as it turned out only) officers to be part of a Confederate/Union prisoner exchange. Upon returning to the Confederacy, Archer resumed command and served until his death from battle wounds in October 1864. From doctors to lawyers and privates to generals, this volume records the stories of a few special people--such as General James Archer--who chose to serve their country during the Civil War. Twenty-four individuals from both sides of the Mason-Dixon line are remembered for their extraordinary and often little known contributions to the Confederate and Union causes. These include Colonel Thomas Rose, who was in charge of the Libby Prison tunnel; Colonel John R. Winston, who was one of the few to escape from the Federal prison on Johnson's Island; Sally Tompkins, who ran a private hospital in Richmond; and Sergeant Richard Kirkland, who risked his life to take water to the Federal troops at Fredericksburg. Other featured individuals include Susie Baker King Taylor, Colonel Hector McKethan, Dr. Mary Walker and Richard Thomas Zarvona. Contemporary sources include a variety of correspondence and diaries from these subjects and those who knew them. Appendices contain a roll of participants in the Great Locomotive Chase; a list of Federal prisoners who escaped through the Libby Prison tunnel; a directory of Confederate officers on board the Maple Leaf; and the history of the Congressional Medal of Honor and the Confederate Roll of Honor. A number of contemporary photographs are also included.




The Civil War and American Art


Book Description

Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.




The Art of Memory


Book Description

Combining personal and family recollections with incisive accounts of academic, political, and institutional experiences, The Art of Memory offers a remarkable account of the life of one of the foremost Latin American ethnographers and a leading expert in Indigenous cultures, peoples, and cosmologies. Varese narrates the story of his journey from Italy to Peru, his formative years as an Anthropologist and the critical work he did with Amazonian communities in the 1970s, his transformation into an activist scholar, his move to Mexico and his long-standing commitment with the peoples of Oaxaca, and his life as an academic in the United States. The reader will appreciate the honesty and transparency with which Varese brings out all these experiences. This extraordinary book combines the personal, the political, and the transnational to produce a vivid account of a unique and fulfilling journey.




Freedom's Teacher


Book Description

In the mid-1950s, Septima Poinsette Clark (1898-1987), a former public school teacher, developed a citizenship training program that enabled thousands of African Americans to register to vote and then to link the power of the ballot to concrete strategies for individual and communal empowerment. In this vibrantly written biography, Katherine Charron demonstrates Clark's crucial role--and the role of many black women teachers--in making education a cornerstone of the twentieth-century freedom struggle. Using Clark's life as a lens, Charron sheds valuable new light on southern black women's activism in national, state, and judicial politics, from the Progressive Era to the civil rights movement and beyond.




Twentieth Century Sketches of the South Carolina Conference, M. E. Church, South (Classic Reprint)


Book Description

Excerpt from Twentieth Century Sketches of the South Carolina Conference, M. E. Church, South A Methodist itinerant, in a few years, may have work assigned him in different parts of the State. Many persons feel an interest more or less positive, in his work and welfare. In many sections of our State, once a year hundreds ask with anxiety, Who is our new preacher P Any information about him, his age, his previous work, even his personal appearance, is gladly received. This book will be consulted by many under these circumstances. It may become a household book in many Methodist homes. The ties between pas tors and people may be increased and strengthened by it, as it tells ivho's [m The South Carolina Conference. The editor has taken time and pains, and has incurred risks, while preparing this contribution to the body of which he is a member. Surely no one will be puffed up by the work. Rather, let every one be humbled and strengthened by the thought that he publicl-x takes his place in the old historic Conference. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Classical Savannah


Book Description

By the end of the eighteenth century, classicism, which arose out of Europe's fascination with ancient Greece and Rome, had also left its mark on America. This study of the classical style in the fine and decorative arts shows the extent to which it influenced the material culture of Savannah, Georgia, from 1800 to 1840. More than 130 examples of objects owned in Savannah in this period are illustrated, described, and discussed. The objects include oil paintings and watercolors, clocks, musical instruments, jewelry, sculptures, engravings, bank notes, needlework, china, silver, brass, lighting fixtures, architectural elements, and furniture. Page Talbott presents an overview of the origins of classicism in Europe and its spread to America. Emphasizing Americans' close identification of classicism with national values and ideals, Talbott also discusses the style in the context of Savannah's social life and its history as a major southern port. She covers not only the principles, methods, and materials of classical design, but also the manufacture, distribution, sale, and ownership of a wide range of functional and decorative objects. Classical Savannah is the companion volume to the Classical Savannah exhibition, which opened in the spring of 1995 at the Telfair Museum of Art in Savannah. Illustrating well over half of the items in the exhibit, and including a detailed checklist of the additional seventy objects not shown in the book, Classical Savannah is a valuable source for historians, designers, decorators, collectors, and anyone interested in this period of America's history.