Slasher Online


Book Description

Jackie wants to survive the game’s ending. But she may not make it to the next level. The last thing Jackie and her new friends expected was to wake up in a virtual reality nightmare hosted by 1-Up, a student of eighties slashers. With knives hung over their real-world hearts, set to penetrate them if their hit points reach zero, Jackie and her fellow players will have to level up to escape their digital prison, or else it’s game over forever. Things you can expect in this book A love letter to video store slashers. Female protagonist. GameLit/LitRPG mechanics and messages. Splattergore and extreme murder scene




Slasher Sam


Book Description

Taking inspiration from several generations of horror films, blogger/serial killer Sam guts countless victims in creative ways, and posts these exploits to the Internet for the world to see, putting readers so close to the action that they’re practically in the splash zone when the blood goes flying. In cyberspace, everyone can hear you scream...




Hollywood Online


Book Description

Hollywood Online provides a historical account of motion picture websites from 1993 to 2008 and their marketing function as industrial advertisements for video and other media in the digital age. The Blair Witch Project is the most important example of online film promotion in cinema history. Over the last thirty years only a small number of major and independent distributors have converted internet-created buzz into box-office revenues with similar levels of success. Yet readings of how the film's internet campaign broke new ground in the summer of 1999 tend to minimize, overlook or ignore the significance of other online film promotions. Similarly, claims that Blair initiated a cycle of imitators have been repeated in film publications and academic studies for more than two decades. This book challenges three major narratives in studies about online film marketing: Hollywood's major studios and independents had no significant relationship to the internet in the 1990s; online film promotions only took off after 1999 because of Blair; and Hollywood cashed-in by initiating a cycle of imitators and scaling up corporate activities online. Hollywood Online tests these assumptions by exploring internet marketing up to and including the film's success online (Pre-Blair, 1993-9), then by examining the period immediately after Blair (Post-Blair, 2000-8) which broadly coincides with the rise and decline of DVD, as well as the emergence of the social media sites MySpace, Facebook and Twitter.




The Mammoth Book of Slasher Movies


Book Description

An engrossing A-Z of over 60 gory years of slasher and splatter movies, from Danny Boyle's 28 Days Later to Lucio Fulci's Zombie Flesh Eaters. Here you will find the low-down on over 250 movies with entries from 23 different countries. The index, which includes every movie mentioned in the A-Z and accompanying notes, runs to 540 movies. The book includes the list of video nasties which the UK government attempted to ban.




Horror


Book Description

Horror cinema is a hugely successful, but at the same time culturally illicit genre that spans the history of cinema. It continues to flourish with recent cycles of supernatural horror and torture porn that span the full range of horror styles and aesthetics. It is enjoyed by audiences everywhere, but also seen as a malign influence by others. In this Routledge Film Guidebook, audience researcher and film scholar Brigid Cherry provides a comprehensive overview of the horror film and explores how the genre works. Examining the way horror films create images of gore and the uncanny through film technology and effects, Cherry provides an account of the way cinematic and stylistic devices create responses of terror and disgust in the viewer. Horror examines the way these films construct psychological and cognitive responses and how they speak to audiences on an intimate personal level, addressing their innermost fears and desires. Cherry further explores the role of horror cinema in society and culture, looking at how it represents various identity groups and engages with social anxieties, and examining the way horror sees, and is seen by, society.




Dark Web Mysteries: True Crime Tales From The Hidden Internet


Book Description

Dark Web Mysteries: True Crime Tales From The Hidden Internet delves into the shadowy world of the Dark Web, exploring its origins, dangerous crimes, and chilling mysteries. This captivating collection of true crime stories uncovers the darker side of the internet, showcasing infamous marketplaces, murder-for-hire schemes, drug trade, and human trafficking. The book also investigates the role of cryptocurrency in criminal activities, including money laundering, scams, and schemes. Readers are introduced to the disturbing realm of dark web serial killers, analyzing their psychological profiles and examining unsolved murder cases. Dark Web Mysteries shines a light on the role of hackers and cyber warfare, exploring the underground hacker community, state-sponsored cyber attacks, and cybersecurity threats. It delves into unsolved mysteries, including cryptic codes, mysterious disappearances, and bizarre rituals. The book examines the challenges faced by law enforcement in battling the Dark Web, showcases vigilantes seeking justice, and delves into darker topics like cannibalism networks, espionage, urban legends, and black market activities. It also includes redemption stories, where former dark web operatives share their experiences and survivors of dark web abduction tell their stories. With its gripping tales and in-depth analysis, Dark Web Mysteries offers a chilling exploration of the hidden depths of the internet, providing readers with a thought-provoking and haunting journey into the underbelly of society.




Slasher Girls & Monster Boys


Book Description

For fans of Stephen King, Neil Gaiman, American Horror Story and The Walking Dead comes a powerhouse anthology featuring some of the best thriller and horror writers in YA Stefan Bachmann, Leigh Bardugo, Kendare Blake, A. G. Howard, Jay Kristoff, Marie Lu, Jonathan Maberry, Danielle Paige, Carrie Ryan, Megan Shepherd, Nova Ren Suma, McCormick Templeman, April Genevieve Tucholke, Cat Winters A host of the sharpest young adult authors come together in this collection of terrifying tales and psychological thrillers. Each author draws from a mix of literature, film, television, and music to create something new and fresh and unsettling. Clever readers will love teasing out the references and can satisfy their curiosity at the end of each tale, where the inspiration is revealed. There are no superficial scares here; these are stories that will make you think even as they keep you on the edge of your seat. From blood horror, to the supernatural, to unsettling, all-too-possible realism, this collection has something for anyone looking for an absolute thrill.




Decades of Terror 2019: 2000's Slasher Films


Book Description

Steve Hutchison reviews 100 amazing slasher films from the 2000s. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked. How many have you seen?




My Heart Is a Chainsaw


Book Description

Winner of the Bram Stoker Award for Best Novel In her quickly gentrifying rural lake town Jade sees recent events only her encyclopedic knowledge of horror films could have prepared her for in this latest chilling novel that “will give you nightmares. The good kind, of course” (BuzzFeed) from the Jordan Peele of horror literature, Stephen Graham Jones. “Some girls just don’t know how to die…” Shirley Jackson meets Friday the 13th in My Heart Is a Chainsaw, written by the New York Times bestselling author of The Only Good Indians Stephen Graham Jones, called “a literary master” by National Book Award winner Tananarive Due and “one of our most talented living writers” by Tommy Orange. Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life. Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold. Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges…a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body. My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.




Framing Fan Fiction


Book Description

Gathering some of Kristina Busse’s essential essays on fan fiction together with new work, Framing Fan Fiction argues that understanding media fandom requires combining literary theory with cultural studies because fan artifacts are both artistic works and cultural documents. Drawing examples from a multitude of fan communities and texts, Busse frames fan fiction in three key ways: as individual and collective erotic engagement; as a shared interpretive practice in which tropes constitute shared creative markers and illustrate the complexity of fan creations; and as a point of contention around which community conflicts over ethics play out. Moving between close readings of individual texts and fannish tropes on the one hand, and the highly intertextual embeddedness of these communal creations on the other, the book demonstrates that fan fiction is simultaneously a literary and a social practice. Framing Fan Fiction deploys personal history and the interpretations of specific stories to contextualize fan fiction culture and its particular forms of intertextuality and performativity. In doing so, it highlights the way fans use fan fiction’s reimagining of the source material to explore issues of identities and peformativities, gender and sexualities, within a community of like-minded people. In contrast to the celebration of originality in many other areas of artistic endeavor, fan fiction celebrates repetition, especially the collective creation and circulation of tropes. An essential resource for scholars, Framing Fan Fiction is also an ideal starting point for those new to the study of fan fiction and its communities of writers.