Slaves of the Machine God


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The Machine God


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Folklore Professor Oladel Adewole has lost tenure, and the beloved, much-younger sister he's raised has died; with no reason to stay, he leaves his homeland for the University of Eisenstadt. One thing makes his new life bearable: the mysterious island floating a mile above the city, his all-consuming interest for years. When a brilliant engineer makes it to the island in her new invention, the government sends Adewole up with its first survey team. The expedition finds civilization, and Adewole finds a powerful, forbidden fusion of magic and metal: the Machine God. The government wants it. So does a sociopath bent on ruling Eisenstadt. But when Adewole discovers who the mechanical creature is--and what it can do--he risks his heart and his life to protect the Machine God from the world, and the world from the Machine God. Interests: African hero, lost civilization, betrayal, adventure, fantasy adventure, science fiction adventure, science fantasy, magic, folklore, Victorian, Victorianesque, 19th century, first contact, fantasy first contact, survival, exile, academia, academic politics, academic hero, child, talking birds, owls, German-based culture, African-based culture, mythology, steampunk fantasy, black lead character




Servants of the Machine God


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A brand-new anthology of stories featuring the enigmatic Adeptus Mechanicus, cybernetic servants of the Imperium who venerate technology above all else. It is the 41st millennium and humanity teeters on the brink of destruction. Yet out of the darkness comes a cold hope. The Adeptus Mechanicus are logical, remote beings of cybernetic construction. Their armour is a work of mechanical art, their weapons unparalleled in intelligent design. One of the most hostile fighting forces of the Imperium, the Priesthood of Mars serves justice upon their enemies with forbidding momentum. Though nominally allied with mankind, it is in the name of the Omnissiah that their mighty war machines step forth into the cauldron of war, for the Machine God alone is worthy of their sacrifice and neither man nor xenos can deter them from their single purpose of championing his dominion. This anthology contains a dozen gripping tales about the formidable Titans, Imperial Knights, battle-servitors and skitarii legions with which the Adeptus Mechanicus wage war, all written by some of Black Library’s most popular authors, including Graham McNeill, Gav Thorpe, Josh Reynolds, Rob Sanders, David Guymer, David Annandale and Andy Clark.




Machine God


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Autobiographical Inscriptions


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As life-writing began to attract critical attention in the 1950s and 60s, theorists, critics, and practitioners of autobiography concerned themselves with inscribing--that is, establishing or asserting--a set of conventions that would define constructions of identity and acts of self-representation. More recently, however, scholars have identified the ways in which autobiographical works recognize and resist those conventions. Moving beyond the narrow, prescriptive definition of autobiography as the factual, chronological, first-person narrative of the life story, critics have theorized the genre from postmodern and feminist perspectives. Autobiographical Inscriptions contributes a theory of autobiography by women writers of color to this lively repositioning of identity studies. Barbara Rodríguez breaks new ground in the field with a discussion of the ways in which innovations of form and structure bolster the arguments for personhood articulated by Harriet Jacobs, Zora Neale Hurston, Hisaye Yamamoto, Maxine Hong Kingston, Leslie Marmon Silko, Adrienne Kennedy, and Cecile Pineda. Rodríguez maps the intersections of form and structure with issues of race and gender in these women's works. Central to the autobiographical act and to the representation of the self in language, these intersections mark the ways in which the American woman writer of color comments on the process of subject construction as she produces original forms for the life story. In each chapter, Rodríguez pairs canonized texts with less well-known works, reading autobiographical works across cultural contexts and historical periods, and even across artistic media. By raising crucial questions about structure, Autobiographical Inscriptions analyzes the ways in which these texts also destabilize notions of race and gender. The result is a remarkable analysis of the seemingly endless range of formal strategies available to, adopted, and adapted by the American woman writer of color.




Slave Species of the Gods


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Our origins as a slave species and the Anunnaki legacy in our DNA • Reveals compelling new archaeological and genetic evidence for the engineered origins of the human species, first proposed by Zecharia Sitchin in The 12th Planet • Shows how the Anunnaki created us using pieces of their own DNA, controlling our physical and mental capabilities by inactivating their more advanced DNA • Identifies a recently discovered complex of sophisticated ruins in South Africa as the city of the Anunnaki leader Enki Scholars have long believed that the first civilization on Earth emerged in Sumer some 6,000 years ago. However, as Michael Tellinger reveals, the Sumerians and Egyptians inherited their knowledge from an earlier civilization that lived at the southern tip of Africa and began with the arrival of the Anunnaki more than 200,000 years ago. Sent to Earth in search of life-saving gold, these ancient Anunnaki astronauts from the planet Nibiru created the first humans as a slave race to mine gold--thus beginning our global traditions of gold obsession, slavery, and god as dominating master. Revealing new archaeological and genetic evidence in support of Zecharia Sitchin’s revolutionary work with pre-biblical clay tablets, Tellinger shows how the Anunnaki created us using pieces of their own DNA, controlling our physical and mental capabilities by inactivating their more advanced DNA--which explains why less than 3 percent of our DNA is active. He identifies a recently discovered complex of sophisticated ruins in South Africa, complete with thousands of mines, as the city of Anunnaki leader Enki and explains their lost technologies that used the power of sound as a source of energy. Matching key mythologies of the world’s religions to the Sumerian clay tablet stories on which they are based, he details the actual events behind these tales of direct physical interactions with “god,” concluding with the epic flood--a perennial theme of ancient myth--that wiped out the Anunnaki mining operations. Tellinger shows that, as humanity awakens to the truth about our origins, we can overcome our programmed animalistic and slave-like nature, tap in to our dormant Anunnaki DNA, and realize the longevity and intelligence of our creators as well as learn the difference between the gods of myth and the true loving God of our universe.




God of the Machine


Book Description

The God of the Machine presents an original theory of history and a bold defense of individualism as the source of moral and political progress. When it was published in 1943, Isabel Paterson's work provided fresh intellectual support for the endangered American belief in individual rights, limited government, and economic freedom. The crisis of today's collectivized nations would not have surprised Paterson; in The God of the Machine, she had explored the reasons for collectivism's failure. Her book placed her in the vanguard of the free-enterprise movement now sweeping the world.Paterson sees the individual creative mind as the dynamo of history, and respect for the individual's God-given rights as the precondition for the enormous release of energy that produced the modern world. She sees capitalist institutions as the machinery through which human energy works, and government as a device properly used merely to cut off power to activities that threaten personal liberty.Paterson applies her general theory to particular issues in contemporary life, such as education, .social welfare, and the causes of economic distress. She severely criticizes all but minimal application of government, including governmental interventions that most people have long taken for granted. The God of the Machine offers a challenging perspective on the continuing, worldwide debate about the nature of freedom, the uses of power, and the prospects of human betterment.Stephen Cox's substantial introduction to The God of the Machine is a comprehensive and enlightening account of Paterson's colorful life and work. He describes The God of the Machine as "not just theory, but rhapsody, satire, diatribe, poetic narrative." Paterson's work continues to be relevant because "it exposes the moral and practical failures of collectivism, failures that are now almost universally acknowledged but are still far from universally understo







Book of Edward Christian Mythology (Volume IV: Appendixes-Reference)


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Today, Christianity is steeped in mythology and Christians are unwittingly headed towards Hell instead of Heaven. They are far away from God and HIS Word. How would you answer these three questions: 1) Do you pray to Jesus? 2) Do you worship Jesus? 3) Do you give all the glory to Jesus? If you've answered yes to even one, you do not know God, HIS only human begotten Son or HIS Word. Many Christians have been programmed with mythology as explained in 2 Timothy and 2 Thessalonians. However, Jesus taught: 1) Pray to God the Father [Matthew 6:6]. 2) Worship only God the Father [Matthew 4:10]. 3) That he comes in his Father's glory [Mark 8:38]. Inside Volume IV (Appendixes-Reference), you'll learn a real salvation prayer and baptism doctrine that makes scriptural sense. You can study a doctrinal statement that will guarantee eternal life if followed. You'll also find thirty (30) alternative cancer cures along with reference material that will enhance your Bible studies. Volume IV of a four volume set that deals with Faith, Prophecy and Christology. Over 1367 Scriptures are cited and there are 238 illustrations/tables/lists in the entire four volume set. A full Index is contained in this volume for all four volumes.




SHARDS


Book Description

Shards: Fragments of Mind presents a collection of aphorisms, epigrams, terse journal entries, notes, short vignettes, and pity statements, as well as longer segments, such as unpublished papers, blog posts, and essays meant to enlighten the reader and inspire the ability to think; none of these minutes are meant to be exhaustive, although no linear organization enforces itself on the text comprehensive themes will be discovered through comparable reading. Each entry stands alone and is presented in no particular order. I cover topics as varied as Extra Terrestrials and Christianity, cell phones, and Just War Criteria. The reader may start at any point from beginning to end or randomly, and various and sundry topics will begin to take shape in a comprehensive whole. The numbering system in this book is an attempt to impose some logical order and easy reference on an otherwise fragmented text. However, this is not unlike the way students learn through the online medium when looking up relevant subjects in short informational bursts proceeding in rapid-fire succession. I take as my literary examples the writing of Pascal in Pensées and Nietzsche’s Twilight of the Idols. Although I don’t pretend to be as sublime as they were, I do use their format as a template for this book.