A Book of Cambridge Verse (Classic Reprint)


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Excerpt from A Book of Cambridge Verse Nevertheless, after all deductions have been made, how much true poetry is yet left! He must be hard to please who cannot find intense enjoyment in the Eclogues of Phineas Fletcher, in Cowley's epitaph on Harvey, in the Miltonic stanzas of Gray's Installation Ode, in a score of other pieces, grave, quaint, or classical in their allusive ness of phrasing. Especially grateful must we be to the number of poets, of exquisite feeling and easy mastery of form, who during the last fifty or sixty years have enriched the language with delicate and elegant verse, from which it has been only too difficult to choose because its quantity is so great and its merit so even. Of this we trust we have given a tolerably adequate selection but it would have been easy to multiply it fourfold. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Scenes of Clerical Life (Classic Reprint)


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Excerpt from Scenes of Clerical Life Litany, only to feel with more intensity my burst into the conspicuousness of public life when I was made to stand up on the seat during the psalms or the singing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




A Tear and a Smile


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Gibran Kahlil Gibran (January 6, 1883-April 10, 1931) usually referred to in English as Kahlil Gibran. He was a Lebanese-American wirter, poet and visual artist. He was also considered as a philosopher. His best book is 'The Prophet'. It was one of the best-selling books of all time. The achievement is that the book has been translated into more than 100-language. The present book 'A Tear and a Smile' is a wonderful bunch of poetry. And a beautiful anthology. Poetry: "I would not exchange the sorrows of my heart. For the joys of the multitude. And I would not have the tears that sadness makes. To flow from my every part turn into laughter. I would that my life remain a tear and a smile." Poetry are filled with great thoughts and also in-depth feelings. Poetry are related to life. So one has to focus on the understanding and in depth message in each poetry. The author has nicely related the value of Tear and Smile in to his poetry. Every poem is admirable. "The cry of your spirit and I am come to comfort it. Open your heart to me and I shall fill it with light." Author has focussed on feelings. Spiritual feelings the author narrates the pain & sorrows in this world. Tears flush out sorrows and grief. Smile always gives confidence and how to face all the situations. When heart is filled with emotions and by the hurt feelings, then tears are there to help you out. Gibran thus narrates how sorrow of the heart & tears of sadness makes like how into joy. So a tear can lead to a smile because happiness and sorrow come hand in hand. Our sorrows purify us and makes us understand the world.







The Publisher


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Books in Print


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The Figure of Music in Nineteenth-Century British Poetry


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How was music depicted in and mediated through Romantic and Victorian poetry? This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson.