So Ya Wanna Be an Actor . . . Act Like One


Book Description

Jerry Franks touches on all subjects having to do with the actor. The casting couch syndrome as well as drugs on a television or movie location are addressed. How do I act in a meeting? What do I say? Jerry is very clear that “So Ya Wanna Be An Actor...Act Like One” is NOT a ‘how to’ book. It is filled with not only life experiences “Anyone of note who appears in my book, has publicy told how “Mr. Franks’ “discovered” me. Bryan Cranston,Leonardo de Caprio, Mark Harmon, Demi Moore, Elijah Wood*, John Stamos and countless others whom Jerry had “opportunity to support.” ‘There is no one person, stranger or relative in the world of acting (nepotism) who can say they are responsible for “making a no name into a star.” While “So Ya Wanna Be An Actor...act like one, addresses with honesty, blunt, forthright and humorous information, Jerry has added to this edition....”Recommendations” and how does one ask for a recommendation or reference???




So You Want to be an Actor?


Book Description

Essential reading for any aspiring actor.




Comedy Acting for Theatre


Book Description

Analysing why we laugh and what we laugh at, and describing how performers can elicit this response from their audience, this book enables actors to create memorable – and hilarious – performances. Rooted in performance and performance criticism, Sidney Homan and Brian Rhinehart provide a detailed explanation of how comedy works, along with advice on how to communicate comedy from the point of view of both the performer and the audience. Combining theory and performance, the authors analyse a variety of plays, both modern and classic. Playwrights featured include Harold Pinter, Tom Stoppard, Christopher Durang, and Michael Frayn. Acting in Shakespeare's comedies is also covered in depth.




A Challenge for the Actor


Book Description

"I held onto this book for dear life throughout my twenties, and still thumb through it when I need a tune up. If I lose my car keys and I’m frantically turning my house upside down trying to find them I look up at the heavens and hope she’s having a good laugh." - Amanda Peet "I was extraordinarily privileged to work with Uta Hagen in Circle in the Square’s production of George Bernard Shaw’s play, You Never Can Tell. She was committed to revealing the truth and we are the beneficiaries of her brilliant observations." - Victor Garber "CHALLENGE FOR THE ACTOR, written by one of the most important actors of the 20th Century, is a remarkable source of practical principles on how to be a human being in your work and to not just “act." Uta's purpose for this book is to clarify and update the articulation of her technique as stated in RESPECT FOR ACTING. In "Chapter 8" of this book particularly, she provides a self-empowering approach to acting that is an invaluable resource for achieving the art of acting for stage, film, and television at its highest level." - Ted Brunetti "Uta Hagen changed my life. She changed the lives of thousands and thousands of other people as well. To have Uta’s books and to be able to look through them at the drop of a hat keeps me going and keeps me inspired to keep going." - Austin Pendleton "Uta Hagen’s A CHALLENGE FOR THE ACTOR is simply the bible for any acting student serious about their craft. Even as a professional I refer to it time and again for the basics. It is a touchstone." - Laila Robins “'Cynicism leads to mental illness and insanity.' Words of warning Uta Hagen spoke often to her students. Here in lies the difference between Ms. Hagen’s classic RESPECT FOR ACTING and its companion A CHALLENGE FOR THE ACTOR. She meets head on the soul killing demon that threatens the art and craft of all actors, cynicism. The challenge is to remain curious, caring, innocent, disciplined, educated, and life-loving amid dark times. To have the courage to fight the forces of apathy and disbelief in order to serve with all one’s heart the profession that one loves.” - Victor Slezak Uta Hagen, one of the world's most renowned stage actresses, also taught acting for more than 40 years at the HB Studio in New York. Her first book, Respect for Acting, published in 1973, remains a best seller in print. In this edition of her second classic book, A Challenge for the Actor, she greatly expands her thinking about acting in a work that brings the full flowering of her artistry, both as an actor and as a teacher. She raises the issue of the actor's goals and examines the specifics of the actor's techniques. She goes on to consider the actor's relationship to the physical and psychological senses. There is a brilliantly conceived section on the animation of the body and mind, of listening and talking, and the concept of expectation. But perhaps the most useful are the exercises that Uta Hagen has created and elaborated to help the actor learn his craft. The exercises deal with developing the actor's physical destination in a role; making changes in the self serviceable in the creation of a character; recreating physical sensations; bringing the outdoors on stage; finding occupation while waiting; talking to oneself and the audience; and employing historical imagination. The scope and range of Uta Hagen here is extraordinary. Her years of acting and teaching have made her as finely seasoned an artist as the theatre has produced.




The Actor's Wife


Book Description

Ruth leaves behind her job, family and friends in Scotland to help Jack follow his Hollywood dreams in L.A., but will her selfless love and sacrifices be reciprocated as he climbs the stairway to stardom?




Acting: Cut the Crap, Cue the Truth


Book Description

Acting: Cut the Crap, Cue the Truth fills a gap in the drama school curriculum, tackling many areas which are unaddressed during training and discussing issues that are more often than not hushed up afterwards. Starting from the vital final stages of training, and on to life as a professional, Natalie Burt – a young, jobbing actress – moves systematically through the challenges that every actor faces; from making strategic career decisions, to the logistics of TV and film sets and voice over work, to more personal matters such as renting and flat-sharing, finance and well-being when out of work. Rejecting gimmicks and quick fixes, she encourages motivational thinking and entrepreneurialism using an informal, unapologetic and humorous tone whilst sharing information that is current, relevant and from the frontline. Or, as Natalie puts it, ‘a thorough, constructive and ball-achingly honest chat about the industry, written by someone who still has all their own teeth.’ Contributors to the book include Spotlight, Equity, James Penford from Hatton McEwan Penford agency and Alice Purser from Andy Pryor Casting. Endorsements: ‘What Natalie Burt has done here is remarkable. She has written a luminously honest, very funny, often very touching voyage of what it is actually like to be afflicted with the unquenchable desire to dedicate oneself to being a professional actor.’ Timothy Spall O.B.E(ese) ‘A refreshing and entertaining take on the challenges facing actors and how best to surmount them.’ Ben Seale, Managing Partner, Spotlight ‘Natalie’s book is like her acting: playful, irreverent, and accomplished. An invaluable resource.’ Laurie Sansom, Artistic Director, National Theatre of Scotland ‘At last! The book all aspiring actors have been waiting for. A truthful, comprehensive, funny guide to life as a jobbing and sometimes not jobbing actor.’ Caroline Quentin ‘The best book ever written.’ Natalie’s mum




Act Like It's Your Business


Book Description

Many actors treat their profession as a purely artistic endeavor, rarely conceding that there is more to making a living than simply showing up on stage or in front of a camera. By refusing to seriously acknowledge that self-promotion is vital to their livelihoods, many performers can get quickly discouraged by the vicious circle of audition and rejection. However, with a little foresight and planning, actors can learn how to become their own best advocates for a career in the business of show. In Act Like It’s Your Business:Branding and Marketing Strategies for Actors, Jonathan Flom helps actors and others in the arts understand the power of branding. This guide walks the reader through the process of creating a personal brand for a small business and then marketing that brand and broadcasting it through every step of the process—from choosing clothing, arranging headshots, and designing resumes to selecting a repertoire, building a website, obtaining business cards, and networking. Flom also offers advice on such real-world issues as goal-setting, finances, contracts, and day jobs and provides insight and guidance on how to approach agents, auditions, and casting directors. A book of empowerment meant to shift the balance of control to actors themselves, Act Like It’s Your Business is aimed atprofessional performers as well as students who are getting ready to transition from college to career. Structured logically and step by step, this accessible guide will become the standard for nearly anyone hoping to build an enduring career in the performing arts.




Breaking Into Acting For Dummies


Book Description

Provides the expert advice you need to get your big break! Jump-start your career and land that paying part From preparing for auditions to finding an agent, the acting business is a challenging and competitive field. This indispensable guide is what every aspiring actor needs to get a foot in the door. Discover how to market yourself, choose a dynamic head shot, create a stellar acting resume, join unions, and pay the bills while you pursue your acting dreams. The Dummies Way * Explanations in plain English * "Get in, get out" information * Icons and other navigational aids * Tear-out cheat sheet * Top ten lists * A dash of humor and fun




My sister arina


Book Description

This story is an emotional journey and about pure relation of a boy Gautam who is orphan and suffering from borderline personality disorder and anxiety compulsion disorder ,but serving as an ACP in Mumbai crime branch meets a girl who is from Bangladesh and also a Muslim named arina,certain situation made them live together and arina helped gautam to minimise his suffering and loneliness they bounded by a relation of brother and sister ,but then arina get missing from her home in Bangladesh ,and guatam then goes to Bangladesh and start searching for her and while searching for her ,he gets to know that this not something small ,but biggest conspiracy is being done against peace of asia's most of countries ,which leads to terrorism and trafficking of females and girl child ,who are also being used for suicide bombing which also includes rohingiyas ,after lots of struggles and conducting impossible and life taking mission ,how. Gautam rescue arina from Bangladesh and what are the serious problems people suffering in both the countries are elaborated in stories but the main emotion is that relation doesn't consider any boundary ,any religion ,language or any DNA realtion it's just need love ,respect and intention to serve the realtion with full loyality and honesty




The Invisible Actor


Book Description

The Invisible Actor presents the captivating and unique methods of the distinguished Japanese actor and director, Yoshi Oida. While a member of Peter Brook's theatre company in Paris, Yoshi Oida developed a masterful approach to acting that combined the oriental tradition of supreme and studied control with the Western performer's need to characterise and expose depths of emotion. Written with Lorna Marshall, Yoshi Oida explains that once the audience becomes openly aware of the actor's method and becomes too conscious of the actor's artistry, the wonder of performance dies. The audience must never see the actor but only his or her performance. Throughout Lorna Marshall provides contextual commentary on Yoshi Oida's work and methods. In a new foreword to accompany the Bloomsbury Revelations edition, Yoshi Oida revisits the questions that have informed his career as an actor and explores how his skilful approach to acting has shaped the wider contours of his life.