British Museum Catalogue of printed Books
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Page : 492 pages
File Size : 20,5 MB
Release : 1895
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Author :
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Page : 492 pages
File Size : 20,5 MB
Release : 1895
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Author : British museum. Dept. of printed books
Publisher :
Page : 456 pages
File Size : 30,8 MB
Release : 1931
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Author : British Museum. Department of Printed Books
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Page : 782 pages
File Size : 48,59 MB
Release : 1946
Category : English literature
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Author : British Museum. Department of Printed Books
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Page : 456 pages
File Size : 31,82 MB
Release : 1963
Category : English imprints
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Author : British Museum. Dept. of Printed Books
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Page : 1248 pages
File Size : 19,4 MB
Release : 1967
Category : English imprints
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Author : Sanja Perovic
Publisher : Cambridge University Press
Page : 291 pages
File Size : 28,38 MB
Release : 2012-08-27
Category : Literary Criticism
ISBN : 1139537032
One of the most unusual decisions of the leaders of the French Revolution - and one that had immense practical as well as symbolic impact - was to abandon customarily-accepted ways of calculating date and time to create a Revolutionary calendar. The experiment lasted from 1793 to 1805, and prompted all sorts of questions about the nature of time, ways of measuring it and its relationship to individual, community, communication and creative life. This study traces the course of the Revolutionary Calendar, from its cultural origins to its decline and fall. Tracing the parallel stories of the calendar and the literary genius of its creator, Sylvain Maréchal, from the Enlightenment to the Napoleonic era, Sanja Perovic reconsiders the status of the French Revolution as the purported 'origin' of modernity, the modern experience of time, and the relationship between the imagination and political action.
Author : Carine Lounissi
Publisher : Springer
Page : 323 pages
File Size : 34,82 MB
Release : 2018-06-12
Category : History
ISBN : 3319752898
This book explores Thomas Paine's French decade, from the publication of the first part of Rights of Man in the spring of 1791 to his return trip to the United States in the fall of 1802. It examines Paine's multifarious activities during this period as a thinker, writer, member of the French Convention, lobbyist, adviser to French governments, officious diplomat and propagandist. Using previously neglected sources and archival material, Carine Lounissi demonstrates both how his republicanism was challenged, bolstered and altered by this French experience, and how his positions at key moments of the history of the French experiment forced major participants in the Revolution to defend or question the kind of regime or of republic they wished to set up. As a member of the Lafayette circle when writing the manuscript of Rights of Man, of the Girondin constellation in the Convention, one of the few democrats who defended universal suffrage after Thermidor, and as a member of the Constitutional Circle which promoted a kind of republic which did not match his ideas, Paine baffled his contemporaries and still puzzles the present-day scholar. This book intends to offer a new perspective on Paine, and on how this major agent of revolutions contributed to the debate on the French Revolution both in France and outside France.
Author : Maximilien de Robespierre
Publisher :
Page : 78 pages
File Size : 18,90 MB
Release : 1792
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Author : Napoleon Bonaparte
Publisher : Gallic Books
Page : 59 pages
File Size : 41,6 MB
Release : 2009-10-14
Category : Fiction
ISBN : 1906040613
The tragic story of Clisson and Eugenie reveals one of history's great leaders to also be an accomplished writer of fiction.Written in an eloquently Romantic style true to its period, the story offers the reader a fascinating insight into how the young Napoleon viewed love, women and military life.
Author : Voltaire
Publisher : Simon and Schuster
Page : 56 pages
File Size : 47,41 MB
Release : 2013-08-02
Category : Drama
ISBN : 1627933212
Orestes was produced in 1750, an experiment which intensely interested the literary world and the public. In his Dedicatory Letters to the Duchess of Maine, Voltaire has the following passage on the Greek drama: "We should not, I acknowledge, endeavor to imitate what is weak and defective in the ancients: it is most probable that their faults were well known to their contemporaries. I am satisfied, Madam, that the wits of Athens condemned, as well as you, some of those repetitions, and some declamations with which Sophocles has loaded his Electra: they must have observed that he had not dived deep enough into the human heart. I will moreover fairly confess, that there are beauties peculiar not only to the Greek language, but to the climate, to manners and times, which it would be ridiculous to transplant hither. Therefore I have not copied exactly the Electra of Sophocles-much more I knew would be necessary; but I have taken, as well as I could, all the spirit and substance of it."