Soho on Screen


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No detailed description available for "Soho on Screen".




Soho on Screen


Book Description

Despite Soho’s rich cultural history, there remains an absence of work on the depiction of the popular neighbourhood in film. Soho on Screen provides one of the first studies of Soho within post-war British cinema. Drawing upon historical, cultural and urban studies of the area, this book explores twelve films and theatrically released documentaries from a filmography of over one hundred Soho set productions. While predominantly focusing on low-budget, exploitation films which are exemplars of British and international filmmaking, Young also offers new readings of star and director biographies, from Laurence Harvey to Emeric Pressburger, and in so doing enlivens discussion on filmmaking in a time and place of intense social transformation, technological innovation and growing permissiveness.




Soho on Screen


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Moon Over Soho


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‘Moon Over Soho cements [the Rivers of London] series as my favorite urban fantasy series. The humor, the world-building, the action, the magic, the mystery, the procedural—all are top-notch.’ — Ranting Dragon My name is Peter Grant, and I’m a Police Constable in that mighty army for justice known as the Metropolitan Police (a.k.a. the Filth). I’m also an apprentice wizard, the first in fifty years. When your dad is an almost famous jazz trumpeter, you know the classics. And that’s why, when Dr Walid called me down to the morgue to listen to a corpse, I recognized the tune it was playing as the jazz classic ‘Body and Soul.’ Something violently supernatural had happened to the victim, strong enough to leave its imprint on his corpse as if it were a wax cylinder recording. The former owner of the body, Cyrus Wilkinson, was a part-time jazz saxophonist and full-time accountant who had dropped dead of a heart attack just after finishing a gig. He wasn’t the first, but no one was going to let me exhume corpses just to see if they were playing my tune. So it was back to old-fashioned police legwork, starting in Soho, the heart of the scene, with the lovely Simone – Cyrus’s ex-lover, professional jazz kitten and as inviting as a Rubens portrait – as my guide. And it didn’t take me long to realise there were monsters stalking Soho, creatures feeding off that special gift that separates the great musician from someone who can raise a decent tune. What they take is beauty. What they leave behind is sickness, failure and broken lives. Reviews for Moon Over Soho Mr. Aaronovitch is, in short, writing the best contemporary occult detective series on the shelf today, and that’s by a substantial margin.’ — Pornokitsch ‘Moon Over Soho is a gripping continuation of River of London’s well executed blend of police-procedural and fantasy with a good splash of horror thrown in. This is urban fantasy done with a loving attention to detail and enlivened by an ever present wit making this series a must-read for anyone who likes their fantasy with a strong edge of realism.’ — SF Book Reviews




Screen Presence


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Cinema plays a major role in contemporary art, yet the deeper influence of its diverse historical forms on artistic practice has received little attention. Screen Presence explores the intersections of film, popular media, and art since the 1950s through the examples of four pivotal figures - Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas Gordon. While their film-related works may appear primarily as challenges to conventional cinema, these artists draw on overlooked forms of popular film culture that have been commonplace, and even dominant, in specific social contexts. Through a range of new sources, including advertisements, specialty magazines, postcards, technical guides and souvenir programs, Stephen Monteiro demonstrates the dependence of contemporary artists on cinema's shifting applications and interpretations, offering a fresh understanding of the enduring impact of everyday media on how we make and view art.




Video


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Eat, Drink, Nap


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The quintessential style, cooking, and home interior book from Soho House, the world's leading members' club. Since the first Soho House opened its doors over 25 years ago, we've learnt a bit about what works. Contemporary, global yet with something quintessentially English and homely at its heart, this is Soho House style explained by its experts: - From planning a room to vintage finds: bringing the Soho House look home. - Our House curator's advice on how to buy, collect and hang art. - The art of a great night's sleep: how to design the perfect bedroom. - No-fuss recipes and chef's tips: here's how to make your favourite House dishes. - Inside Babington: our take on country-house living. Wellies optional. - Flip-flop glamour and poolside style from Soho House Miami Beach. - All the secrets of cocktail hour: House tonics and barman's tips. - Spa treatment at home, DIY facials and chocolate brownies. Eat Drink Nap, a 300-page highly illustrated book, with a foreword from founder Nick Jones, and photography from leading food and interiors photographers Mark Seelen and Jean Cazals, shares the Soho House blueprint for stylish, modern living, the Soho House way. ___________________________________________ Readers love EAT, DRINK, NAP: 'A fun and stylish guide to a better life' 'A perfect coffee table book!' 'I love it and people comment and do flick though it when they are at my home' 'Simple but elegant. . . and chocked full of beautiful pictures and wonderful information for making your house a home.'




SoHo Sins


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Portrait in BLOOD They were the New York art scene’s golden couple — until the day Amanda Oliver was found murdered in her SoHo loft, and her husband Philip confessed to shooting her. But was he a continent away when the trigger was pulled? Art dealer Jackson Wyeth sets out to learn the truth, and uncovers the dangerous secrets lurking beneath the surface of Manhattan’s posh galleries and decadent parties, a world of adultery and madness, of beautiful girls growing up too fast and men making fortunes and losing their minds. But even the worst the art world can imagine will seem tame when the final shattering sin is revealed...




Art of the Cut


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This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.




London as Screen Gateway


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London as Screen Gateway explores how London features within screen narratives and as a location of screen industry activity. Reflecting the diversity of roles the city plays both on screen and within the screen industries, the volume explores the intersection between London as a material place and its position within a cultural imaginary. Conceptualising London as an archival city, as a collection of specific places and spaces, and as a part of national and international cultural and economic flows, contributors from film studies, television studies and media studies approach London through the lenses of textual analysis, historical work, industry studies and user experience. Chapters explore how London has appeared on screen across film and television, how screen content frames notions of place and belonging within the diasporic communities across the city, how the city has become a hub for the UK and global screen industries and how it intersects with national and local media policy. This interdisciplinary volume will be of interest to scholars and students of film studies, television studies, media industry studies, games studies, cultural and media studies.