Solitary Goose


Book Description

In the fall of 1996 Sydney Plum encountered a solitary Canada goose on a pond near her home in New England. Caring for the animal became a way for her to reconnect with nature. Walks to the pond were daily rituals—reflective times during which Plum thought about the relationships between humans and animals. Mixing memoir with closely observed nature writing, Plum searches for a deeper understanding of what was changed by the experience with the solitary goose she named SG. In the tradition of Elizabeth Marshall Thomas, Plum writes lyrical lessons on the life cycle of geese, the mystery of their great migratory patterns, and their amazing adaptability. Canada geese were not always so plentiful in the United States, she explains, nor were they always denigrated as “flying carp.” Plum shows how species-management programs reestablished the birds outside their previous range at the same time as golf courses, office parks, and suburban ponds began dotting the countryside, providing them with prime habitats where they were unwanted. Memories of breaking holes in the ice for SG to escape predators turn Plum’s thoughts toward what it means to nurture. Coming to terms with how SG thinks leads Plum to examine anthropomorphism in nature writing. In contrast to the metaphors through which we commonly view nature, Plum argues that science combined with metaphor is a better way to understand animals. Though Plum’s focus is generously outward toward nature, this book also reveals an inner journey through which, as she describes it, “the enclosures of my human life had been opened. I had become more susceptible to the kindnesses of birds.”




Magazine of Travel


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Magazine of Travel


Book Description

Reprint of the original, first published in 1857. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.




Magazine of Travel


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The Environmental Imagination


Book Description

With the environmental crisis comes a crisis of the imagination, a need to find new ways to understand nature and humanity's relation to it. This is the challenge Lawrence Buell takes up in The Environmental Imagination, the most ambitious study to date of how literature represents the natural environment. With Thoreau's Walden as a touchstone, Buell gives us a far-reaching account of environmental perception, the place of nature in the history of western thought, and the consequences for literary scholarship of attempting to imagine a more "ecocentric" way of being. In doing so, he provides a major new understanding of Thoreau's achievement and, at the same time, a profound rethinking of our literary and cultural reflections on nature. The green tradition in American writing commands Buell's special attention, particularly environmental nonfiction from colonial times to the present. In works by writers from Crevecoeur to Wendell Berry, John Muir to Aldo Leopold, Rachel Carson to Leslie Silko, Mary Austin to Edward Abbey, he examines enduring environmental themes such as the dream of relinquishment, the personification of the nonhuman, an attentiveness to environmental cycles, a devotion to place, and a prophetic awareness of possible ecocatastrophe. At the center of this study we find an image of Walden as a quest for greater environmental awareness, an impetus and guide for Buell as he develops a new vision of environmental writing and seeks a new way of conceiving the relation between human imagination and environmental actuality in the age of industrialization. Intricate and challenging in its arguments, yet engagingly and elegantly written, The Environmental Imagination is a major work of scholarship, one that establishes a new basis for reading American nature writing.




The Cambridge Companion to Henry David Thoreau


Book Description

The Cambridge Companion to Henry David Thoreau is intended as an accessible guide to reading and understanding the works of Thoreau. Presenting essays by a distinguished array of contributors, the Companion is a valuable resource for historical and contextual material, whether on early writings like A Week on the Concord and Merrimack Rivers, on the monumental Walden, or on his assorted journals and later books. It also serves in some ways as a biographical guide, offering new insights into his turbulent publishing career, and his brief but extraordinarily original life. In short, the Companion helps the reader come to Thoreau's writings, as he would say, 'deliberately and reservedly' by suggesting how Thoreau uses language, how his biography informs his writing, how personal and historical influences shaped his career, and how his writings function as literary works.




Was It Beautiful?


Book Description

“Alison McGhee’s is a novel of simple explanations, simple movement, and Faulkner’s favorite, most ferocious question: Can we ever really know one another?”—Los Angeles Times “McGhee has written a lovely and successful third novel. She brilliantly captures the close but guarded ties between residents of a grieving small town, and delivers dialogue with the uncommon and impressive mix of precision, poignancy, and believability.” —Minneapolis Star Tribune “McGhee is a beautiful writer, especially in her sense of place and her precision in describing characters.” —Twin Cities Pioneer Press “McGhee, author of the critically acclaimed novel Shadow Baby, portrays in spare and beautiful prose a setting and community that recall the cold, hard landscapes of Richard Russo’s fiction.” —Book Page Was It Beautiful? is a powerful and tender portrayal of loss and renewal at midlife. With singular grace and humor, Alison McGhee pays loving attention to the details of life in the Adirondacks and to the small kindnesses and idiosyncrasies that make each member of a community precious and unique. From the Trade Paperback edition.




Walden by Haiku


Book Description

In this intriguing literary experiment, Ian Marshall presents a collection of nearly three hundred haiku that he extracted from Henry David Thoreau’s Walden and documents the underlying similarities between Thoreau's prose and the art of haiku. Although Thoreau would never have encountered the Japanese haiku tradition, the way in which the most important ideas in Walden find expression in the most haikulike language suggests that Thoreau at Walden Pond and the haiku master Basho at his "old pond" might have drunk at the same well. Walden and the tradition of haiku share an aesthetic that embodies ideas in natural images, dissolves boundaries between self and world, emphasizes simplicity, and honors both solitude and humble, familiar objects. Marshall examines each of these aesthetic principles and offers a relevant collection of "found" haiku. In the second part of the book, he explains his process of finding the haiku in the text, breaking down each chapter of Walden to highlight the imagery and poetic language embedded in the most powerful passages. Marshall's exploration not only provides a fresh perspective on haiku, but also sheds new light on Thoreau's much-studied text and lays the foundation for a clearer understanding of the aesthetics of American nature writing.