Some Anomalies of the Short Story (from Literature and Life)


Book Description

'Some Anomalies of the Short Story' a novel by the famed American novelist, editor and literary critic William Dean Howells, takes a look at the art of writing short stories. Howells asks and attempts to answer many questions on the subject such as, "One of the most amusing questions concerning the short story is why a form which is singly so attractive that everyone likes to read a short story when he finds it alone is collectively so repellent as it is said to be. Before now I have imagined the case to be somewhat the same as that of a number of pleasant people who are most acceptable as separate householders, but who lose caste and cease to be desirable acquaintances when gathered into a boarding-house."




Anomalies of the Short Story


Book Description

William Dean Howells (March 1, 1837 - May 11, 1920) was an American realist author and literary critic... In 1858, he began to work at the Ohio State Journal where he wrote poetry, short stories, and also translated pieces from French, Spanish, and German. He avidly studied German and other languages and was greatly interested in Heinrich Heine. In 1860, he visited Boston and met with American writers James Thomas Fields, James Russell Lowell, Oliver Wendell Holmes, Nathaniel Hawthorne, Henry David Thoreau, and Ralph Waldo Emerson. Said to be rewarded for a biography of Abraham Lincoln used during the election of 1860, he gained a consulship in Venice. On Christmas Eve 1862, he married Elinor Mead at the American embassy in Paris. Upon returning to the U.S., he wrote for various magazines, including Atlantic Monthly and Harper's Magazine. From 1866, he became an assistant editor for the Atlantic Monthly and was made editor in 1871, remaining in the position until 1881. In 1869, he first met Mark Twain, which sparked a longtime friendship. Even more important for the development of his literary style--his advocacy of Realism--was his relationship with the journalist Jonathan Baxter Harrison, who in the 1870s wrote a series of articles for the Atlantic Monthly on the lives of ordinary Americans. He wrote his first novel, Their Wedding Journey, in 1872, but his literary reputation took off with the realist novel A Modern Instance, published in 1882, which described the decay of a marriage. His 1885 novel The Rise of Silas Lapham is perhaps his best known, describing the rise and fall of an American entrepreneur in the paint business. His socialviews were also strongly reflected in the novels Annie Kilburn (1888) and A Hazard of New Fortunes (1890). He was particularly outraged by the trials resulting from the Haymarket Riot




Literature and Life


Book Description




Literature and Life


Book Description

Perhaps the reader may not feel in these papers that inner solidarity which the writer is conscious of; and it is in this doubt that the writer wishes to offer a word of explanation. He owns, as he must, that they have every appearance of a group of desultory sketches and essays, without palpable relation to one another, or superficial allegiance to any central motive. Yet he ventures to hope that the reader who makes his way through them will be aware, in the retrospect, of something like this relation and this allegiance.




Literature and Life (Complete)


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Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.




The Cambridge Companion to the American Short Story


Book Description

Comprising new work by leading scholars, this book traces the history of American short fiction and provides original avenues for research.




Some Anomalies of the Short Story (from Literature and Life)


Book Description

Some Anomalies of the Short Story (from Literature and Life) by William Dean Howells One of the most amusing questions concerning the short story is why a form which is singly so attractive that every one likes to read a short story when he finds it alone is collectively so repellent as it is said to be. Before now I have imagined the case to be somewhat the same as that of a number of pleasant people who are most acceptable as separate householders, but who lose caste and cease to be desirable acquaintances when gathered into a boarding-house. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.







Last Days In A Dutch Hotel; and Other Stories from Literature and Life


Book Description

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.




The Body Where I was Born


Book Description

The first novel to appear in English by one of the most talked-about and critically acclaimed writers of new Mexican fiction. From a psychoanalyst's couch, the narrator looks back on her bizarre childhood—in which she was born with an abnormality in her eye into a family intent on fixing it. In a world without the time and space for innocence, the narrator intimately recalls her younger self—a fierce and discerning girl open to life’s pleasures and keen to its ruthless cycle of tragedy. With raw language and a brilliant sense of humor, both delicate and unafraid, Nettel strings together hard-won, unwieldy memories—taking us from Mexico City to Aix-en-Provence, France, then back home again—to create a portrait of the artist as a young girl. In these pages, Nettel’s art of storytelling transforms experience into inspiration and a new startling perception of reality. "Nettel's eye…gives rise to a tension, subtle but persistent, that immerses us in an uncomfortable reality, disquieting, even disturbing—a gaze that illuminates her prose like an alien sun shining down on our world." —Valeria Luiselli, author of Sidewalks and Faces in the Crowd "It has been a long time since I've found in the literature of my generation a world as personal and untransferable as that of Guadalupe Nettel." —Juan Gabriel Vásquez, author of The Sound of Things Falling "Nettel reveals the subliminal beauty within beings…and painstakingly examines the intimacies of her soul." —Magazine Littéraire “Guadalupe Nettel’s storytelling power is majestic."—Typographical Era In Praise of Natural Histories "Five flawless stories..." —The New York Times “Nettel’s stories are as atmospheric and emotionally battering as Checkhov’s.”—Asymptote