Some Current Folk-Songs of the Negro


Book Description

Reproduction of the original.




American Negro Folk-songs


Book Description

While his father works in the city over the winter, a young boy thinks of some good times they've shared and looks forward to his return to their South African home in the spring.




American Negro Songs


Book Description

Authoritative study traces the African influences and lyric significance of such songs as Swing Low, Sweet Chariot and John Henry, and gives words and music for 230 songs. Bibliography. Index of Song Titles.







Songs of Sorrow


Book Description

In the spring of 1862, Lucy McKim, the nineteen-year-old daughter of a Philadelphia abolitionist Quaker family, traveled with her father to the Sea Islands of South Carolina to aid him in his efforts to organize humanitarian aid for thousands of newly freed slaves. During her stay she heard the singing of the slaves in their churches, as they rowed their boats from island to island, and as they worked and played. Already a skilled musician, she determined to preserve as much of the music as she could, quickly writing down words and melodies, some of them only fleeting improvisations. Upon her return to Philadelphia, she began composing musical settings for the songs and in the fall of 1862 published the first serious musical arrangements of slave songs. She also wrote about the musical characteristics of slave songs, and published, in a leading musical journal of the time, the first article to discuss what she had witnessed. In Songs of Sorrow: Lucy McKim Garrison and “Slave Songs of the United States,” renowned music scholar Samuel Charters tells McKim's personal story. Letters reveal the story of young women's lives during the harsh years of the war. At the same time that her arrangements of the songs were being published, a man with whom she had an unofficial “attachment” was killed in battle, and the war forced her to temporarily abandon her work. In 1865 she married Wendell Phillips Garrison, son of abolitionist William Lloyd Garrison, and in the early months of their marriage she proposed that they turn to the collection of slave songs that had long been her dream. She and her husband—a founder and literary editor of the recently launched journal The Nation—enlisted the help of two associates who had also collected songs in the Sea Islands. Their book, Slave Songs of the United States, appeared in 1867. After a long illness, ultimately ending in paralysis, she died at the age of thirty-four in 1877. This book reclaims the story of a pioneer in ethnomusicology, one whose influential work affected the Fisk Jubilee Singers and many others.




American Negro Folk-songs


Book Description

While his father works in the city over the winter, a young boy thinks of some good times they've shared and looks forward to his return to their South African home in the spring.




Songsters and Saints


Book Description

Paul Oliver rediscovers the wealth of neglected vocal traditions represented on Race records.




Thirty-three Years, Thirty-three Works


Book Description

Francis Edward Abernethy served as the Secretary-Editor of the Texas Folklore Society for 33 years. He played an integral part in the process of moving the headquarters from the University of Texas to Stephen F. Austin State University in 1971; for more than three decades, he managed the organization’s daily operations and helped it continue to grow—sometimes through lean years, both financially and in terms of academic interest. In addition to fostering many new members and guiding their contributions to folklore scholarship, his editorial accomplishments were substantial. In all, he edited two dozen volumes of the PTFS series, including the three volumes he wrote himself that serve as the Society’s history, from its beginning in 1909 up until the year 2000. While some publications during his tenure as Secretary-Editor may list the name of another writer (for an Extra Book) or a guest editor (for a special-topic PTFS), he most assuredly provided critical and creative input regarding the style, layout, content, and other aspects of the manuscript to make sure it was worthy of being identified as a TFS book. This Publication of the Texas Folklore Society celebrates Ab Abernethy’s many years of leadership and dedication to collecting, preserving, and presenting the folklore of Texas and the Southwest. Ab’s contributions to the Society’s publications cover a variety of topics. Here, they’ve been organized into some basic categories that serve as chapters. The prefaces to some of the more memorable volumes he edited are included, along with articles he wrote on music, teaching folklore, interesting anecdotes about historical figures and events, and a generalized category of articles on “cultural” examinations of the things we hold dear. In all, these pieces tell us what was important to Ab. In part, it also seems fair to say that these topics are what was—and still is—reflective of what’s important to the Texas Folklore Society.




Handbook of American Folklore


Book Description

Includes material on interpretation methods and presentation of research.




Celebrating 100 Years of the Texas Folklore Society, 1909-2009


Book Description

The Texas Folklore Society is one of the oldest and most prestigious organizations in the state. Its secret for longevity lies in those things that make it unique, such as its annual meeting that seems more like a social event or family reunion than a formal academic gathering. This book examines the Society's members and their substantial contributions to the field of folklore over the last century. Some articles focus on the research that was done in the past, while others offer studies that continue today. This book does more than present a history of the Texas Folklore Society: it explains why the TFS has lasted so long, and why it will continue.