Tristan and Isolde


Book Description

"I believe this fluent, accurate, readable translation of Tristan and Isolde will become the standard English edition of Gottfried's literary masterpiece. Wisely choosing not to recreate the end rhyme of the original, Whobrey has created a text that stays true to the original Middle High German while rendering it into modern English prose. The inclusion of Ulrich von Türheim’s Continuation is a great strength of this book. For the first time, English speakers will be able to read Gottfried's work in tandem with Ulrich's and explore—via Whobrey’s discussion of Ulrich’s sources—the rich Tristan literary tradition in the Middle Ages and the ways in which Gottfried’s achievement resonated well after his death. The footnotes provide helpful cultural, historical, and interpretive information, and Whobrey's Introduction offers a nice overview of Gottfried’s biography, a discussion of Gottfried's important literary excursus, his place within the literature and genres of his time, and the source material for his Tristan. Particularly useful is Whobrey’s discussion of the intricate and masterful structure of Gottfried’s text." —Scott Pincikowski, Hood College




Tristan and Isolde


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First Published in 2002.




John Masefield


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Collected edition of Masefield's Arthurian poetry including previously unpublished material. Introduction by the author. At the end of the nineteenth century, a homeless runaway teenager in New York found a job in a bar and discovered Malory. So began the lifelong interest of the future Poet Laureate, John Masefield (1878-1967), in the story of KingArthur. After becoming a popular, successful narrative poet and playwright, Masefield turned to the Arthurian material in earnest, producing the verse drama Tristan and Isolt in 1927 and Midsummer Night a year laterwith its Arthurian cycle. All29 of Masefield's previously published Arthurian poems from the Ballad of Sir Bors (1903) to Caer Ocvran (1966) are collected here in addition to the full-length tragi-comedy When Good King Arthur. Also included are nine poems never before published which, together with prose notes, reveal Masefield undertaking an ambitious retelling of the Arthurian myth.




A Companion to Gottfried Von Strassburg's "Tristan"


Book Description

The legend of Tristan and Isolde -- the archetypal narrative about the turbulent effects of all-consuming, passionate love -- achieved its most complete and profound rendering in the German poet Gottfried von Strassburg's verse romance Tristan (ca. 1200-1210). Along with his great literary rival Wolfram von Eschenbach and his versatile predecessor Hartmann von Aue, Gottfried is considered one of three greatest poets produced by medieval Germany, and over the centuries his Tristan has lost none of its ability to attract with the beauty of its poetry and to challenge -- if not provoke -- with its sympathetic depiction of adulterous love. The essays, written by a dozen leading Gottfried specialists in Europe and North America, provide definitive treatments of significant aspects of this most important and challenging high medieval version of the Tristan legend. They examine aspects of Gottfried's unparalleled narrative artistry; the important connections between Gottfried's Tristan and the socio-cultural situation in which it was composed; and the reception of Gottfried's challenging romance both by later poets in the Middle Ages and by nineteenth- and twentieth-century authors, composers, and artists -- particularly Richard Wagner. The volume also contains new interpretations of significant figures, episodes, and elements (Riwalin and Blanscheflur, Isolde of the White Hands, the Love Potion, the performance of love, the female figures) in Gottfried's revolutionary romance, which provocatively elevates a sexual, human love to a summum bonum. Will Hasty is Professor of German at the University of Florida. He is the editor of Companion to Wolfram's "Parzival," (Camden House, 1999).




The Old French Tristan Poems


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Published by Boydell & Brewer Inc.







The Encyclopædia Britannica


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The Edinburgh Review


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The Wagner Operas


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In this classic guide, the foremost Wagner expert of our century discusses ten of Wagner's most beloved operas, illuminates their key themes and the myths and literary sources behind the librettos, and demonstrates how the composer's style changed from work to work. Acclaimed as the most complete and intellectually satisfying analysis of the Wagner operas, the book has met with unreserved enthusiasm from specialist and casual music lover alike. Here, available for the first time in a single paperback volume, is the perfect companion for listening to, or attending, The Flying Dutchman, Tannhäuser, Lohengrin, Tristan and Isolde, Die Meistersinger, the four operas of the Ring Cycle, and Parsifal. Newman enriches his treatment of the stories, texts, and music of the operas with biographical and historical materials from the store of knowledge that he acquired while completing his numerous books on Wagner, including the magisterial Life of Richard Wagner. The text of The Wagner Operas is filled with hundreds of musical examples from the scores, and all the important leitmotifs and their interrelationships are made clear in Newman's lucid prose. "This is as fine an introduction as any ever written about a major composer's masterpieces. Newman outlines with unfailing clarity and astuteness each opera's dramatic sources, and he takes the student through the completed opera, step by step, with all manner of incidental insight along the way."--Robert Bailey, New York University




Deleuze and Ethics


Book Description

Concepts such as ethics, values, and normativity play a crucial - if subtle and easily overlooked - role in Deleuze's overall philosophical project. The essays in this collection uncover and explore the ethical dimension of Deleuzian philosophy along diverse trajectories and, in so doing, endeavour to reclaim that philosophy as moral philosophy.