The Poetics of Aristotle


Book Description

In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."




Tragedy and Theory


Book Description

Michelle Zerba engages current debates about the relationship between literature and theory by analyzing responses of theorists in the Western tradition to tragic conflict. Isolating the centrality of conflict in twentieth-century definitions of tragedy, Professor Zerba discusses the efforts of modern critics to locate in Aristotle's Poetics the origins of this focus on agon. Through a study of ethical and political ideas formative of the Poetics, she demonstrates why Aristotle and his Renaissance and Neoclassical beneficiaries exclude conflict from their accounts of tragedy. The agonistic element, the book argues, first emerges in dramatic criticism in nineteenth-century Romantic theories of the sublime and, more influentially, in Hegel's lectures on drama and history. This turning point in the history of speculation about tragedy is examined with attention to a dynamic between the systematic aims of theory and the subversive conflicts of tragic plays. In readings of various Classical and Renaissance dramatists, Professor Zerba reveals that strife in tragedy undermines expectations of coherence, closure, and moral stability, on which theory bases its principles of dramatic order. From Aristotle to Hegel, the philosophical interest in securing these principles determines attitudes toward conflict. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




The Poetics of Aristotle


Book Description




Harvard Studies in Classical Philology


Book Description

This volume of twenty-two articles includes: Charles F. Ahern, Jr., "Daedalus and Icarus in the Ars Amatoria"; T. D. Barnes, "Structure and Chronology in Ammianus, Book 14"; Daniel R. Blickman, "Lucretius, Epicurus, and Prehistory"; John Bodel, "Missing Links: Thymatulum or Tomaculum?"; Alan Cameron, "Biondo's Ammianus: Constantius and Hormisdas at Rome"; James J. Clauss, "The Episode of the Lycian Farmers in Ovid's Metamorphoses"; Gregory Crane, "Creon and the "Ode to Man" in Sophocles' Antigone"; Thomas N. Habinek, "Science and Tradition in Aeneid 6"; Edward M. Harris, "Demosthenes' Speech against Meidias"; J. M. Hunt, "Apolloniana"; Peter E. Knox, "Pyramus and Thisbe in Cyprus"; Christina S. Kraus, "Liviana Minima"; Robert Mondi, "Χαοσ and the Hesiodic Cosmogony"; Charles E. Murgia, "Propertius 4.1.87-88 and the Division of 4.1"; Hayden Pelliccia, "Pindar, Nemean 7.31-36 and the Syntax of Aetiology"; William H. Race, "Climactic Elements in Pindar's Verse"; Eckart Schütrumpf, "Traditional Elements in the Concept of Hamartia in Aristotle's Poetics"; Charles Segal, "Poetic Immortality and the Fear of Death: The Second Proem of the De Rerum Natura"; D. R. Shackleton Bailey, "Albanius or Albinius? A Palinode Resung" and "More on Quintilian's (?) Shorter Declamations"; W. S. Watt, "Notes on Seneca, Tragedies"; and Clifford Weber, "Egeria's Norman Homeland."




Reason, Truth, and Theology in Pragmatist Perspective


Book Description

In this work Paul Murray explores which style of rationality is most appropriate to Christian theology in the contemporary pluralist, postfoundationalist, postmodern context. At its heart is a fresh consideration of the American pragmatist tradition, focussing on the writings of Richard Rorty and Nicholas Rescher. Where Rorty correctly diagnoses the failures of foundationalist "objectivism", Rescher's "pragmatic idealism" is presented as healing the ills in Rorty's own neo-pragmatism. The significant resonance between Rescher's view of rationality and Christian understanding of the trinity is explored. In turn, Donald MacKinnon's influential writings are presented as exemplifying just such an approach to theology. Murray both articulates an enriched form of Christian postliberalism, committed to receiving and learning from other traditions of thought and practice and probes the claim that the dynamics of human rationality can be expected to reflect the Trinitarian dynamics of God's being. "Paul Murray presents us here with an exhaustive and insightful study of recent pragmatic theory, in which he sets up rhythms of healing and completion as well as interrogation... particularly remarkable is his exploration of Christianity as the deep and in some sense final interlocutor of pragmatic tradition. I strongly recommend this book." Olivier Davis, Professor of Christian Doctrine, King's College London. "This is a mature, wide-ranging work that by uniting the intellectual and the practical carries both rational and ethical conviction. It does equal justice to the classic teachings of Christianity and to the challenges to rethink them in dialogue with modern and postmodern approaches. The result is a conception of Christianity both generously orthodox and deeply engaged with contemporary life and thought. It is especially good to see the profound contribution of Donald MacKinnon understood and developed with such perception and relevance." David F. Ford, Regius Professor of Divinity, University of Cambridge. Paul Murray is currently Lecturer in Systematic Theology within the Department of Theology at the University of Durham, England. He has previously held posts at St Cuthbert's Seminary, Ushaw College, Durham and Newman College of Higher Education, Birmingham. Essays of his exploring issues in philosophical theology, science and theology and contemporary Roman Catholic theology have appeared in leading journals and edited collections. This is his first monograph.







A New Companion to Greek Tragedy (Routledge Revivals)


Book Description

That the works of the ancient tragedians still have an immediate and profound appeal surely needs no demonstration, yet the modern reader continually stumbles across concepts which are difficult to interpret or relate to – moral pollution, the authority of oracles, classical ideas of geography – as well as the names of unfamiliar legendary and mythological figures. A New Companion to Greek Tragedy provides a useful reference tool for the ‘Greekless’ reader: arranged on a strictly encyclopaedic pattern, with headings for all proper names occurring in the twelve most frequently read tragedies, it contains brief but adequately detailed essays on moral, religious and philosophical terms, as well as mythical genealogies where important. There are in addition entries on Greek theatre, technical terms and on other writers from Aristotle to Freud, whilst the essay by P. E. Easterling traces some connections between the ideas found in the tragedians and earlier Greek thought.




Tragic Method and Tragic Theology


Book Description

The book moves in a nonreductive way between literary and theological criticism to show how drama and religious thought discern the experience of evil. &"Tragic method&" refers to how tragic art functions as inquiry; &"tragic theology&" refers to how drama and theology render in thematic or symbolic form certain irreducible dimensions of evil and negativity. Bouchard defines no single tragic method or any single view of evil but searches for the distinctive interplay of tragic method of theology in each dramatist. The work opens by scrutinizing certain important interpretations of Greek tragedy. Paul Ricoeur's interpretation of &"the Wicked God and the Tragic Vision&" receives major focus, as does Sophocles, who as a tragedian dramatized the action of inquiry and interpretation. Bouchard then examines Augustine's views of evil and sin, Reinhold Niebuhr's critique of the ironies of history, and Tillich's conceptions of the demonic. By interpreting tragedy in terms of sin or the effects of sin, each theologian resists implications in his own thought pointing to a less resolvable tragic theology. And yet these theologians also contribute very creative understandings of the irreducible character of evil and tragic experience. Substantive and original readings of three playwrights are offered: Rolf Hochhuth's tragedy of vocation, The Deputy, Robert Lowell's trilogy of American historical blindness, The Old Glory, and Peter Shaffer's dreams of tragic awareness and accountability in Equus and Amadeus, revealing new permutations of the irreducibility of evil in contemporary Christian and Jewish religious thinkers who may be helpful in this task, and concludes with a description of the experience of perplexed thought, self-critical in view of tragedy's witness to irreducibility of evil.




Essays on Aristotle's Poetics


Book Description

This collection of essays locates Aristotle's analysis of tragedy in its larger philosophical context. Philosophers, classicists, and literary critics connect the Poetics to Taristoltle's psychology and history, ethics an politics. There are discussions of plot and the unity of action, character and fictional necessity, catharsis, pity and fear, and aesthetic pleasure.




Averroes' Middle Commentary on Aristotle's Poetics


Book Description

Aristotle's Poetics has held the attention of scholars and authors through the ages, and Averroes has long been known as "the commentator" on Aristotle. His Middle Commentary on Aristotle's Poetics is important because of its striking content. Here, an author steeped in Aristotle's thought and highly familiar with an entirely different poetical tradition shows in careful detail what is commendable about Greek poetics and commendable as well as blameworthy about Arabic poetics.