Sonata No. 4 in F Major, Op. 5, No. 4, Violin
Author : Corelli
Publisher :
Page : 4 pages
File Size : 32,43 MB
Release : 2002
Category :
ISBN :
Author : Corelli
Publisher :
Page : 4 pages
File Size : 32,43 MB
Release : 2002
Category :
ISBN :
Author : Ludwig Van Beethoven
Publisher : Read Books Ltd
Page : 28 pages
File Size : 17,39 MB
Release : 2013-04-26
Category : Music
ISBN : 147338107X
Violin Sonata No. 5 in F major, Opus 24, is a violin sonata by Ludwig van Beethoven. It is often known as the "Spring Sonata", and was published in 1801. The work is in four movements: 1. Allegro, 2. Adagio molto espressivo, 3. Scherzo: Allegro molto, and 4. Rondo: Allegro ma non troppo. Ludwig van Beethoven (1770 – 1827) was a seminal German composer. He had a significant influence on the transition from the Classical to the Romantic era of music, and to this day he is considered to be one the most celebrated and important composers of all time. This volume is highly recommended for fans of Beethoven's music, and it constitutes a must-have for collectors of important classical scores. Classic Music Collection constitutes an extensive library of the most well-known and universally enjoyed works of classical music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over. This edition also includes an introductory biography of Beethoven written by Joseph Otten.
Author :
Publisher :
Page : 500 pages
File Size : 28,87 MB
Release : 1926
Category : Music
ISBN :
Author : Corelli
Publisher :
Page : 2 pages
File Size : 24,61 MB
Release : 2002
Category :
ISBN :
Author : Ludwig van Beethoven
Publisher : Courier Corporation
Page : 243 pages
File Size : 19,36 MB
Release : 1990-01-01
Category : Music
ISBN : 0486262774
Beethoven's ten violin sonatas, time-honored favorites of violinists, pianists, and their audiences, reflect the great composer's determination to make the interrelationship between the violin and the piano a more intimate one, and to create a more even and intricate balance between the two instruments than had previously existed in the genre. Ranging in mood and style from the brilliant and virtuosic "Kreutzer" Sonata to the pastoral, lyrical "Spring" Sonata, they include: Sonata No. 1 in D Major, Op. 12, No. 1; Sonata No. 2 in A Major, Op. 12, No. 2; Sonata No. 3 in E-flat Major, Op. 12, No. 3; Sonata No. 4 in A Minor, Op. 23; Sonata No. 5 in F Major ("Spring"), Op. 24; Sonata No. 6 in A Major, Op. 30, No. 1; Sonata No. 7 in C Minor, Op. 30, No. 2; Sonata No. 8 in G Major, Op. 30, No. 3; Sonata No. 9 in A Minor ("Kreutzer"), Op. 47; Sonata No. 10 in G Major, Op. 96. All ten of these beautiful and challenging masterworks are reprinted here from the authoritative edition prepared by Breitkopf & Hartel. Beautifully printed and sturdily bound, this handsome volume offers violinists, pianists, and music lovers the opportunity to study and enjoy the scores in one convenient, inexpensive source. "
Author : Michael Talbot
Publisher : Oxford Monographs on Music
Page : 272 pages
File Size : 41,39 MB
Release : 2001
Category : Language Arts & Disciplines
ISBN : 9780198166955
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.
Author : Arcangelo Corelli
Publisher : Courier Corporation
Page : 354 pages
File Size : 24,53 MB
Release : 1992-01-01
Category : Music
ISBN : 0486272419
Elegant works of great lyric expressiveness that rank among the glories of Baroque music. This volume, reprinted from the standard edition, contains all 48 of the trio sonatas (including the famous chaconne) of Opp. 1, 2, 3 and 4, along with all twelve solo sonatas, Op. 5.
Author : Sabina Teller Ratner
Publisher : Oxford : Oxford University Press
Page : 674 pages
File Size : 44,86 MB
Release : 2002
Category : Biography & Autobiography
ISBN : 9780198163206
Camille Saint-Sa ns 1835-1921: A Thematic Catalogue of his Complete Works defines the achievement of this great French composer. All his musical works are presented: the well-recognized masterpieces, the childhood sketches, the unpublished compositions, and the previously unknown pieces now revealed for the first time. This comprehensive collection fully documents the composer's extraordinary contribution to the musical world. Volume 1 concentrates specifically on his Instrumental output, while the two later volumes will cover Dramatic Works and Choral & Vocal Works respectively.
Author : Lewis Lockwood
Publisher : W. W. Norton & Company
Page : 621 pages
File Size : 47,32 MB
Release : 2005-01-04
Category : Biography & Autobiography
ISBN : 0393326381
Written for the general reader, this book reveals how Beethoven's great works reflect both his artistic individuality and the deepest philosophical and political currents of his age.
Author : Elizabeth Wilson
Publisher : Yale University Press
Page : 357 pages
File Size : 35,94 MB
Release : 2022-03-22
Category : Biography & Autobiography
ISBN : 0300265689
The first full biography of the fearless and brilliant Maria Yudina, a legendary pianist who was central to Russian intellectual life Maria Yudina was no ordinary musician. An incredibly popular pianist, she lived on the fringes of Soviet society and had close friendships with such towering figures as Boris Pasternak, Pavel Florensky, and Mikhail Bakhtin. Legend has it that she was Stalin’s favorite pianist. Yudina was at the height of her fame during WWII, broadcasting almost daily on the radio, playing concerts for the wounded and troops in hospitals and on submarines, and performing for the inhabitants of besieged Leningrad. By the last years of her life, she had been dismissed for ideological reasons from the three institutions where she taught. And yet according to Shostakovich, Yudina remained “a special case. . . . The ocean was only knee-deep for her.” In this engaging biography, Elizabeth Wilson sets Yudina’s extraordinary life within the context of her times, where her musical career is measured against the intense intellectual and religious ferment of the post-revolutionary period and the ensuing years of Soviet repression.