Complete pianoforte sonatas


Book Description

Published within the Signature Series, this series of performing editions of standard keyboard works includes informative introductions and performance notes.










Sonata No. 14 in C-Sharp Minor, Opus 27, No. 2 ("Moonlight")


Book Description

Beethoven's Sonata, Opus 27, No. 2, was not known as the "Moonlight Sonata" during his lifetime. The name has its origins in 1832, in remarks by the German music critic Ludwig Rellstab, as he likened the effect of the first movement to that of moonlight shining upon Lake Lucerne. The name caught on quickly, and later in the nineteenth century, it could be said that the sonata was "universally known" by that name.




The 35 Piano Sonatas, Volume 1 up to Op. 14


Book Description

A critical edition of the 35 Piano Sonatas by specialist Professor Barry Cooper. Includes a general introduction covering performance practice, including tempo, articulation, pedalling and dynamics and commentary to each sonata, including history, full assessment of the sources and detailed notes on interpretation. Introductory CD included.







Les Favorites des Salons for Classical Guitar


Book Description

Virtuoso guitarist Fernando Sor (1778-1839) was also one of the instrument's preeminent composers. In addition he composed many works for other instruments in the forms of symphonies, ballet music, string quartets, and sacred vocal music among others. Although these works were often more popular at the time of their creation it is only his guitar works that are performed or recorded with any regularity today. Sor's life and career can essentially be divided into five periods associated with his residences in Spain (1778-1813), Paris (1813-1815), London (1815-1823), Russia (through Paris, Berlin, and Warsaw, (1823-1826/7), and back to Paris (1826/7-1839) where he died. The present set of pieces originally written for piano solo dates almost entirely from his time in London. The musical forms taken are those of popular dances of the day. Included here are two sets of waltzes, three sets of quadrilles, and a lone mazurka published in Paris in 1835. In addition Sor's solo piano works included minuets, an arrangement of his Funeral March for Tsar Alexander (originally for military band), and arrangements of the overture, a largo, and a minuet from his own opera Telemaco. Only the works from Telemaco are known to have survived with the exception of one minuet that is a version of the final minuet in his Op.3 for guitar. They are not included here.




Beethoven: The 'Moonlight' and Other Sonatas, Op. 27 and Op. 31


Book Description

Even in Beethoven's day the 'Moonlight' Sonata was a popular favourite. This 1999 book provides an accessible introduction to the Sonatas Opp. 27 and 31 (including The 'Moonlight' and 'The Tempest'), aimed at pianists, students, and music lovers. It begins with the works' historical background - the emergence of a 'piano culture' at the end of the eighteenth century, Beethoven's aristocratic milieu in Vienna, and his oft-quoted intention to follow a new compositional path. An account of the sonatas' genesis is followed by a discussion of their reception history, including a survey of changing performing styles since the mid-nineteenth century. The concept of the Sonata quasi una Fantasia is examined in relation to the cult of artistic sensibility in early-nineteenth-century Vienna. The study concludes with a critical introduction to each sonata.




Sonatas, Vol. II: Op. 10, No. 3; Op. 13 ("Pathetique"); Op. 14, Nos. 1, 2; Op. 22, Op. 26


Book Description

This is a reduced-size edition of Piano Sonatas 7-12, by Ludwig van Beethoven. Titles: * Sonata, Op. 10, No. 3 * Sonata, Op. 13 ("Pathetique") * Sonata, Op. 14, No. 1 * Sonata, Op. 14, No. 2 * Sonata, Op. 22 * Sonata, Op. 26 ("Funeral March")