Song Book of the Kappa Alpha Theta Fraternity, 1890. Compiled by Ella Rawles ... and Grace Rawles ...


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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.













Kappa Alpha Theta Song-book


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The Scurlock Studio and Black Washington


Book Description

Nearly a century's worth of Scurlock photographs combine to form a searing portrait of black Washington in all its guises—its challenges and its victories, its dignity and its determination. Beginning in the early twentieth century and continuing into the 1990s, Addison Scurlock, followed by his sons, Robert and George, used their cameras to document and celebrate a community unique in the world, and a stronghold in the history and culture of the nation's capital. Through photographs of formal weddings, elegant cotillions, ballet studios, and quiet family life, the Scurlocks revealed a world in which the black middle class refused to be defined or held captive by discrimination. From its home on the vibrant U Street corridor, the Scurlock Studio gave us indelible images of leaders and luminaries, of high society and working class, of Washingtonians at work and at play. In photograph after photograph, the Scurlocks captured an optimism and resiliency seldom seen in mainstream depictions of segregated society. Luminaries such as Duke Ellington, Ralph Bunche, Mary McLeod Bethune, Alain Locke, Martin Luther King, Jr., and Lois Mailou Jones testify to the intellectual and cultural vibrancy that was unique to Washington and an inspiration to the nation. Photographs of a Peoples Drugstore protest and Marian Anderson's Easter morning concert at the Lincoln Memorial remind us that the struggle for equality in black Washington began long before the civil rights movement of the 1960s. Offering a rich lens into our past, The Scurlock Studio and Black Washington is a powerful trigger of personal and historical memory.










Genealogy of the Exline and Axline Family


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"The immigrant with whom we are primarily interested was Georg Christoff Oechslen. Tradition has it that his family had lived in Alsace for a generation or two already after leaving Schaffhausen, and that his father had been impressed into the Army of Frederick William I ... [he] was born about 1705-1706 ... arrived in Philadelphia on October 2, 1727 on the ship "Adventure" ... apparently lived in the vacinity of Philadelphia for a few years, joining in that extensive excursion of the "Pennsylvania Germans" to Loudoun County, Virginia ... He was married about the same time, but whether in Pennsylvania or Virginia is not known, nor is the maiden name of his wife known, other than that she was called Catherine"--Page 18. Descendants eventually adopted the surname Exline and Axline. Descendants lived in Pennsylvania, Virginia, Colorado, Kansas, Ohio, Iowa, Indiana, Illinois, Missouri, California and elsewhere