Songs by Victor Mass (1822-1884), Including Chants Bretons (1853), and Songs by Georges Bizet (1838-1875), Including Feuilles d'Album (1867)


Book Description

First Published in 1995. This title is volume 4 in a series comprising nearly 300 romances and mélodies, most of which were composed during the 40 years that saw a blossoming of the romantic spirit in all the arts in France. The composers represented in this volume were of a rather serious turn of musical mind and many of the songs presented seem to have enjoyed the more sheltered success of the private recital to which the critics may not have been invited.




Notes


Book Description







The Concert Song Companion


Book Description

W HAT I H A V E attempted in this book is a survey of song; the kind of song which one finds variously described as 'concert', 'art', or sometimes even 'classical song'. 'Concert song' seems the most useful, certainly the least inexact or misleading, of some descriptions, especially since 'art song' sounds primly off putting, and 'classical song' really ought to be used only to refer to songs written during the classical period, i. e. the 18th century. Concert song clearly means the kind of songs one hears sung at concerts or recitals. Addressing myself to the general music-lover who, though he possesses no special knowledge of the song literature, is never theless interested enough in songs and their singers to attend recitals of Lieder or of songs in various languages, I have naturally confined myself to that period of time in which the vast majority of these songs was composed, though not necessarily only to those composers whose songs have survived to be remembered in recital programmes today. I suppose this to be roughly the three centuries covered by the years 1650-1950, though most of the songs we, as audiences, know and love were composed in the middle of this period, in other words in the 19th century.










A Civil Society


Book Description

A Civil Society explores the struggle to initiate women as full participants in the masonic brotherhood that shared in the rise of France's civil society and its "civic morality" on behalf of women's rights. As a vital component of the third sector during France's modernization, freemasonry empowered women in complex social networks, contributing to a more liberal republic, a more open society, and a more engaged public culture. James Smith Allen shows that although women initially met with stiff resistance, their induction into the brotherhood was a significant step in the development of French civil society and its "civic morality," including the promotion of women's rights in the late nineteenth century. Pulling together the many gendered facets of masonry, Allen draws from periodicals, memoirs, and archival material to account for the rise of women within the masonic brotherhood in the context of rapid historical change. Thanks to women's social networks and their attendant social capital, masonry came to play a leading role in French civil society and the rethinking of gender relations in the public sphere.




The Cambridge Companion to French Music


Book Description

This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.




Life of Victor Hugo


Book Description