Author : Masaniello
Publisher :
Page : 16 pages
File Size : 20,95 MB
Release : 1829
Category :
ISBN :
Author : Library of Congress
Publisher :
Page : 712 pages
File Size : 22,51 MB
Release : 1969
Category : Catalogs, Union
ISBN :
Author : British Museum. Department of Printed Books
Publisher :
Page : 642 pages
File Size : 19,69 MB
Release : 1965
Category : English imprints
ISBN :
Author :
Publisher :
Page : 796 pages
File Size : 14,48 MB
Release : 1984
Category : Books
ISBN :
Author : Frederick William John Hemmings
Publisher : Cambridge University Press
Page : 303 pages
File Size : 45,75 MB
Release : 1994-02-25
Category : Drama
ISBN : 0521450888
Relations between theatre and state were seldom more fraught in France than in this period. F. W. J. Hemmings traces the vicissitudes of this perennial conflict.
Author : Jane Fulcher
Publisher : Cambridge University Press
Page : 296 pages
File Size : 50,84 MB
Release : 2002-08-08
Category : History
ISBN : 9780521529433
Professor Fulcher argues that French grand opera was a subtly used tool of the state.
Author : William Loran Crosten
Publisher : New York, King's Crown P
Page : 162 pages
File Size : 33,18 MB
Release : 1948
Category : Opera
ISBN :
Author : Alan Barrie Spitzer
Publisher : Harvard University Press
Page : 364 pages
File Size : 31,5 MB
Release : 1971
Category : History
ISBN : 9780674632202
In showing why the Carbonari conspiracy developed and how it was handled, the author has illuminated the workings of the political system of the Restoration--the structure and organization of its administration and political police and the operation of political justice in its courts.
Author : Dion Boucicault
Publisher : BoD – Books on Demand
Page : 70 pages
File Size : 33,2 MB
Release : 2020-08-04
Category : Fiction
ISBN : 3752403829
Reproduction of the original: The Colleen Bawn by Dion Boucicault
Author : Anselm Gerhard
Publisher : University of Chicago Press
Page : 540 pages
File Size : 42,95 MB
Release : 1998-08-15
Category : History
ISBN : 9780226288574
Why do so many operas end in suicide, murder, and death? Why do many characters in large-scale operas exhibit neurotic behaviors worthy of psychoanalysis? Why are the legendary grands operas - much celebrated in their time - so seldom performed today?
